Height [cm]: 12 - YCBA Collections Search Search Results

101. Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Songs of Innocence, Plate 2, Title Page (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Sketch of a Landscape with Figures

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite; verso: pen and brown ink on laid paper
Dimensions:: Sheet: 4 3/4 x 7 1/2 inches (12.1 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

109. The Pastorals of Virgil, London, 1821

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: 17 wood engravings reprinted from the original blocks
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Each creature, Thenot, to his task is born

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Or blasting winds o'er blossom'd hedge-rows pass

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. My sheep quite spent through travel and ill fare

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. And now behold the sun's departing ray

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. The Fort of Zakynthos, Greece

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 11/16 inches (11.9 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Suburbs of Corfu

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 5/8 inches (11.9 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Inscriptions in Greek Alphabet

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Palazzo di Vicenza

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 6 3/16 inches (11.9 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. View of Vienna from the Gardens of Schonbrunn

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. A Cow House, Attached to a Villa Near Dresden

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, graphite, pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. A Villa Near Potsdam

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. One of the Entrances to Potsdam

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 1/2 inches (11.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden.

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 9/16 inches (11.9 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Sketch of a Tombstone

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite and brown wash on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 3 5/8 inches (12.2 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Sketch of a Sculpture of the Face of a Mythical Creature

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 4 13/16 × 4 13/16 inches (12.2 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Study of a Chandelier

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Above West Cowes, 8 February 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Near Saint Lawrence, 14 January 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 1/2 inches (12.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Near West Cowes

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Sketch of a Large Tree and a Cottage

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Appuldurcombe, Isle of Wight, 29 December 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 3/8 inches (12.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Lord Henry Seymour's from West Cowes

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1825
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. In Godshill, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. On the Parade, West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 1/2 inches (12.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Sketch of a Group of People

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/4 inches (12.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. By Captain Landon's Cottage near Cheshunt, 21 May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Mayo's Island, Cheshunt, 23 May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 5/8 inches (12.1 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Cheshunt Church, 23 May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 7/8 inches (12.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. View of Mayo's Island, Cheshunt, 23 May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 1/2 inches (12.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Farm Animals

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/16 x 10 inches (16.3 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

155. Bulls Fighting

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 7 1/4 inches (14.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

156. Morning Prayer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Cader Idris

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1824 and 1830
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Harlech Castle

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Tobias and the Angel

Creator:: Print made by John Smith, 1652–1743
Date:: ca. 1685
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. The Most Considerable Remains of the Walls of Gnatia

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Pietra Mala

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Pen and brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Palestrina, Italy

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. View From the Garden of ye Inn at Mantes

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Part of the Ruins Seen From the East End of the Church

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. From Rouen Down the Seine

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Horse

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

167. Lioness

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 5 13/16 × 4 5/16 inches (14.8 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

168. One of Four Sketches, of Ceilings, in the Vatican Gallery

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Waercolor, graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. One of Four Sketches, of Ceilings, in the Vatican Gallery

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Waercolor, graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Landscape with Anchored Boat and Figure

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and balck ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Personalized Design

Creator:: Henry Swinburne, 1743–1803
Date:: 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 inches (41.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Farm Animals

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/16 x 9 15/16 inches (15.7 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

173. Wooded Landscape with a River Leading to Distant Buildings

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Mount: 4 9/16 x 3 13/16 inches (11.6 x 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Monnikendam

Creator:: Sir Frank Short, 1857–1945
Date:: 1892
Materials & Techniques:: Etching
Dimensions:: Sheet: 4 3/4 x 6 11/16in. (12 x 17cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

176. Street Scene at Stratford by Bow

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. View of Verona

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/4 x 3 1/8 inches (12.1 x 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Studies of Figures

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and watercolor with pen and brown ink on medium, moderately textured, beige laid paper mounted on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 3/4 x 2 7/8 inches (12.1 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. A Georgian House

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 13/16 × 7 5/16 inches (12.2 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley

Creator:: Attributed to George Perfect Harding, 1780–1853
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash on medium, moderately textured, wove paper
Dimensions:: Sheet: 4 7/8 × 4 1/8 inches (12.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Westminster Bridge from the Lambeth Shore

Creator:: Thomas Hollis, 1818–1843
Date:: 1835
Materials & Techniques:: Watercolor over graphite with some scraping on wove paper
Dimensions:: Sheet: 4 11/16 x 9 7/8in. (11.9 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Stag, Doe and Fawns

