Height [cm]: 12 / Width [cm]: 15 - YCBA Collections Search Search Results

1. A Grey Day

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 4 3/4 x 6 inches (12.1 x 15.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Willow

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Samson Overpowered

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 5 7/8 inches (11.7 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. The Pastorals of Virgil, London, 1821

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: 17 wood engravings reprinted from the original blocks
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Each creature, Thenot, to his task is born

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Or blasting winds o'er blossom'd hedge-rows pass

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. My sheep quite spent through travel and ill fare

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. And now behold the sun's departing ray

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Horse

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

23. Vue de l'Eglise Cathedrale de S. Paul du cote d'Occident Avant le feu de 1666

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Man Hunting with a Pointed Staff and a Hound

Creator:: Francis Barlow, 1622–1704
Date:: ca. 1645-1650
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 inches (11.7 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Illustration to Aesop's Fables: The Fox & the Crane

Creator:: Follower of Francis Barlow, 1622–1704
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 5 7/8 inches (12.4 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fire at Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Village Street with Cattle and Sheep Being Driven Through

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Coastal Scene

Creator:: Print made by Charles Golding Constable, 1821–1879
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige card, laid on thick, slightly textured, beige card
Dimensions:: Mount: 4 5/8 x 5 13/16 inches (11.8 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Professor Giles Constable

29. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Ticket for the Theatre Royal, Covent Garden

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 x 6 3/8 inches (12.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Ticket for the Brandenbourg House Masquerade

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca. 1797
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Ticket to a Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 9 inches (19.1 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Ticket to Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Goats

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 1/16 inches (11.7 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching, aquatint, and roulette on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

36. Head of a Foxhound, in Profile Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 5 3/4 inches (12.1 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Head of a Pointer, in Profile Left

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 5 3/4 inches (12.1 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

39. Jack Sheppard's Escape from the Cage at Willesden

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 5/8 x 7 3/16 inches (21.9 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

40. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.7 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

41. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving, (First Published State) on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 16 1/8 × 9 inches (41 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

43. The Name on the Beams

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 1/4 x 7 3/8 inches (21 x 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

44. Jack Sheppard and Blueskin in Mr. Woods Bedroom

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/8 inches (21.8 x 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

45. Boats at Sea

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 5 7/16 inches (11.7 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

46. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

47. Sir Peter Lely

Creator:: Print made by A. Birrell, ca.1770–ca. 1820
Date:: undated
Materials & Techniques:: Stipple engraving with etching on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige modern paper
Dimensions:: Mount: 9 9/16 x 7 inches (24.3 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Ticket to a Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 9 5/8 inches (21 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 4 13/16 × 6 1/16 inches (12.2 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

51. Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 5 7/8 inches (12.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 4 3/4 × 7 1/2 inches (12.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Two Shetland Ponies With a Groom

Creator:: Charles Hancock, 1802–1877
Date:: 1834
Materials & Techniques:: Oil, watercolor, gouache, and pen and brown ink on moderately thick, rough, beige wove paper
Dimensions:: Mount: 9 5/16 × 10 3/16 inches (23.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Study of a Deer Resting, back view

Creator:: Samuel Daniell, 1775–1811
Date:: ca. 1801
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 5 7/8 inches (11.7 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Cottage Amongst Trees

Creator:: pupil of Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 7/16 x 9 5/8 inches (21.4 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Coast near Tunis

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 x 6 1/16 inches (11.8 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

58. Group of Three Figures

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 6 inches (12.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

59. William Woollet

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1795
Materials & Techniques:: Line engraving and stipple engraving on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 6 inches (24.4 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Priory Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching, engraver's proof, third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

61. Priory Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

62. John Hawkesworth

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1806
Materials & Techniques:: stipple engraving and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 13/16 × 5 13/16 inches (22.4 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sir William Chambers

Creator:: D. P. Pariset, born 1740, active in Britain from 1767
Date:: 1769
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 15/16 × 7 7/8 inches (48.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Sir Thomas Graham, 1st Baron Lynedoch

Creator:: Henry R. Cook, active 1802–1849
Date:: 1813
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/16 × 5 3/4 inches (23.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Lieutenant General, Henry Paget, the Earl of Uxbridge

Creator:: Henry R. Cook, active 1802–1849
Date:: 1813
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 5/16 inches (28.6 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; early engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/4 × 9 3/4 inches (34.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Brittania Bridge

Creator:: Le Blond & Co., 1819–1894
Materials & Techniques:: Color-printed with mixed media
Dimensions:: Sheet: 4 9/16 x 5 3/4in. (11.6 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Wild Boars

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/16 × 6 5/16 inches (12.8 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

69. Her Majesty Queen Victoria & Family

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: ca. 1851
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 5/16 inches (12.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Death of Ophelia

