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William Blake Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
George Romney Sketch of a Landscape with Figures
George Romney, 1734–1802
Sketch of a Landscape with Figures
undated
William Blake The Pastorals of Virgil, London, 1821
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
Sir Robert Smirke the younger The Fort of Zakynthos, Greece
Sir Robert Smirke the younger, 1781–1867
The Fort of Zakynthos, Greece
1802-1804
Sir Robert Smirke the younger Suburbs of Corfu
Sir Robert Smirke the younger, 1781–1867
Suburbs of Corfu
1802-1804
Sir Robert Smirke the younger Inscriptions in Greek Alphabet
Sir Robert Smirke the younger, 1781–1867
Inscriptions in Greek Alphabet
1802-1804
Sir Robert Smirke the younger Palazzo di Vicenza
Sir Robert Smirke the younger, 1781–1867
Palazzo di Vicenza
1802-1804
Sir Robert Smirke the younger View of Vienna from the Gardens of Schonbrunn
Sir Robert Smirke the younger, 1781–1867
View of Vienna from the Gardens of Schonbrunn
1802-1804
Sir Robert Smirke the younger A Cow House, Attached to a Villa Near Dresden
Sir Robert Smirke the younger, 1781–1867
A Cow House, Attached to a Villa Near Dresden
1802-1804
Sir Robert Smirke the younger A Villa Near Potsdam
Sir Robert Smirke the younger, 1781–1867
A Villa Near Potsdam
1802-1804
Sir Robert Smirke the younger One of the Entrances to Potsdam
Sir Robert Smirke the younger, 1781–1867
One of the Entrances to Potsdam
1804
Sir Robert Smirke the younger Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden.
Sir Robert Smirke the younger, 1781–1867
Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden
1802-1804
Sir Robert Smirke the younger Sketch of a Tombstone
Sir Robert Smirke the younger, 1781–1867
Sketch of a Tombstone
1802-1804
Sir Robert Smirke the younger Sketch of a Sculpture of the Face of a Mythical Creature
Sir Robert Smirke the younger, 1781–1867
Sketch of a Sculpture of the Face of a Mythical Creature
1802-1804
Sir Robert Smirke the younger Study of a Chandelier
Sir Robert Smirke the younger, 1781–1867
Study of a Chandelier
1802-1804
Capt. Thomas Hastings Above West Cowes, 8 February 1826
Capt. Thomas Hastings, 1778–1854
Above West Cowes, 8 February 1826
1826
Capt. Thomas Hastings Near Saint Lawrence, 14 January 1826
Capt. Thomas Hastings, 1778–1854
Near Saint Lawrence, 14 January 1826
1826
Capt. Thomas Hastings Near West Cowes
Capt. Thomas Hastings, 1778–1854
Near West Cowes
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Large Tree and a Cottage
Capt. Thomas Hastings, 1778–1854
Sketch of a Large Tree and a Cottage
between 1826 and 1830
Capt. Thomas Hastings Appuldurcombe, Isle of Wight, 29 December 1826
Capt. Thomas Hastings, 1778–1854
Appuldurcombe, Isle of Wight, 29 December 1826
1826
Capt. Thomas Hastings Lord Henry Seymour's from West Cowes
Capt. Thomas Hastings, 1778–1854
Lord Henry Seymour's from West Cowes
1825
Capt. Thomas Hastings In Godshill, Isle of Wight
Capt. Thomas Hastings, 1778–1854
In Godshill, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings On the Parade, West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
On the Parade, West Cowes, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
West Cowes, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Group of People
Capt. Thomas Hastings, 1778–1854
Sketch of a Group of People
between 1826 and 1830
Capt. Thomas Hastings Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
Capt. Thomas Hastings, 1778–1854
Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
1814
Capt. Thomas Hastings By Captain Landon's Cottage near Cheshunt, 21 May 1814
Capt. Thomas Hastings, 1778–1854
By Captain Landon's Cottage near Cheshunt, 21 May 1814
1814
Capt. Thomas Hastings Mayo's Island, Cheshunt, 23 May 1814
Capt. Thomas Hastings, 1778–1854
Mayo's Island, Cheshunt, 23 May 1814
1814
Capt. Thomas Hastings Cheshunt Church, 23 May 1814
Capt. Thomas Hastings, 1778–1854
Cheshunt Church, 23 May 1814
1814
Capt. Thomas Hastings View of Mayo's Island, Cheshunt, 23 May 1814
Capt. Thomas Hastings, 1778–1854
View of Mayo's Island, Cheshunt, 23 May 1814
1814
unknown artist Farm Animals
Print made by unknown artist
Farm Animals
undated
unknown artist Bulls Fighting
Print made by unknown artist
Bulls Fighting
undated
Charles West Cope Morning Prayer
Print made by Charles West Cope, 1811–1890
