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1. Andernach

Andernach
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. 'What, though my soul fantastick measures trod' (Page 4)

'What, though my soul fantastick measures trod' (Page 4)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. 'What, though my soul fantastick measures trod' (Page 4)

'What, though my soul fantastick measures trod' (Page 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Elegy Written in a Country Church-Yard; Title Page

Elegy Written in a Country Church-Yard; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Oft did the harvest to their sickle yield..." (Design 109)

"Oft did the harvest to their sickle yield..." (Design 109)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "Her Henry's holy shade..." (Design 15)

"Her Henry's holy shade..." (Design 15)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "To chase the rolling circle's speed..." (Design 17)

"To chase the rolling circle's speed..." (Design 17)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "A brace of warriors... rustling in their silks and tissues..."(Design 27)

"A brace of warriors... rustling in their silks and tissues..."(Design 27)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Ode on the Spring; Title Page

Ode on the Spring; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Ode to Adversity; Title Page

Ode to Adversity; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Cytherea's Day..." (Design 45)

"Cytherea's Day..." (Design 45)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Bard, A Pindaric Ode; Title Page

The Bard, A Pindaric Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Bard Weaving Edwards Fate (Design 55)

The Bard Weaving Edwards Fate (Design 55)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Mqabba, Qrendi

Mqabba, Qrendi
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/16 x 12 11/16 inches (23 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

27. View of the Modern City of Pergamon

View of the Modern City of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 5/16 inches (38.3 x 54.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. View of Maglova Aqueduct

View of Maglova Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Aquedotto Angolare

Aquedotto Angolare
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. City of Bath

City of Bath
Creator:
Francis Place, 1647–1728
Date:
1678
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 × 12 9/16 inches (10 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Haymaking

Haymaking
Creator:
Heinrich W. Schweickhardt, 1746–1797
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Wild Duck Shooting

Wild Duck Shooting
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Country Lane

A Country Lane
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

34. Patience in a Punt

Patience in a Punt
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Rider on a Brown Horse Going at a Wall

Rider on a Brown Horse Going at a Wall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Huntsman, Galloping to Left and Encouraging Hounds

The Huntsman, Galloping to Left and Encouraging Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 12 9/16 inches (22.5 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Foxhunting: Drawing a Cover

Foxhunting: Drawing a Cover
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Foxhunting: The Leap

Foxhunting: The Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 12 1/2 inches (23.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Duke of Cumberland Riding With Mr. de Burgh's Hunt

The Duke of Cumberland Riding With Mr. de Burgh's Hunt
Creator:
John Ferneley, 1782–1860
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache and gum arabic on thick, rough, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 9/16 inches (22.1 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Swan Inn at Twickenham

The Swan Inn at Twickenham
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

41. Church at Marlylebone

Church at Marlylebone
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

42. Near Putney

Near Putney
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite. verso: graphite
Dimensions:
Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

43. House & Trees

House & Trees
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

44. Miller Lane & Trees by River

Miller Lane & Trees by River
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite [2 joined sheets]
Dimensions:
Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

45. Asgill House

Asgill House
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

46. Gentlemen Punting near a Country Villa/ Heathan House, Twickenham

Gentlemen Punting near a Country Villa/ Heathan House, Twickenham
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

47. Gentlemen Punting

Gentlemen Punting
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

48. On the Thames

On the Thames
Creator:
pupil of John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Malmesbury Abbey

Malmesbury Abbey
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 6 1/8 × 12 1/2 inches (15.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Severn-Henbury Village and Blaize Castle from the road in the Mill

The Severn-Henbury Village and Blaize Castle from the road in the Mill
Creator:
Attributed to J. Hadley, active 1730–1758
Date:
undated
Materials & Techniques:
Gray wash, and pen and black ink on four joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/4 × 12 3/4 inches (10.8 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Hilly Landscape with River and Cattle

Hilly Landscape with River and Cattle
Creator:
John Glover, 1767–1849
Date:
ca. 1810
Materials & Techniques:
Watercolor over graphite on moderateley thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 12 3/4 inches (21 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Bushey Church from the South West

