Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
9
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
10
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
11
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Title Page (Plate 2)
1793
12
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
13
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
14
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
15
Edward Lear, 1812–1888
Gozo, near Malta
1866
16
Edward Lear, 1812–1888
Albania
between 1848 and 1849
17
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
18
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
19
Edward Lear, 1812–1888
Nice from the Genoa Road
1865
20
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 7:30 am, 4 March 1867 (590)
1867
21
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)
1867
22
Edward Lear, 1812–1888
Deir El Adra
1867
23
Edward Lear, 1812–1888
River pass between semi barren rock cliffs
1867
24
Edward Lear, 1812–1888
Abu Simbel, 4:30 pm, 8 February 1867 (379)
1867
25
Edward Lear, 1812–1888
La Cava
1838
26
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
27
Edward Lear, 1812–1888
Deir Kadige, noon., January 2, 1867 (27)
1867
28
Edward Lear, 1812–1888
Gebel Sheikh Embarak
1867
29
Edward Lear, 1812–1888
Sharaone
1867
30
Edward Lear, 1812–1888
Sheikh Abadeh, 3:15 pm, 6 January 1867 (84)
1867
31
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
32
Edward Lear, 1812–1888
Sheikh Abadeh, 3:20 pm, 6 January 1867 (85)
1867
33
Edward Lear, 1812–1888
Near Gezir Sherg el Hian
1867
34
Edward Lear, 1812–1888
Ibreem, 11:00 am, 2 February 1867 (319)
1867
35
Edward Lear, 1812–1888
Abu Seer
1867
36
Edward Lear, 1812–1888
Near Wady Halfeh
1867
37
Edward Lear, 1812–1888
Abu Simbel, 1:10 pm, 9 February 1867 (385)
1867
38
Edward Lear, 1812–1888
Ibreem, 10:00 pm, 10 February 1867 (404)
1867
39
Edward Lear, 1812–1888
Ibreem, 6:30 am, 11 February 1867 (405)
1867
40
Edward Lear, 1812–1888
Amada, 7:20 am, 12 February 1867 (421)
1867
41
Edward Lear, 1812–1888
Sabooa
1867
42
Edward Lear, 1812–1888
Near Daboad
1867
43
Edward Lear, 1812–1888
Karnak, 9:30 am, 24 February 1867 (546)
1867
44
Edward Lear, 1812–1888
Karnak, 24 February 1867 (545)
1867
45
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
46
Edward Lear, 1812–1888
Kurayim
1867
47
Edward Lear, 1812–1888
Salahiyeh
1867
48
Edward Lear, 1812–1888
Salahiyeh
1867
49
Edward Lear, 1812–1888
Near El Areesh, 3:30 pm, 30 March 1867 (27)
1867
50
Edward Lear, 1812–1888
Near Beer El Abt, 4:30 pm, 28 March 1867 (23)
1867
51
Edward Lear, 1812–1888
Lago di Garda
1867
52
Robert Smirke, 1752–1845
Allegorical Designs for Medals
undated
53
Robert Smirke, 1752–1845
Figure Studies of a Group of People in a Wooded Clearing
undated
54
Robert Smirke, 1752–1845
Lady Jane Grey
undated
55
Robert Smirke, 1752–1845
Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne
undated
56
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
57
Robert Smirke, 1752–1845
Bachanalia Scene
undated
58
unknown artist
Cortona
undated
59
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
60
unknown artist
A Forest Road
undated
61
Thomas Sully, 1783–1872
Landscape with Mountains, Lake Castle, Seated Figure in Foreground
1834
62
Print made by William Nelson Gardiner, 1766–1814
January
1788
63
unknown artist
Temple of Minerva Medica, Rome
undated
64
Sir Robert Smirke the younger, 1781–1867
Top Portion of a Pillar
1802-1804
65
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
67
Sir Robert Smirke the younger, 1781–1867
Landscape of Trees, and Ruins
1802-1804
68
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
69
Sir Frank Short, 1857–1945
Victory Returning from Trafalgar
undated
70
Sir Robert Smirke the younger, 1781–1867
The Source of the Vaucluse
1802
71
Sir Robert Smirke the younger, 1781–1867
The Castle Inhabited by Petrarch, Vaucluse
1802
72
William John Chamberlayne, 1821–1910
Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
undated
73
William Collins, 1788–1847
Dartmouth
undated
74
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties Fighting
ca. 1792
75
George Jones, 1786–1869
Ross Castle, Killarney, Sept. 4, 1812
1812
76
John Baverstock Knight, 1785–1859
Boat and Figures on Shore of a Lake
undated
77
Sir Robert Smirke the younger, 1781–1867
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
78
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
79
Joseph Cartwright, c.1789–1829
Three Ships with Barque-like Rigging
undated
80
Francis Towne, 1740–1816
Houses near Plymouth
1810
81
unknown artist
Church Interior
undated
82
unknown artist
Seated Woman
undated
83
unknown artist
Welsh Hills from Beaumaris
undated
84
unknown artist
Bearded Man
undated
85
unknown artist
Three Men
undated
86
unknown artist
Mountainous Landscape
undated
87
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
88
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
89
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
90
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
91
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
92
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
93
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
94
John Thomas Smith, 1766–1833
The Smock Exposed
1817
95
John Thomas Smith, 1766–1833
The Reconcilation
1817
96
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
97
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
98
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
99
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
100
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'