Work Type: watercolor / Width [cm]: 25 - YCBA Collections Search Search Results

1. Design for Omega Workshops Fabric

Creator:: Vanessa Bell, 1879–1961
Date:: 1913
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove graph paper
Dimensions:: Image: 21 × 16 inches (53.3 × 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Study of a Woman Sewing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

3. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Trees in a Meadow

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Graphite, watercolor, black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 9 7/8 inches (29.5 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. High Street, Edinburgh

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Crichton Castle (Mountainous Landscape with a Rainbow)

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured cream wove paper
Dimensions:: Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Fruit trees, 3 April 1863

Creator:: Edward Lear, 1812–1888
Date:: 1863
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 16 13/16 x 10 inches (42.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

8. S. Pietro Degli Agostiniani. Leonessa.

Creator:: Edward Lear, 1812–1888
Date:: 1844
Materials & Techniques:: Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 9 11/16 inches (25.1 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Sheikh Abadeh, 3:15 pm, 6 January 1867 (84)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 1/2 × 10 inches (6.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Abu Seer

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 3 5/16 x 9 7/8 inches (8.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Near Wady Halfeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 1/4 x 9 7/8 inches (8.3 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Abu Simbel, 4:30 pm, 8 February 1867 (379)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 10 inches (8.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. Abu Simbel, 1:10 pm, 9 February 1867 (385)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Ibreem, 6:30 am, 11 February 1867 (405)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray ink, over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 inches (8.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

15. Sabooa

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 1/4 x 9 7/8 inches (8.3 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Karnak, 24 February 1867 (545)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 2 1/2 x 9 7/8 inches (6.3 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. Near Daboad

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and black ink on thick, moderately textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 x 9 15/16 inches (5.1 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Gebel Sheikh Eredi

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, wove paper, mounted on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 5/8 × 9 7/8 inches (9.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. River pass between semi barren rock cliffs

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and black ink on thick, slightly textured, wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 7/8 inches (15.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Deir El Adra

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 3/8 x 9 7/8 inches (8.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Gebel Sheikh Abu Fodde, 7:30 am, 4 March 1867 (590)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 3/8 × 9 7/8 inches (8.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Sheikh Abadeh, 3:20 pm, 6 January 1867 (85)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 3/8 x 10 inches (6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Opposite Beni Hassan

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 15/16 x 9 13/16 inches (15.1 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Near Gezir Sherg el Hian

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and gray ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 x 9 7/8 inches (7.3 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. La Cava

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and watercolor on moderately thick, slightly textured, beige-brown wove paper
Dimensions:: Sheet: 4 13/16 x 9 13/16 inches (12.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

28. Lago di Garda

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 1 15/16 x 9 7/8 inches (4.9 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

29. Deir Kadige, noon., January 2, 1867 (27)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 10 inches (8.9 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

30. Gebel Sheikh Embarak

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 1/16 x 10 inches (5.2 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

31. Sharaone

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 2 1/8 x 10 inches (5.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32. Ibreem, 11:00 am, 2 February 1867 (319)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 3/8 x 9 7/8 inches (8.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

33. Ibreem, 10:00 pm, 10 February 1867 (404)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

34. Amada, 7:20 am, 12 February 1867 (421)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 3/8 x 9 7/8 inches (8.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

35. Karnak, 9:30 am, 24 February 1867 (546)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 6 11/16 x 9 7/8 inches (17 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

36. Near Beer El Abt, 4:30 pm, 28 March 1867 (23)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 1/4 × 9 7/8 inches (8.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

37. Near El Areesh, 3:30 pm, 30 March 1867 (27)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 4 3/4 × 9 7/8 inches (12.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

38. Salahiyeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 2 1/2 x 9 7/8 inches (6.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

39. Salahiyeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

40. Kurayim

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 2 9/16 x 9 7/8 inches (6.5 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

41. Gozo, near Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor with pen in brown ink over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 6 5/16 x 9 3/4 inches (16 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Albania

Creator:: Edward Lear, 1812–1888
Date:: between 1848 and 1849
Materials & Techniques:: Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Venice, the Doge's Palace

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

44. Nice from the Genoa Road

Creator:: Edward Lear, 1812–1888
Date:: 1865
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

45. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Visions of the Daughters of Albion, Plate 2, Title Page

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Temple Near the Site of Ancient Phigalia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Gray wash, graphite, pen and brown ink, and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 15 × 9 13/16 inches (38.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Landscape of Trees, and Ruins

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/16 × 9 11/16 inches (18.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Corbeaux Town, Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Forest Scenery near Tamana

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Notre Dame, Paris

Creator:: William Callow, 1812–1908
Date:: 1835
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Sheet of Classical Figure Studies

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on moderately thick, moderately textured beige laid paper and moderately thick, slightly textured, beige wove paper mount
Dimensions:: Sheet: 8 3/8 x 6 3/4 inches (21.3 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 9 3/4 inches (30.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Treron waalia (Bruce's Green Pigeon)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Binney: number one (a fish)

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly texture, cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 3/4 inches (31.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Threkiornis aethiopicus (African Sacred Ibis)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 9 7/8 inches (32.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Felis caligata (Booted Lynx)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and black ink, over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Gypaetus barbatus (Bearded Vulture)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. O'Hara's Tower, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream card
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Tarifa Point, Spain and Mons Abyla, Africa

