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Work Type watercolor
Remove constraint Work Type: watercolorWidth [cm] 27
Remove constraint Width [cm]: 27Subject Terms men
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1
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
2
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
3
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
4
- America. A Prophecy, Plate 1, Frontispiece
- 1793
5
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
6
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
7
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
8
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
9
- America. A Prophecy, Plate 2, Title Page
- 1793
10
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793
11
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
12
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
13
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
14
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
15
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
16
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
17
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
18
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
19
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
20
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
21
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
22
- Europe. A Prophecy, Plate 13 (Bentley 10)
- 1794
23
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
24
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
25
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
26
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
27
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
28
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
29
- The Torre de Comares, Alhambra, 1835
- 1835
30
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
31
- The Chestnut Tree at Little Wymondley, Hertfordshire
- undated
32
- The Gateway of Lancaster Castle
- ca. 1778
33
- East Side of Mr. Hare's New House
- 1783
34
- North East View of Mr. Hare's New House
- 1783
35
- Two Boats with Crews, Study for The Royal William at Sea
- undated
36
- The Meat Market
- undated
37
- The Poultry Market
- undated
38
- Study of a Cossack: Gregory Yellowstuff
- 1814
39
- A Horse pulling a Drag
- undated
40
- The Murder of Banquo
- ca. 1830
41
- The Porch, Reims Cathedral
- ca. 1840
42
- Abbot's Kitchen, Glastonbury
- ca. 1795
43
- View of New Street, near London Bridge
- undated
44
- The Harvesters
- undated
45
- The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
- 1811
46
- The Pont de la Concorde and Tuileries Palace from the Cours la Reine
- 1823
47
- "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
- undated
48
- "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
- between 1848 and 1851
49
- "Some Do and Some Don't: It is All a Notion:" Getting a Dive
- between 1848 and 1851
50
- "Some Do and Some Don't: It is All a Notion:" Getting into a Bog
- between 1848 and 1851
51
- "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
- between 1848 and 1851
52
- A Hay Wagon Drawn by Four Horses
- undated
53
- Grouse Shooting: The Wrong Sort
- undated
54
- Two Riders Taking a Double Fence
- undated
55
- Full Cry
- undated
56
- Gone Away
- undated
57
- The Death
- undated
58
- "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
- undated
59
- "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
- undated
60
- "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
- undated
61
- "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
- undated
62
- How to Vault in the Saddle
- 1813
63
- "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
- between 1848 and 1851
64
- "Some Do and Some Don't: It is All a Notion:" Getting a Fall
- between 1848 and 1851
65
- "Some Do and Some Don't: It is All a Notion:" Getting Home
- between 1820 and 1821
66
- Dosing a Racehorse
- undated
67
- "Hark": Startled Horse and Alert Rider
- undated
68
- Drawing Covert
- undated
69
- "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
- undated
70
- "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
- undated
71
- "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
- undated
72
- Men Loading a Boat with Barrels
- undated
73
- The House of a Chinese Merchant near Canton
- undated
74
- Commemorative Portrait of a Racehorse called Othello
- undated
75
- Shipping in the Solent off Calshot Castle
- between 1760 and 1793
76
- Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
- undated
77
- Political Caricature: "The Spiritualists"
- undated
78
- Virgilia and Volumnia Plead with Coriolanus
- ca. 1795