Morning Prayer
1844
John Sell Cotman Cader Idris
Print made by John Sell Cotman, 1782–1842
Cader Idris
between 1824 and 1830
John Sell Cotman Harlech Castle
Print made by John Sell Cotman, 1782–1842
Harlech Castle
undated
John Smith Tobias and the Angel
Print made by John Smith, 1652–1743
Tobias and the Angel
ca. 1685
Henry Swinburne The Most Considerable Remains of the Walls of Gnatia
Henry Swinburne, 1743–1803
The Most Considerable Remains of the Walls of Gnatia
1777 to 1778
Henry Swinburne Pietra Mala
Henry Swinburne, 1743–1803
Pietra Mala
1777 to 1778
Henry Swinburne Palestrina, Italy
Henry Swinburne, 1743–1803
Palestrina, Italy
1777 to 1778
Henry Swinburne View From the Garden of ye Inn at Mantes
Henry Swinburne, 1743–1803
View From the Garden of ye Inn at Mantes
undated
Henry Swinburne Part of the Ruins Seen From the East End of the Church
Henry Swinburne, 1743–1803
Part of the Ruins Seen From the East End of the Church
undated
Henry Swinburne From Rouen Down the Seine
Henry Swinburne, 1743–1803
From Rouen Down the Seine
undated
unknown artist Horse
Print made by unknown artist
Horse
undated
unknown artist Lioness
Print made by unknown artist
Lioness
undated
Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery
Henry Swinburne, 1743–1803
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery
Henry Swinburne, 1743–1803
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
Henry Swinburne Landscape with Anchored Boat and Figure
Henry Swinburne, 1743–1803
Landscape with Anchored Boat and Figure
undated
Henry Swinburne Personalized Design
Henry Swinburne, 1743–1803
Personalized Design
1776
unknown artist Farm Animals
Print made by unknown artist
Farm Animals
undated
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
Samuel Freeman Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
1810
Sir Frank Short Monnikendam
Sir Frank Short, 1857–1945
Monnikendam
1892
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
unknown artist View of Verona
unknown artist
View of Verona
undated
James Ward Studies of Figures
James Ward, 1769–1859
Studies of Figures
undated
James Ward A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
John Gendall A Georgian House
John Gendall, 1790–1865
A Georgian House
undated
George Perfect Harding Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
Attributed to George Perfect Harding, 1780–1853
Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
undated
Thomas Hollis Westminster Bridge from the Lambeth Shore
Thomas Hollis, 1818–1843
Westminster Bridge from the Lambeth Shore
1835
Samuel Howitt Stag, Doe and Fawns
Samuel Howitt, 1756–1822
Stag, Doe and Fawns
undated
George Jones Chantrey's Studio
George Jones, 1786–1869
Chantrey's Studio
undated
Inigo Jones Three Half-Length Figures
Inigo Jones, 1573–1652
Three Half-Length Figures
undated
William Bell Scott The New Moon
William Bell Scott, 1811–1890
The New Moon
1863
François M. la Cave The Foundlings
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
John Varley Romatic Landscape with a Castle and a Tree on the Right
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
Thomas Uwins A Village Fair
Thomas Uwins, 1782–1857
A Village Fair
undated
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919
Romney Marsh
undated
Charles Gore Hubertusburg Château
Charles Gore, 1729–1807
Hubertusburg Château
undated
Richard Banks Harraden Pembroke College, Cambridge
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
Thomas Hearne The Thames from the Ship Inn, Greenwich
Thomas Hearne, 1744–1817
The Thames from the Ship Inn, Greenwich
undated
Samuel Howitt A Hare at the Edge of the Wood
Samuel Howitt, 1756–1822
A Hare at the Edge of the Wood
undated
Anthony Highmore Group of Three Ladies
Anthony Highmore, 1719–1799
Group of Three Ladies
undated
George Heriot View of a Bridge
George Heriot, 1766–1844
View of a Bridge
1819
Sparrow Herstmonceux Castle, Sussex Pl. 4
Sparrow, active 1773–1787
Herstmonceux Castle, Sussex Pl. 4
undated
unknown artist A Farm with Farmer and His Horse and Plow in the Foreground
unknown artist
A Farm with Farmer and His Horse and Plow in the Foreground
between 1826 and 1866
unknown artist The Maison Dieu, Dover
unknown artist
The Maison Dieu, Dover
between 1826 and 1866
Louis Philippe Boitard View near Aldenham, Herts
Louis Philippe Boitard, active 1734–1760
View near Aldenham, Herts
undated