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Work Type watercolor
Remove constraint Work Type: watercolorHeight [cm] 21
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1
- Swiss Cottage, Hampstead
- between 1912 and 1913
2
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
3
- At Hailsham, Sussex: a Storm Approaching
- 1821
4
- Windsor Castle and Park with Deer
- undated
5
- Man with Horse and Cart Entering a Quarry
- ca. 1797
6
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
7
- Europe. A Prophecy; Frontispiece
- ca. 1820
8
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
9
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
10
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
11
- Fettered Urizen Weeping (Plate 12)
- 1794
12
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
13
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
14
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
15
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
16
- "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
- 1804 to 1820
17
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
18
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
19
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
20
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
21
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
22
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
23
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
24
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
25
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
26
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
27
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
28
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
29
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
30
- "When those who disregard all Mortal Things..." (Plate 55)
- 1804 to 1820
31
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
32
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
33
- "The clouds of Albions Druid Temples..." (Plate 60)
- 1804 to 1820
34
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
35
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
36
- "O Skofield why art thou cruel?..." (Plate 68)
- 1804 to 1820
37
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
38
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
39
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
40
- Five Vignettes of Scenes from Antiquity
- undated
41
- Scene from Don Quixote
- undated
42
- Entrance of the Torre de las dos Hermanas in the Alhambra
- 1775 to 1776
43
- The Great Bath of the Alhambra
- 1775 to 1776
44
- El Hudderi
- undated
45
- Side View of Single Barque
- undated
46
- Adelaide: Side View of Schooner
- undated
47
- Single Brig (?) Another Sailing Vessel Against Outline of City on Background
- undated
48
- Thornbury Castle, Gloucestershire
- undated
49
- Harvesters Resting in a Corn Field
- between 1805 and 1810
50
- Haymakers
- undated
51
- A Dog
- undated
52
- Great Blue Turaco
- undated
53
- A Cockatoo
- undated
54
- A Pier at Amsterdam (Version A)
- 1792
55
- Specimens of the Private Houses of Venice
- 1802-1804
56
- Another Specimen of the Same Style
- 1802-1804
57
- Specimens of a Private House in Venice
- 1802-1804
58
- Gateway to a House in Ancona
- 1802-1804
59
- View of the Interior of One of the Churches in Ancona
- 1802-1804
60
- In One of the Churches of Ancona
- 1802-1804
61
- The Plains of Senta
- 1803
62
- Ruins of the Temple of Jupiter on the Plains of Nemea
- 1803
63
- Kalamata, Greece
- 1802-1804
64
- Kalamata, Greece
- 1802-1804
65
- Study of an Older Palace in Venice
- 1802-1804
66
- A Carita - On the Walls of a Hospital or Public School, Venice
- 1802-1804
67
- The Amphitheatre at Nîmes
- 1803
68
- A View of Core's Library, Dawlish, Devon
- 1837
69
- Syon House
- undated
70
- Syon House: Chapel
- undated
71
- Alnwick Castle
- undated
72
- Brick Bridge
- undated
73
- Gateway Alnwick
- 1786
74
- Pass in the Mountains Between Nisa and Villa Velha
- 1809
75
- The Facade of the Royal Naval College, Greenwich
- undated
76
- Devotee in a Green Turban
- between 1790 and 1796
77
- Praying Man
- undated
78
- Aquedotto Angolare
- ca. 1750
79
- Church in a Landscape
- undated
80
- Disproportioned Horse Drawing
- ca. 1760
81
- Parts of the Properly Proportioned Horse
- 1760
82
- Head of a Horse
- 1760
83
- George Stubbs
- undated
84
- Portrait of John Saxby
- undated
85
- Elevation of a Proposed Design for Cambridge Colleges
- ca. 1823
86
- Stowe House, Buckingham
- 1797
87
- Kielder Castle, Northumberland
- undated
88
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
89
- Self-Portrait with Two Young Men
- between 1730 and 1740
90
- The Assignation
- undated
91
- Government House from St. Andrew's Library - Calcutta
- between 1833 and 1838
92
- A Parrot
- undated
93
- A European Goldfinch
- undated
94
- Meadow Pipit
- undated
95
- A Bird
- undated
96
- A Shrew
- undated
97
- A Storm Damaged Windmill
- undated
98
- In the Friedrich's Shape
- 1802-1804
99
- Sketch of a Monument in the Basilica of Saint Anthony of Padua
- 1802-1804
100
- Battle Abbey, Sussex
- undated