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Lionel Constable A Grey Day
Lionel Constable, 1828–1887
A Grey Day
ca. 1845
Not on view
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
George Romney Samson Overpowered
George Romney, 1734–1802
Samson Overpowered
undated
William Blake The Pastorals of Virgil, London, 1821
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
unknown artist Horse
Print made by unknown artist
Horse
undated
unknown artist Vue de l'Eglise Cathedrale de S. Paul du cote d'Occident Avant le feu de 1666
unknown artist
Vue de l'Eglise Cathedrale de S. Paul du cote d'Occident Avant le feu de 1666
undated
Francis Barlow Man Hunting with a Pointed Staff and a Hound
Francis Barlow, 1622–1704
Man Hunting with a Pointed Staff and a Hound
ca. 1645-1650
Francis Barlow Illustration to Aesop's Fables: The Fox & the Crane
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
James T. Willmore Fire at Sea (vignette)
Print made by James T. Willmore, 1800–1863
Fire at Sea (vignette)
1835
Thomas Rowlandson A Village Street with Cattle and Sheep Being Driven Through
Thomas Rowlandson, 1756–1827
A Village Street with Cattle and Sheep Being Driven Through
undated
Charles Golding Constable Coastal Scene
Print made by Charles Golding Constable, 1821–1879
Coastal Scene
undated
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
Francesco Bartolozzi Ticket for the Theatre Royal, Covent Garden
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
Sawrey Gilpin Goats
Sawrey Gilpin, 1733–1807
Goats
undated
Jake Chapman Untitled
Jake Chapman, born 1966
Untitled
1999
Henry Thomas Alken Head of a Foxhound, in Profile Right
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
Henry Thomas Alken Head of a Pointer, in Profile Left
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
George Cruikshank Jack Sheppard's Escape from the Cage at Willesden
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
George Cruikshank Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
William Miller Nantes
Print made by William Miller, 1796–1882
Nantes
1833
George Cruikshank Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
George Cruikshank The Name on the Beams
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
George Cruikshank Jack Sheppard and Blueskin in Mr. Woods Bedroom
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
Thomas Daniell Boats at Sea
Thomas Daniell, 1749–1840
Boats at Sea
undated
Jake Chapman Untitled
Jake Chapman, born 1966
Untitled
1999
A. Birrell Sir Peter Lely
Print made by A. Birrell, ca.1770–ca. 1820
Sir Peter Lely
undated
Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
Mrs. P. D. H. Page Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
Mrs. P. D. H. Page, 20th century
Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
undated
Jake Chapman Untitled
Jake Chapman, born 1966
Untitled
1999
Henry Thomas Alken Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post
undated
William Alexander A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
Charles Hancock Two Shetland Ponies With a Groom
Charles Hancock, 1802–1877
Two Shetland Ponies With a Groom
1834
Thomas Girtin The Tithe Barn at Abbotsbury with the Abbey on the hill...
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
Samuel Daniell Study of a Deer Resting, back view
Samuel Daniell, 1775–1811
Study of a Deer Resting, back view
ca. 1801
Peter DeWint Cottage Amongst Trees
pupil of Peter DeWint, 1784–1849
Cottage Amongst Trees
undated
Hercules Brabazon Brabazon Coast near Tunis
Hercules Brabazon Brabazon, 1821–1906
Coast near Tunis
undated
unknown artist Group of Three Figures
unknown artist
Group of Three Figures
undated
Francesco Bartolozzi William Woollet
Print made by Francesco Bartolozzi, 1728–1815
William Woollet
1795
Frederick Landseer Maur Griggs Priory Farm
Print made by Frederick Landseer Maur Griggs, 1876–1938
Priory Farm
1913
Frederick Landseer Maur Griggs Priory Farm
Print made by Frederick Landseer Maur Griggs, 1876–1938
Priory Farm
1913
Niccoló Schiavonetti John Hawkesworth
Niccoló Schiavonetti, 1771–1813
John Hawkesworth
1806
D. P. Pariset Sir William Chambers
D. P. Pariset, born 1740, active in Britain from 1767
Sir William Chambers
1769
Henry R. Cook Sir Thomas Graham, 1st Baron Lynedoch
Henry R. Cook, active 1802–1849
Sir Thomas Graham, 1st Baron Lynedoch
1813
Henry R. Cook Lieutenant General, Henry Paget, the Earl of Uxbridge
Henry R. Cook, active 1802–1849
Lieutenant General, Henry Paget, the Earl of Uxbridge
1813
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
Le Blond & Co. The Brittania Bridge
Le Blond & Co., 1819–1894
The Brittania Bridge
unknown artist Wild Boars
Print made by unknown artist
Wild Boars
undated
Bradshaw & Blacklock Her Majesty Queen Victoria & Family
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
Robert Smirke The Death of Ophelia
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
unknown artist Part of Christ's Hospital
unknown artist
Part of Christ's Hospital
John Varley Castle
John Varley, 1778–1842
Castle
undated
William Woolnoth Stoke Park, Buckingshire
William Woolnoth, active 1806–1830
Stoke Park, Buckingshire
undated
William Wallis Cheapside, Poultry and Bucklersbury
William Wallis, 1794– active 1830
Cheapside, Poultry and Bucklersbury
James T. Willmore Saumur
Print made by James T. Willmore, 1800–1863
Saumur
1833
unknown artist The West Front of Holland House, Kensington
unknown artist
The West Front of Holland House, Kensington
undated
Richard Bernard Godfrey Edgar's Tower, Worcester
Richard Bernard Godfrey, 1728–op.1794
Edgar's Tower, Worcester
1786
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
Henry Heath Personal Security
Henry Heath, active 1824–1835
Personal Security
1825
Benjamin Robert Haydon Children Leaning From a Window
Benjamin Robert Haydon, 1786–1846
Children Leaning From a Window
1805
Sir Robert Smirke the younger In Vicenza
Sir Robert Smirke the younger, 1781–1867
In Vicenza
1802-1804
Francesco Bartolozzi The Power of Love
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
Francesco Bartolozzi Ticket for the Benefit of Mr. Dragonetti
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Dragonetti
1792
Placido Columbani At Naples
Print made by Placido Columbani, born ca. 1744, active 1801
At Naples
undated
Edward Francis Finden Alexander and Diogenes
Edward Francis Finden, 1791–1857
Alexander and Diogenes
Francesco Bartolozzi The Power of Beauty
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
Francesco Bartolozzi Mrs. Gautherot
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Gautherot
1790
Placido Columbani At the Villa Aldobrandini at Rome
Print made by Placido Columbani, born ca. 1744, active 1801
At the Villa Aldobrandini at Rome
undated
unknown artist Vue de la Partie exterieure du Choeur, du Cote D'Accident Avant le feu de Tot
unknown artist
Vue de la Partie exterieure du Choeur, du Cote D'Accident Avant le feu de Tot
George Baxter The Landing of Her Majesty at Cove, Ireland in 1849
Print made by George Baxter, 1804–1867
The Landing of Her Majesty at Cove, Ireland in 1849
1850
John Postle Heseltine Le Pont de Waterloo a Londres
John Postle Heseltine, 1843–1929
Le Pont de Waterloo a Londres
1897
Henry Roberts Landscape with Animals beneath a rugged cliff
Attributed to Henry Roberts, ca. 1710–1790
Landscape with Animals beneath a rugged cliff
ca. 1745