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1810
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 x 5 7/8 inches (12.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Part of Christ's Hospital

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 3/4 x 5 7/8in. (12.1 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Castle

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, beige wove paper mounted on board
Dimensions:: Mount: 5 3/8 x 5 7/8 inches (13.6 x 15 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

73. Stoke Park, Buckingshire

Creator:: William Woolnoth, active 1806–1830
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Cheapside, Poultry and Bucklersbury

Creator:: William Wallis, 1794– active 1830
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 5/8 x 6 1/16in. (11.7 x 15.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Saumur

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The West Front of Holland House, Kensington

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Photograph on medium, semigloss photographic paper
Dimensions:: Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Edgar's Tower, Worcester

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1786
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper (page in book)
Dimensions:: Sheet: 13 1/2 x 8 9/16 inches (34.3 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1833
Materials & Techniques:: Etching and line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Personal Security

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 5/8 x 5 7/8in. (11.7 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Children Leaning From a Window

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1805
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 5 15/16 inches (12.1 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. In Vicenza

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 6 inches (11.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Power of Love

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 8 1/4 inches (21 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Ticket for the Benefit of Mr. Dragonetti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 7 3/4 inches (16.8 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. At Naples

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Alexander and Diogenes

Creator:: Edward Francis Finden, 1791–1857
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 5/8 x 5 13/16in. (11.8 x 14.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Power of Beauty

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 8 5/16 inches (21.3 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Mrs. Gautherot

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving on thin, smooth, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 13/16 inches (19.1 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. At the Villa Aldobrandini at Rome

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/4 x 5 13/16 inches (22.2 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Vue de la Partie exterieure du Choeur, du Cote D'Accident Avant le feu de Tot

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 7/8 x 6in. (12.4 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Landing of Her Majesty at Cove, Ireland in 1849

Creator:: Print made by George Baxter, 1804–1867
Date:: 1850
Materials & Techniques:: Baxter print on medium, slightly textured, cream wove paper mounted to gold card
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

91. Le Pont de Waterloo a Londres

Creator:: John Postle Heseltine, 1843–1929
Date:: 1897
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 10 11/16 inches (17.4 x 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

92. Landscape with Animals beneath a rugged cliff

Creator:: Attributed to Henry Roberts, ca. 1710–1790
Date:: ca. 1745
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 4 5/8 x 5 3/4in. (11.7 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. A Grey Day

2. The Willow

3. Samson Overpowered

4. The Pastorals of Virgil, London, 1821

5. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

6. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

7. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

8. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

9. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

10. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

11. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

12. Each creature, Thenot, to his task is born

13. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

14. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

15. Or blasting winds o'er blossom'd hedge-rows pass

16. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

17. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

18. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

19. My sheep quite spent through travel and ill fare

20. And now behold the sun's departing ray

21. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

22. Horse

23. Vue de l'Eglise Cathedrale de S. Paul du cote d'Occident Avant le feu de 1666

24. Man Hunting with a Pointed Staff and a Hound

25. Illustration to Aesop's Fables: The Fox & the Crane

26. Fire at Sea (vignette)

27. A Village Street with Cattle and Sheep Being Driven Through

28. Coastal Scene

29. Fingal's Cave, Staffa

30. Ticket for the Theatre Royal, Covent Garden

31. Ticket for the Brandenbourg House Masquerade

32. Ticket to a Concert of Ancient Vocal and Instrumental Music

33. Ticket to Concert of Ancient Vocal and Instrumental Music

34. Goats

35. Untitled

36. Head of a Foxhound, in Profile Right

37. Head of a Pointer, in Profile Left

38. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

39. Jack Sheppard's Escape from the Cage at Willesden

40. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

41. Nantes

42. Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

43. The Name on the Beams

44. Jack Sheppard and Blueskin in Mr. Woods Bedroom

45. Boats at Sea

46. Untitled

47. Sir Peter Lely

48. Ticket to a Concert of Ancient Vocal and Instrumental Music

49. Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]

50. Untitled

51. Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post

52. A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock

53. Two Shetland Ponies With a Groom

54. The Tithe Barn at Abbotsbury with the Abbey on the hill...

55. Study of a Deer Resting, back view

56. Cottage Amongst Trees

57. Coast near Tunis

58. Group of Three Figures

59. William Woollet

60. Priory Farm

61. Priory Farm

62. John Hawkesworth

63. Sir William Chambers

64. Sir Thomas Graham, 1st Baron Lynedoch

65. Lieutenant General, Henry Paget, the Earl of Uxbridge

66. Fingal's Cave, Staffa

67. The Brittania Bridge

68. Wild Boars

69. Her Majesty Queen Victoria & Family

70. The Death of Ophelia

71. Part of Christ's Hospital

72. Castle

73. Stoke Park, Buckingshire

74. Cheapside, Poultry and Bucklersbury