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 3/8 inches (12.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Chantrey's Studio

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 4 1/2 inches (12.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

185. Three Half-Length Figures

Creator:: Inigo Jones, 1573–1652
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 5 inches (11.7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. The New Moon

Creator:: William Bell Scott, 1811–1890
Date:: 1863
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 9 13/16 inches (12.3 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. The Foundlings

Creator:: Print made by François M. la Cave, active 1726–1766
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 8 3/8 inches (12.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Romatic Landscape with a Castle and a Tree on the Right

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. A Village Fair

Creator:: Thomas Uwins, 1782–1857
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 10 5/16 inches (12.4 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Romney Marsh

Creator:: Harold Gilman, 1876–1919
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 5 5/8 inches (12.4 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Hubertusburg Château

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 13/16 x 18 3/8 inches (14.8 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Pembroke College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. The Thames from the Ship Inn, Greenwich

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink, gray wash, brown wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 6 3/4 x 9 1/8 inches (17.1 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. A Hare at the Edge of the Wood

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 7/8 inches (12.1 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Group of Three Ladies

Creator:: Anthony Highmore, 1719–1799
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/8 x 2 3/8 inches (12.4 x 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. View of a Bridge

Creator:: George Heriot, 1766–1844
Date:: 1819
Materials & Techniques:: Pen and brown ink and brown wash on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Herstmonceux Castle, Sussex Pl. 4

Creator:: Sparrow, active 1773–1787
Date:: undated
Materials & Techniques:: Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 5/16 × 10 inches (16 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. A Farm with Farmer and His Horse and Plow in the Foreground

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite
Dimensions:: Sheet: 4 9/16 x 9 1/4in. (11.6 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. The Maison Dieu, Dover

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: graphite
Dimensions:: Sheet: 4 7/8 x 9 3/4in. (12.4 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. View near Aldenham, Herts

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 7 3/8 inches (12.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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101. Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)

102. Songs of Innocence, Plate 2, Title Page (Bentley 3)

103. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

104. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

105. Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

106. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

107. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

108. Sketch of a Landscape with Figures

109. The Pastorals of Virgil, London, 1821

110. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

111. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

112. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

113. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

114. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

115. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

116. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

117. Each creature, Thenot, to his task is born

118. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

119. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

120. Or blasting winds o'er blossom'd hedge-rows pass

121. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

122. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

123. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

124. My sheep quite spent through travel and ill fare

125. And now behold the sun's departing ray

126. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

127. The Fort of Zakynthos, Greece

128. Suburbs of Corfu

129. Inscriptions in Greek Alphabet

130. Palazzo di Vicenza

131. View of Vienna from the Gardens of Schonbrunn

132. A Cow House, Attached to a Villa Near Dresden

133. A Villa Near Potsdam

134. One of the Entrances to Potsdam

135. Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden.

136. Sketch of a Tombstone

137. Sketch of a Sculpture of the Face of a Mythical Creature

138. Study of a Chandelier

139. Above West Cowes, 8 February 1826

140. Near Saint Lawrence, 14 January 1826

141. Near West Cowes

142. Sketch of a Large Tree and a Cottage

143. Appuldurcombe, Isle of Wight, 29 December 1826

144. Lord Henry Seymour's from West Cowes

145. In Godshill, Isle of Wight

146. On the Parade, West Cowes, Isle of Wight

147. West Cowes, Isle of Wight

148. Sketch of a Group of People

149. Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814

150. By Captain Landon's Cottage near Cheshunt, 21 May 1814

151. Mayo's Island, Cheshunt, 23 May 1814

152. Cheshunt Church, 23 May 1814

153. View of Mayo's Island, Cheshunt, 23 May 1814

154. Farm Animals

155. Bulls Fighting

156. Morning Prayer

157. Cader Idris

158. Harlech Castle

159. Tobias and the Angel

160. The Most Considerable Remains of the Walls of Gnatia

161. Pietra Mala

162. Palestrina, Italy

163. View From the Garden of ye Inn at Mantes

164. Part of the Ruins Seen From the East End of the Church

165. From Rouen Down the Seine

166. Horse

167. Lioness

168. One of Four Sketches, of Ceilings, in the Vatican Gallery

169. One of Four Sketches, of Ceilings, in the Vatican Gallery

170. Landscape with Anchored Boat and Figure

171. Personalized Design

172. Farm Animals

173. Wooded Landscape with a River Leading to Distant Buildings

174. Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

175. Monnikendam