Bushey Church from the South West
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. A Farmyard

A Farmyard
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1815
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 x 12 3/4 inches (26.7 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Roslyn Castle - a wooded river landscape

Roslyn Castle - a wooded river landscape
Creator:
Thomas Peploe Wood, 1817–1845
Date:
1839
Materials & Techniques:
Brown wash with brown and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Hilly Landscape with House

Hilly Landscape with House
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 × 12 3/4 inches (20 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

56. Thatched-roof Barn

Thatched-roof Barn
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

57. The Bridge

The Bridge
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 12 5/8 inches (21.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

58. View of Mount Vernon, the seat of General Washington

View of Mount Vernon, the seat of General Washington
Creator:
Isaac Weld, 1774–1856
Date:
1795
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 8 15/16in. (16.2 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. London: a View toward the City and St. Paul's from the North West

London: a View toward the City and St. Paul's from the North West
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 12 3/4in. (21.3 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Landscape with Farmhouse, Figures and Pond

Landscape with Farmhouse, Figures and Pond
Creator:
Paul Sandby Munn, 1773–1845
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 12 5/8 inches (21 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. A Church in Italy

A Church in Italy
Creator:
Joseph Wright of Derby, 1734–1797
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 3/4 inches (24.8 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Sluice Gate near Slough

The Sluice Gate near Slough
Creator:
Paul Sandby Munn, 1773–1845
Date:
1811
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 12 5/8 inches (28.6 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Old London, View from St. James Park Looking East

Old London, View from St. James Park Looking East
Creator:
William Henry Pyne, 1769–1843
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 12 3/4in. (19.7 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. A Village Pond with Farm Buildings

A Village Pond with Farm Buildings
Creator:
George Lambert, 1700–1765
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 12 7/16in. (20.3 x 31.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Melville Castle, Midlothian

Melville Castle, Midlothian
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper, (two sheets mounted together)
Dimensions:
Sheet: 7 11/16 x 12 3/4 inches (19.5 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Ruins at Capua

Ruins at Capua
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 12 1/2 inches (38.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Waggoner's Rest

The Waggoner's Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Grotto and the Temple of Contemplation, Stowe

The Grotto and the Temple of Contemplation, Stowe
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
1752
Materials & Techniques:
Watercolor, graphite, brown wash, gray wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. A View of the Rotunda in the Garden at Stowe, Buckinghamshire

A View of the Rotunda in the Garden at Stowe, Buckinghamshire
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
1753
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Woodland Landscape

Woodland Landscape
Creator:
Richard Cooper the Younger, 1740–1814
Date:
undated
Materials & Techniques:
Graphite, brown wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 12 5/8 inches (22.2 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Mountainous Landscape, North Wales

Mountainous Landscape, North Wales
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Watercolor and gum over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 12 5/8 inches (21.6 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

74. On the Monnow, Monmouth

On the Monnow, Monmouth
Creator:
Henry Edridge, 1769–1821
Date:
undated
Materials & Techniques:
Watercolor, white gouache, and graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Shepherd - Evening

The Shepherd - Evening
Creator:
Francis Oliver Finch, 1802–1862
Date:
1845
Materials & Techniques:
Watercolor, graphite, and gum, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Mountainous Landscape

Mountainous Landscape
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1780
Materials & Techniques:
Brown ink, black ink, gray wash, brown wash and pale brown ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 12 1/2 inches (24.1 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt

The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Matlock High Tor, Derbyshire

Matlock High Tor, Derbyshire
Creator:
John Emes, 1762–1810
Date:
ca. 1786
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. A Mountain Stream

A Mountain Stream
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1801
Materials & Techniques:
Watercolor and graphite on medium, rough, cream laid paper, pasted on thick, smooth, cream card
Dimensions:
Contemporary drawn border: 10 5/8 x 12 3/4 inches (27 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Wooded Landscape with Figures

Wooded Landscape with Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1788
Materials & Techniques:
Black chalk and stumping, with touches of white and red chalk, gray and brown wash, heightened with gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection