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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1877
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
William Hogarth Emerald Vessel
Print made by William Hogarth, 1697–1764
Emerald Vessel
1723
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Illustrations of The Book of Job, Title Page
William Blake, 1757–1827
Illustrations of The Book of Job, Title Page
1825
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
William Blake Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
1794
William Blake Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake The Pastorals of Virgil, London, 1821
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
unknown artist Farm Animals
Print made by unknown artist
Farm Animals
undated
unknown artist Bulls Fighting
Print made by unknown artist
Bulls Fighting
undated
Charles West Cope Morning Prayer
Print made by Charles West Cope, 1811–1890
Morning Prayer
1844
John Sell Cotman Cader Idris
Print made by John Sell Cotman, 1782–1842
Cader Idris
between 1824 and 1830
John Sell Cotman Harlech Castle
Print made by John Sell Cotman, 1782–1842
Harlech Castle
undated
John Smith Tobias and the Angel
Print made by John Smith, 1652–1743
Tobias and the Angel
ca. 1685
unknown artist Horse
Print made by unknown artist
Horse
undated
unknown artist Lioness
Print made by unknown artist
Lioness
undated
unknown artist Farm Animals
Print made by unknown artist
Farm Animals
undated
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
Samuel Freeman Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
1810
Sir Frank Short Monnikendam
Sir Frank Short, 1857–1945
Monnikendam
1892
François M. la Cave The Foundlings
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
Sparrow Herstmonceux Castle, Sussex Pl. 4
Sparrow, active 1773–1787
Herstmonceux Castle, Sussex Pl. 4
undated
B. R. Davies Mount Blanc
Print made by B. R. Davies, active ca. 1833
Mount Blanc
1828
Edward Francis Finden Bolton Abbey, Wharfdale
Print made by Edward Francis Finden, 1791–1857
Bolton Abbey, Wharfdale
1826
Josiah Henshall The Forum Romanum
Print made by Josiah Henshall, 1806–1869
The Forum Romanum
1830
unknown artist Vue de l'Eglise Cathedrale de S. Paul du cote d'Occident Avant le feu de 1666
unknown artist
Vue de l'Eglise Cathedrale de S. Paul du cote d'Occident Avant le feu de 1666
undated
George Baxter Crystal Palace, Hyde Park
George Baxter, 1804–1867
Crystal Palace, Hyde Park
undated
John J. Hinchliff St. Botolph, Bishopsgate
John J. Hinchliff, 1805–1875
St. Botolph, Bishopsgate
Charles Heath The Auction Mart, Bank & C.
Charles Heath, 1785–1848
The Auction Mart, Bank & C
1825
Capt. Thomas Hastings On Hounslow Heath, Outer Suburb, West
Capt. Thomas Hastings, 1778–1854
On Hounslow Heath, Outer Suburb, West
1820
Robert Wallis The Dutch Church
Robert Wallis, 1794–1878
The Dutch Church
unknown artist Samuel Butler
unknown artist
Samuel Butler
undated
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
James Walker Chester
Print made by James Walker, 1748–1808
Chester
1796
James S. Storer Hampton Court, Herefordshire
Print made by James S. Storer, 1771–1853
Hampton Court, Herefordshire
1801
George Cooke Florence from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence from the Chiesa al Monte
1820
William Payne On the River Wye, Monmouthshire
William Payne, active 1850s
On the River Wye, Monmouthshire
Samuel Middiman Bridge at Narni
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
George Cooke The Roman Forum from the Tower of the Capitol
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818-1820
George Cooke The Roman Forum from the Tower of the Capitol
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818
George Cooke The Roman Forum from the Tower of the Capitol
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818-1820
William Richardson The Roman Forum from the Tower of the Capitol
Print made by William Richardson, active 1842–1877
The Roman Forum from the Tower of the Capitol
1818-1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
James T. Willmore Destruction of Both Houses of Parliament
Print made by James T. Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
W. R. Smith Hannibal passing the Alps (vignette)
Print made by W. R. Smith, active 1819–1851
Hannibal passing the Alps (vignette)
1830
William Miller The Tower of London
Print made by William Miller, 1796–1882
The Tower of London
1831
James T. Willmore Fire at Sea (vignette)
Print made by James T. Willmore, 1800–1863
Fire at Sea (vignette)
1835
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855