The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
6
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
7
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
8
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
9
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
10
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
11
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
12
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
13
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
14
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
15
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
16
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
17
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
18
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
19
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
20
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
21
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
22
unknown artist
Vue de l'Eglise Cathedrale de S. Paul du cote d'Occident Avant le feu de 1666
undated
23
Francis Barlow, 1622–1704
Man Hunting with a Pointed Staff and a Hound
ca. 1645-1650
24
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
25
Print made by James T. Willmore, 1800–1863
Fire at Sea (vignette)
1835
26
Thomas Rowlandson, 1756–1827
A Village Street with Cattle and Sheep Being Driven Through
undated
27
Print made by Charles Golding Constable, 1821–1879
Coastal Scene
undated
28
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
29
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
30
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
31
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
32
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
33
Sawrey Gilpin, 1733–1807
Goats
undated
34
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
35
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
36
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
37
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
38
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
39
Print made by William Miller, 1796–1882
Nantes
1833
40
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
41
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
42
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
43
Thomas Daniell, 1749–1840
Boats at Sea
undated
44
Print made by A. Birrell, ca.1770–ca. 1820
Sir Peter Lely
undated
45
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
46
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post
undated
47
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
48
Charles Hancock, 1802–1877
Two Shetland Ponies With a Groom
1834
49
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
50
Samuel Daniell, 1775–1811
Study of a Deer Resting, back view
ca. 1801
51
pupil of Peter DeWint, 1784–1849
Cottage Amongst Trees
undated
52
Hercules Brabazon Brabazon, 1821–1906
Coast near Tunis
undated
53
Print made by Francesco Bartolozzi, 1728–1815
William Woollet
1795
54
Print made by Frederick Landseer Maur Griggs, 1876–1938
Priory Farm
1913
55
Print made by Frederick Landseer Maur Griggs, 1876–1938
Priory Farm
1913
56
Niccoló Schiavonetti, 1771–1813
John Hawkesworth
1806
57
D. P. Pariset, born 1740, active in Britain from 1767
Sir William Chambers
1769
58
Henry R. Cook, active 1802–1849
Sir Thomas Graham, 1st Baron Lynedoch
1813
59
Henry R. Cook, active 1802–1849
Lieutenant General, Henry Paget, the Earl of Uxbridge
1813
60
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
61
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
62
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
63
John Varley, 1778–1842
Castle
undated
64
William Woolnoth, active 1806–1830
Stoke Park, Buckingshire
undated
65
William Wallis, 1794– active 1830
Cheapside, Poultry and Bucklersbury
66
Print made by James T. Willmore, 1800–1863
Saumur
1833
67
Richard Bernard Godfrey, 1728–op.1794
Edgar's Tower, Worcester
1786
68
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
69
Henry Heath, active 1824–1835
Personal Security
1825
70
Benjamin Robert Haydon, 1786–1846
Children Leaning From a Window
1805
71
Sir Robert Smirke the younger, 1781–1867
In Vicenza
1802-1804
72
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
73
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Dragonetti
1792
74
Print made by Placido Columbani, born ca. 1744, active 1801
At Naples
undated
75
Edward Francis Finden, 1791–1857
Alexander and Diogenes
76
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
77
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Gautherot
1790
78
Print made by Placido Columbani, born ca. 1744, active 1801
At the Villa Aldobrandini at Rome
undated
79
Print made by George Baxter, 1804–1867
The Landing of Her Majesty at Cove, Ireland in 1849