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Work Type watercolor

Height [cm] 43

John R. Skeaping Taking Down Steady

John R. Skeaping, 1901–1980

Taking Down Steady

1963

John R. Skeaping Coming Home Alone

John R. Skeaping, 1901–1980

Coming Home Alone

1963

Joseph Mallord William Turner Villa d'Este

Joseph Mallord William Turner, 1775–1851

Villa d'Este

ca. 1796

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake Christ Appearing to the Apostles after the Resurrection

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Edward Lear Fruit trees, 3 April 1863

Edward Lear, 1812–1888

Fruit trees, 3 April 1863

1863

John Varley The Bridge

John Varley, 1778–1842

The Bridge

1804

James Sowerby A Dove

James Sowerby, 1756–1822

A Dove

undated

Gangaram Chintaman Navgire Tambat Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right

Gangaram Chintaman Navgire Tambat, active 1790s

Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right

1793

Sir Richard Colt Hoare Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790

Sir Richard Colt Hoare, 1758–1838

Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790

1790

Sir Richard Colt Hoare View on the river Vulturnus, Sept.r 1790

Sir Richard Colt Hoare, 1758–1838

View on the river Vulturnus, Sept.r 1790

1790

Sir Richard Colt Hoare Ferry over the Vulturnus, Sept.r 1790

Sir Richard Colt Hoare, 1758–1838

Ferry over the Vulturnus, Sept.r 1790

1790

Joseph Cartwright Duke of Richmond: Sloops, Schooners, Rowboats

Joseph Cartwright, c.1789–1829

Duke of Richmond: Sloops, Schooners, Rowboats

undated

Joseph Cartwright A Grecian Polacker

Joseph Cartwright, c.1789–1829

A Grecian Polacker

undated

Samuel Davis Castle at Dieppe, Normandy

Samuel Davis, 1760–1819

Castle at Dieppe, Normandy

undated

Francis Wheatley Olivia Returns to Her Family

Francis Wheatley, 1747–1801

Olivia Returns to Her Family

undated

Hugh William "Grecian" Williams Bothwell Castle, Lanarkshire

Hugh William "Grecian" Williams, 1773–1829

Bothwell Castle, Lanarkshire

1798

Robert Morrison Design for Court of Edinburgh University

Robert Morrison, active ca. 1791

Design for Court of Edinburgh University

1779

George Denholm Armour The Huntsman

George Denholm Armour, 1864–1949

The Huntsman

undated

Frederick George Byron Shooting Party Returning Home

Frederick George Byron, 1764–1794

Shooting Party Returning Home

1789

Frederick George Byron Shooting Party Setting Out

Frederick George Byron, 1764–1794

Shooting Party Setting Out

1789

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

undated

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

1837

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

1834

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

undated

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

1834

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

1837

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

undated

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

undated

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

undated

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

1834

Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Paul Sandby, 1731–1809

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

1767

Francis Wheatley The Rustic Lover

Francis Wheatley, 1747–1801

The Rustic Lover

1786

Richard Banks Harraden Clare College, Cambridge

Richard Banks Harraden, 1778–1862

Clare College, Cambridge

1841

Walter Greaves Cremorne Gardens, Chelsea

Walter Greaves, 1846–1930

Cremorne Gardens, Chelsea

1871

John Frederick Lewis A Greek Girl Standing on a Balcony

John Frederick Lewis, 1804–1876

A Greek Girl Standing on a Balcony

1840

unknown artist Man in Egyptian Dress

unknown artist

Man in Egyptian Dress

undated

John Frederick Lewis A Street Scene in Granada on the Day of the Bullfight

John Frederick Lewis, 1804–1876

A Street Scene in Granada on the Day of the Bullfight

1833

William Henry Hunt Beauvais

attributed to William Henry Hunt, 1790–1864

Beauvais

ca. 1831