Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
103
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
104
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
105
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
106
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
107
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
108
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
109
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
110
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
111
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
112
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
113
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
114
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
115
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
116
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
117
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
118
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
119
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
120
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
121
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
122
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
123
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
124
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
125
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
126
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
127
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
128
Print made by Francesco Curti, 1610–1690
Frontispiece: Hercules Fighting the Hydra
ca. 1633
129
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
130
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
131
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
132
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
133
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
134
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
135
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
136
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
137
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
138
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome
ca. 1633
139
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
140
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
141
Print made by Gerard de Jode, born 1509 or 1517, died 1591
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
142
Print made by unknown artist
Bracebridge Hall, Ready Money Jack
1858
143
Print made by unknown artist
Garden Front of Furnivals Inn
1800
144
France Pittoresque, Le Prix de Vertu
1835
145
Print made by unknown artist
Royal Hospital of St. Catherine's, Regent's Park
1828
146
Print made by unknown artist
Bracebridge Hall, The Lovers
1858
147
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
148
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
149
Print made by John Cousen, 1804–1880
Light Towers of the Heve, vignette for title page
1834
150
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
151
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
152
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
153
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
154
Shakspeare
155
Print made by John Cousen, 1804–1880
Harfleur
1834
156
Print made by unknown artist
A Perspective View of Hatfield House, the Seat of the Right, Honorable the Lord Salisbury
1751
157
Print made by William Wise, Active 1823–1876
The North Front of Sion College, London Wall as it Appeared in the Year 1800, Before it was Rebuilt
1815
158
Print made by James C. Allen, active 1821–1831
Castle of Montdragon, near Orange
1825
159
Print made by unknown artist
A Perspective View of Workshop Mannor, a Seat of the Duke of Norfolk's
1755
160
Print made by unknown artist
A Perspective View of the Claredon Printinghouse, the Theatre, the Museum, the Publick Schools & c
undated
161
Print made by unknown artist
A Perspective View of Esher in Surry, the Seat of the Late Rt. Hon.able Henry Pelham Esq
undated
162
Print made by Pieter van der Aa, 1659–1733
Windsor Castle
1727
163
Print made by John Swaine, 1775–1860
Windsor Castle in the Reign of Queen Elizabeth, engraved for Gentleman's Magazine
1849
164
Print made by Pieter van der Aa, 1659–1733
The House at Chiswick in the County of Middlesex
1727
165
Print made by John Swaine, 1775–1860
Windsor Castle in the Reign of Queen Elizabeth, engraved for Gentleman's Magazine
1850
166
Print made by Benjamin Green, ca. 1736–ca. 1800
Chiswick House
undated
167
Print made by unknown artist
View of York House in Piccadilly
undated
168
Print made by James Baily, active 1815–1834
Government House, Funchall, Madeira
1809
169
Print made by Christopher Hewetson, 1737/38–1798
The Vine, Seat of Wm. John Chute Esq
1825
170
Print made by unknown artist
House of the Late Celebrated John James Rousseau, at Moutiers-Travers
1783
171
Town Hall, Bruges
undated
172
Print made by Charles Grignion, 1717–1810
Illustrations for 'Gil Blas', plate II
undated
173
Print made by Charles Grignion, 1717–1810
Illustrations for 'Gil Blas', plate VII
1781
174
Print made by unknown artist
Illustration for 'Spenser'
1822
175
Print made by J. H. Wright, active 1795–1838
Illustration for 'Denham'
1807
176
Print made by Robert Mitchell Meadows, Died before 1812
Illustration for 'Russell', Ode from the Spanish
1807
177
Print made by George Cruikshank, 1792–1878
Oliver plucks up a spirit
1837
178
Print made by George Cruikshank, 1792–1878
Oliver Escapes being Bound Apprentice to the Sweep
1837
179
Print made by George Cruikshank, 1792–1878
Oliver being Introduced to the Respectable Old Gentleman