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Samuel Palmer Cornfields with Barn, Shoreham
Samuel Palmer, 1805–1881
Cornfields with Barn, Shoreham
ca. 1829
John Constable A Bridge near Salisbury Court, Perhaps Milford Bridge
John Constable, 1776–1837
A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
John Constable Salisbury Plain from Old Sarum
John Constable, 1776–1837
Salisbury Plain from Old Sarum
1829
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Henry Swinburne Picturesque Landscape
Henry Swinburne, 1743–1803
Picturesque Landscape
undated
Luigi Balugani Najel
Luigi Balugani, 1737–1770
Najel
undated
George Pyne The Kitchen of an Oxford College
George Pyne, 1800–1884
The Kitchen of an Oxford College
1858
Charles Hamilton Smith Views of Spain, Volume I
Charles Hamilton Smith, 1776–1859
Views of Spain, Volume I
undated
Charles Hamilton Smith Views of Polar Regions
Charles Hamilton Smith, 1776–1859
Views of Polar Regions
undated
John Glover On the River Wye with Wilton Castle Ruins on a Bend in the River
John Glover, 1767–1849
On the River Wye with Wilton Castle Ruins on a Bend in the River
after 1794
James Gwin Position Aprés Avoir Désarmé sur le Coup de Tierce
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
Sir Robert Smirke the younger Study of a Bust
Sir Robert Smirke the younger, 1781–1867
Study of a Bust
1802-1804
John Skinner Prout The Church of St. Laurent
John Skinner Prout, 1806–1876
The Church of St. Laurent
undated
Sawrey Gilpin Soldiers in a Landscape
Sawrey Gilpin, 1733–1807
Soldiers in a Landscape
undated
Rev. William Gilpin Two Men in a Landscape and a Castle on a Hill
Rev. William Gilpin, 1724–1804
Two Men in a Landscape and a Castle on a Hill
1769
Rev. William Gilpin Two Trees in a Landscape
Rev. William Gilpin, 1724–1804
Two Trees in a Landscape
between 1762 and 1783
Godfrey Thomas Vigne Clifton Mount
Godfrey Thomas Vigne, 1801–1863
Clifton Mount
undated
Godfrey Thomas Vigne Tucumán, Argentina
Godfrey Thomas Vigne, 1801–1863
Tucumán, Argentina
1854
James Sowerby A Bird
James Sowerby, 1756–1822
A Bird
undated
Henry Moore Porpoises, July 7, 1883
Henry Moore, 1831–1895
Porpoises, July 7, 1883
1883
unknown artist Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
Louis Philippe Boitard Dosing a Racehorse
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
Henry Thomas Alken A Whipper-In and a Couple of Hounds Running Hard in Open Country
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
Samuel Howitt Racing Scene
Samuel Howitt, 1756–1822
Racing Scene
1792
Dr. William Crotch Windsor Castle - Devil's Tower, July 17, 1832 - 11 am
Dr. William Crotch, 1775–1847
Windsor Castle - Devil's Tower, July 17, 1832 - 11 am
1832
James Seymour A Chestnut Horse at Exercise
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
Thomas Baker of Leamington A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
Attributed to Thomas Baker of Leamington, 1809–1864
A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
1848
William Byron, fourth Baron Byron View of a Park with Deer
William Byron, fourth Baron Byron, 1669–1736
View of a Park with Deer
undated
Henry Thomas Alken 'Rather Too Slow'
Henry Thomas Alken, 1785–1851
'Rather Too Slow'
undated
Henry Thomas Alken The Death: Yokels Watching in Foreground
Henry Thomas Alken, 1785–1851
The Death: Yokels Watching in Foreground
undated
Edwin Gill Setters and Pheasant
Edwin Gill, active 1810, died 1868
Setters and Pheasant
undated
Samuel Howitt Dead Teal
Samuel Howitt, 1756–1822
Dead Teal
undated
Peter Tillemans Horse and Rider Walking to Left in a Hilly Landscape
Peter Tillemans, 1684–1734
Horse and Rider Walking to Left in a Hilly Landscape
undated
Willey Reveley Views in the Levant: A Camel
Willey Reveley, 1760–1799
Views in the Levant: A Camel
ca. 1785
Jan Wyck Staghunt
Jan Wyck, ca. 1645–1700
Staghunt
undated
Alfred Gomersal Vickers Shipping off the Isle of Wight
Alfred Gomersal Vickers, 1810–1837
Shipping off the Isle of Wight
undated
Benjamin West Characters in the Streets of London
Benjamin West, 1738–1820
Characters in the Streets of London
1799
James Bruce Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit
James Bruce, 1730–1794
Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit
undated
Paul Sandby Design for a Church. Elevation of West Front
attributed to Paul Sandby, 1731–1809
Design for a Church. Elevation of West Front
undated
Rev. William Henry Barnard The River at Dusk, Oxford
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
James Duffield Harding Lyons from Quayside on the Rhone
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
William Hayes A Crane
William Hayes, active 1775–1794
A Crane
1791
Sir George Hayter The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water
Sir George Hayter, 1792–1871
The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water
1835
Sir George Hayter A Capriccio of Windsor Castle
Sir George Hayter, 1792–1871
A Capriccio of Windsor Castle
1827
Moses Griffith The Beautiful Vale and Mowddach River, Merionethshire
Moses Griffith, 1747–1819
The Beautiful Vale and Mowddach River, Merionethshire
1805
Samuel Howitt A Bulldog
Samuel Howitt, 1756–1822
A Bulldog
after 1815
Theodore Jacobsen The Chapel of the Foundling Hospital, London
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
George Howse Moat at the Tower of London
George Howse, 1800–1860
Moat at the Tower of London
undated
William Kent King's Mews, Charing Cross, London: Section
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817