A Morning at Tattersalls (with further sketches in left margin folded over)
undated
4
Robert Polhill Bevan, 1865–1925
Street Scene: Opatow Kelecki, Poland
ca. 1907
5
Samuel Palmer, 1805–1881
The Wayside Smithy
undated
6
after George Stubbs, 1724–1806
Horses Fighting
undated
7
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
ca. 1792–1794
8
Joseph Mallord William Turner, 1775–1851
Tours, Looking Backwards
between 1826 and 1830
9
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
10
Joseph Mallord William Turner, 1775–1851
Dent de Lion, near Margate
ca. 1791
11
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
12
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
13
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
14
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
15
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
16
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
17
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
18
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
19
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
20
Print made by William Blake, 1757–1827
Pity
ca. 1795
21
Thomas Rowlandson, 1756–1827
The Guards on the March for the Duke of York's Campaign in France
undated
22
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
23
William Daniell, 1769–1837
View from the Round Tower, Windsor Castle
1827
24
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
25
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
26
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
27
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
28
Paul Sandby, 1731–1809
North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey
undated
29
Paul Sandby, 1731–1809
The Light Dragoons
undated
30
Paul Sandby, 1731–1809
A Good-bye
undated
31
Paul Sandby, 1731–1809
Bayswater - London
undated
32
George Sidney Shepherd, 1784–1862
Finsbury Square
1814
33
Thomas Hosmer Shepherd, 1792–1864
St. Paul's Cathedral
undated
34
Peter Tillemans, 1684–1734
Cavalry Troops and Camp Followers on the Move
undated
35
unknown artist
A Forest Road
undated
36
Charles Hamilton Smith, 1776–1859
River Landscape
undated
37
attributed to Peter DeWint, 1784–1849
Haymaking on the Banks of a Lincolnshire River
ca. 1820
38
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
40
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
41
Henry Thomas Alken, 1785–1851
Shot from a Gun
undated
42
William Beilby, 1740–1819
Brick Bridge
undated
43
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
44
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
45
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
46
James Pattison Cockburn, 1779–1847
Form Open Column in Rear of Right
undated
47
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
48
Samuel Howitt, 1756–1822
The Village Inn
1798
49
John Linnell, 1792–1882
Horses in a Paddock
1811
50
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
51
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
52
James Hakewill, 1778–1843
Mill Yard, Holland Estate, St. Thomas in the East
between 1820 and 1821
53
James Hakewill, 1778–1843
Holland Estate, St. Thomas in the East, View from the Change of Air House
between 1820 and 1821
54
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
55
Benjamin Thomas Pouncey, active 1772–1799
Farningham, Kent
1784
56
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
57
Godfrey Thomas Vigne, 1801–1863
Tucumán, Argentina
1854
58
William Simpson, 1823–1899
The Residency, Lucknow
1864
59
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
60
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
61
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
62
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
63
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
64
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
65
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
66
unknown artist
Morning
1799
67
unknown artist
Evening
1799
68
unknown artist
Mid-Day
1799
69
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
70
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
71
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
72
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
73
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
74
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
75
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
76
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
77
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
78
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
79
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
80
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
81
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
82
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
83
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
84
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
85
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
86
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
87
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
88
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
89
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
90
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
91
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
92
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
93
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
94
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
95
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
96
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
97
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
98
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
99
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
100
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"