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1
- A Procession of the Damned: Study for Dante's "Inferno"
- 1780s
- On view at YUAG
2
- Kensington Gardens
- ca. 1848
3
- At Hailsham, Sussex: a Storm Approaching
- 1821
4
- The Bright Cloud
- undated
5
- Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
- 1835 or 1836
6
- Sky Study with Rainbow
- 1827
7
- Stoke Poges Church
- 1834
8
- A Sea Piece - A Rough Sea with a Fishing Boat
- 1820 to 1830
9
- The Moselle Bridge, Coblenz
- ca. 1847–50
10
- Introduction (Plate 34)
- 1794
11
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
12
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
13
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
14
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
15
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
16
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
17
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
18
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
19
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
20
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
21
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
22
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
23
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
24
- Ode for Music, Performed in the Senate-House; Title Page
- between 1797 and 1798
25
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
26
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
27
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
28
- "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
- 1804 to 1820
29
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
30
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
31
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
32
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
33
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
34
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
35
- The Fatal Sisters, An Ode; Title Page
- between 1797 and 1798
36
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
37
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
38
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
39
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
40
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
41
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
42
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
43
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
44
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
45
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
46
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
47
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
48
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
49
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
50
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
51
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
52
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
53
- Ode on a Distant Prospect of Eton College; Title Page
- between 1797 and 1798
54
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
55
- Gebelein
- 1854
56
- Boat on the Nile
- 1854
57
- Gebel Sheikh Abu Fodde
- 1854
58
- Dhoura Island
- 1854
59
- El Ousta
- 1854
60
- Below Rabat, Malta
- 1866
61
- Sliema
- 1866
62
- Garf Hassai, Malta
- 1866
63
- Harb. Gozo
- 1866
64
- Massa Forno, Gozo
- 1866
65
- Mqabba, Qrendi
- 1866
66
- View on the Nile
- 1854
67
- Rocky Valley of Mosta, Malta
- 1866
68
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
69
- Vjosa
- 1857
70
- Tepelene, 18 April 1857
- 1857
71
- Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
- 1867
72
- Near Mesghouneh
- 1867
73
- Near Mesghouneh
- 1867
74
- Near Mesghouneh
- 1867
75
- Beni Eddeir
- 1867
76
- Deir Kadige, noon, January 2, 1867 (26)
- 1867
77
- Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
- 1866
78
- Wied Zurrik (Malta)
- 1848
79
- Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
- 1866
80
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
81
- Albenga
- 1864
82
- Benares
- 1873
83
- View near Palermo
- 1847
84
- Amada, 9:30 am, 12 February 1867
- 1867
85
- A View of the Harbour at Cannes
- 1869
86
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
87
- Salonica, from my Room Window, 11 Sept. 1848, after Sunset
- 1848
88
- Nice from the Genoa Road
- 1865
89
- Benihassan
- 1867
90
- Near Ekhmim
- 1867
91
- Gebel el Azerat (Below Girgeh, East Side)
- 1867
92
- Karnak, 10:00 pm, 22 January 1867 (213)
- 1867
93
- Above Sabooa
- 1867
94
- Maharraka, 7:30 am, 14 February 1867 (464)
- 1867
95
- Maharraka, 7:35 am, 14 February 1867 (465)
- 1867
96
- Korti
- 1867
97
- Near Dakkeh
- 1867
98
- Tapha, 7:50 a.m., February 17, 1867
- 1867
99
- Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
- 1867
100
- Gebel Sheikh Abu Fodde, 7:30 am, 4 March 1867 (590)
- 1867