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Two Studies of Clare College
Creator:
Colin Sorensen, active 1964–2001
Date:
1964
Materials & Techniques:
Brown wash, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 8 9/16 inches (29.4 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Studies of Clare College
Creator:
Colin Sorensen, active 1964–2001
Date:
1964
Materials & Techniques:
Brown wash, graphite, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 8 11/16 inches (29.5 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The West Door, Rochester Cathedral, Kent
Creator:
Frederick Mackenzie, 1788–1854
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 7 3/8 inches (14.8 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gateway to Battle Abbey
Creator:
Henry Morton, ca. 1807–1825
Date:
after 1819
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Quadrangle, All Soul's, Oxford
Creator:
George Pyne, 1800–1884
Date:
1849
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buildwas Abbey, Shropshire
Creator:
Edward Dayes, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection