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Work Type watercolor
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1
- Cornfields with Barn, Shoreham
- ca. 1829
2
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
3
- Salisbury Plain from Old Sarum
- 1829
4
- Autumn Sowing of the Grain
- ca. 1794
5
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
6
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
7
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
8
- Night the Third. Narcissa; Title Page
- ca. 1797
9
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
10
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
11
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
12
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
13
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
14
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
15
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
16
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
17
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
18
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
19
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
20
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
21
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
22
- 'We censure nature for a span too short' (Page 23)
- 1797
23
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
24
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
25
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
26
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
27
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
28
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
29
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
30
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
31
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
32
- Night the Third. Narcissa; Title Page
- 1797
33
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
34
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
35
- The Christian Triumph; Title Page
- 1797
36
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
37
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
38
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
39
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
40
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
41
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
42
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
43
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
44
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
45
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
46
- 'Disease invades the chastest temperence' (Page 10)
- 1797
47
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
48
- 'The present moment terminates our sight' (Page 13)
- 1797
49
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
50
- 'The longest night though longer far, would fail' (Page 15)
- 1797
51
- Sealing the Stone and Setting a Watch
- 1800 to 1803
52
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
53
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
54
- Gebel Sheikh Eredi
- 1867
55
- Picturesque Landscape
- undated
56
- Najel
- undated
57
- The Kitchen of an Oxford College
- 1858
58
- Views of Spain, Volume I
- undated
59
- Views of Polar Regions
- undated
60
- On the River Wye with Wilton Castle Ruins on a Bend in the River
- after 1794
61
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
62
- Study of a Bust
- 1802-1804
63
- The Church of St. Laurent
- undated
64
- Soldiers in a Landscape
- undated
65
- Two Men in a Landscape and a Castle on a Hill
- 1769
66
- Two Trees in a Landscape
- between 1762 and 1783
67
- Mountainous Landscape
- undated
68
- Clifton Mount
- undated
69
- Tucumán, Argentina
- 1854
70
- A Bird
- undated
71
- Porpoises, July 7, 1883
- 1883
72
- Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
- between 1713 and 1718
73
- Dosing a Racehorse
- undated
74
- A Whipper-In and a Couple of Hounds Running Hard in Open Country
- undated
75
- Racing Scene
- 1792
76
- Taking a Fence Side-Saddle
- undated
77
- Gypsy Caravan
- undated
78
- Windsor Castle - Devil's Tower, July 17, 1832 - 11 am
- 1832
79
- A Chestnut Horse at Exercise
- undated
80
- A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
- 1848
81
- View of a Park with Deer
- undated
82
- 'Rather Too Slow'
- undated
83
- The Death: Yokels Watching in Foreground
- undated
84
- Setters and Pheasant
- undated
85
- Dead Teal
- undated
86
- Horse and Rider Walking to Left in a Hilly Landscape
- undated
87
- Study for "Reading from Torah"
- ca. 1914
88
- Views in the Levant: A Camel
- ca. 1785
89
- Design after a Greek Vase
- undated
90
- Design after a Greek Vase
- undated
91
- Staghunt
- undated
92
- Shipping off the Isle of Wight
- undated
93
- Characters in the Streets of London
- 1799
94
- Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit
- undated
95
- Design for a Church. Elevation of West Front
- undated
96
- The River at Dusk, Oxford
- 1792
97
- Lyons from Quayside on the Rhone
- ca. 1824
98
- A Crane
- 1791
99
- The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water
- 1835
100
- A Capriccio of Windsor Castle
- 1827