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Deposition

Creator:: Sir Stanley Spencer, 1891–1959
Date:: 1910
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping out on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 14 5/16 x 9 3/4 inches (36.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Tournon Opposite to Teint on the Rhone

Creator:: Mary Harcourt, 1750–1833
Date:: ca. 1780
Materials & Techniques:: Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Heveningham Hall, Suffolk

Creator:: unknown artist
Date:: between 1782 and 1790
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. St. Goarhausen on the Rhine between Koblenz and Mainz

Creator:: John Frederick Lewis, 1804–1876
Date:: 1827
Materials & Techniques:: Watercolor, white gouache, black chalk, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Tyrolese Hunters

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1827 and 1828
Materials & Techniques:: Watercolor, white gouache, graphite with pen and brown ink on medium, slightly textured, beige wove paper mounted on heavy card
Dimensions:: Sheet: 11 x 8 1/8 inches (27.9 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The New Moon

Creator:: William Bell Scott, 1811–1890
Date:: 1863
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 9 13/16 inches (12.3 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Scene at Windsor

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Graphite and brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Artist Sketching Mlle. de St. Legier as a Shepherdess

Creator:: James Moore, 1762–1799
Date:: 1787
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Cottages at Llanllyfni, North Wales

Creator:: Cornelius Varley, 1781–1873
Date:: 1805
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/16 x 9 3/4 inches (10.3 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Death of Cordelia

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Coracias abyssinicus (Abyssinian Roller)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Boat by a Lake

Creator:: Joseph Barber, 1757–1811
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Leasehold Farm Boxted

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The South Barracks, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, graphite, and collage on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Rock of Gibraltar from Algeciras (Spain)

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Mountains of Africa, from the Hospital at Gilbraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Europa Lighthouse, Ceuta, Spain

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Cabrita Point - Rock of Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Greenwich

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 10 inches (28.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Rock of Gibraltar from the Alameida at San Roque

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The 48th Regiment with Casemate, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The King's Bastion, the Club House Hotel, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Pen and black ink, watercolor, graphite and scraping out on thick slightly textured, cream card
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Work Type watercolor

Width [cm] 25

Search Results

1. Design for Omega Workshops Fabric

2. Study of a Woman Sewing

3. A Harrow in the Orchard

4. Trees in a Meadow

5. High Street, Edinburgh

6. Crichton Castle (Mountainous Landscape with a Rainbow)

7. Fruit trees, 3 April 1863

8. S. Pietro Degli Agostiniani. Leonessa.

9. Sheikh Abadeh, 3:15 pm, 6 January 1867 (84)

10. Abu Seer

11. Near Wady Halfeh

12. Abu Simbel, 4:30 pm, 8 February 1867 (379)

13. Abu Simbel, 1:10 pm, 9 February 1867 (385)

14. Ibreem, 6:30 am, 11 February 1867 (405)

15. Sabooa

16. Karnak, 24 February 1867 (545)

17. Near Daboad

18. Gebel Sheikh Eredi

19. Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)

20. River pass between semi barren rock cliffs

21. Deir El Adra

22. Gebel Sheikh Abu Fodde, 7:30 am, 4 March 1867 (590)

23. Sheikh Abadeh, 3:20 pm, 6 January 1867 (85)

24. Opposite Beni Hassan

25. Near Gezir Sherg el Hian

26. Corpo di Cava, 28 June 1838

27. La Cava

28. Lago di Garda

29. Deir Kadige, noon., January 2, 1867 (27)

30. Gebel Sheikh Embarak

31. Sharaone

32. Ibreem, 11:00 am, 2 February 1867 (319)

33. Ibreem, 10:00 pm, 10 February 1867 (404)

34. Amada, 7:20 am, 12 February 1867 (421)

35. Karnak, 9:30 am, 24 February 1867 (546)

36. Near Beer El Abt, 4:30 pm, 28 March 1867 (23)

37. Near El Areesh, 3:30 pm, 30 March 1867 (27)

38. Salahiyeh

39. Salahiyeh

40. Kurayim

41. Gozo, near Malta

42. Albania

43. Venice, the Doge's Palace

44. Nice from the Genoa Road

45. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

46. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

47. Visions of the Daughters of Albion, Plate 2, Title Page

48. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

49. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

50. Visions of the Daughters of Albion, Plate 1, Frontispiece

51. Temple Near the Site of Ancient Phigalia

52. Landscape of Trees, and Ruins

53. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

54. Corbeaux Town, Port of Spain

55. Forest Scenery near Tamana

56. Notre Dame, Paris

57. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

58. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

59. Hogarth Declaring His Love to Miss Thornhill

60. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

61. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

62. The Smock Exposed

63. The Reconcilation

64. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

65. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

66. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

67. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

68. Sheet of Classical Figure Studies

69. Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch

70. Treron waalia (Bruce's Green Pigeon)

71. Binney: number one (a fish)

72. Threkiornis aethiopicus (African Sacred Ibis)

73. Felis caligata (Booted Lynx)

74. Gypaetus barbatus (Bearded Vulture)