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1. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun ca. 1880
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Knowsley Hall

Knowsley Hall
Creator:
Edward Lear, 1812–1888
Date:
ca. 1834
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 x 15 inches (13.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Harb. Gozo

Harb. Gozo
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:
Mount: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

7. Kourayim

Kourayim
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 9 inches (13.3 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Wooded Landscape with a River Leading to Distant Buildings

Wooded Landscape with a River Leading to Distant Buildings
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "The Mute Swan" or "Tame Swan"

"The Mute Swan" or "Tame Swan"
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
undated
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 × 5 3/16 inches (12.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Emerson Tuttle, B.A. 1914

11. A View of Core's Library, Dawlish, Devon

A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View of Florence from South Bank of the Arno

View of Florence from South Bank of the Arno
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1780
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 5 7/8 inches (13.3 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. View near Bingen

View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Bacharach and View near Bingen

Bacharach and View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection