Height [cm]: 13 - YCBA Collections Search Search Results

101. Demonic Dances and Attack

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

102. Noah's Children Rejoicing

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite; verso: brown wash on medium, slightly textured, creamn wove paper
Dimensions:: Sheet: 5 x 5 5/8 inches (12.7 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

103. Prison Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 1/2 inches (13 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

104. Ladies in Waiting

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 x 6 1/2 inches (12.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

105. Female Figure

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 3 7/8 inches (13.3 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

106. Two Sketches of a Nude Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

107. From Antique Coins

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Caius Julius Cæsar

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Creator:: Print made by William Blake, 1757–1827
Date:: 1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Porch to a Private House in Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/4 × 4 1/16 inches (13.3 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Sketch of Three Standing Gravestones

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/16 × 4 11/16 inches (12.9 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Threee Ornate Tombstones

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 4 11/16 inches (12.5 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Raby Castle

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Sketch of Ships near West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Near Falmouth

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1834
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Near the Entrance to Newport from East Cowes

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Sketch of a Landscape with a Distant Harbor

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Sketch of Sailing Boats in a Harbor

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Sketch of a Sailing Boat

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Near Freshwater, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Untitled: Two Classical Domestic Scenes

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 3/4 × 8 1/2 inches (14.6 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Designs for the Great Room of the Society of Arts (4 of 1 sheet)

Creator:: James Mitan, 1776–1822
Date:: 1808
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 x 9in. (12.7 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Bois, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Head of a Horse

Creator:: Edward Pryce Owen, 1788–1863
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 x 5 5/8in. (12.7 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art. Gift of James A. Bergquist

137. Figures at a Country Inn

Creator:: Edward Pryce Owen, 1788–1863
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 1/4 x 7 1/4in. (13.3 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

138. Now Sir, You're a Complete Macaroni

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1772
Materials & Techniques:: Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 8 1/8 inches (28.2 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Spring

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829 to 1830
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 inches (29.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Harlech Castle

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Study of Trees on the Banks of the Yare

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1846
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Tobias and the Angel

Creator:: Print made by John Smith, 1652–1743
Date:: ca. 1685
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

Creator:: Henry Swinburne, 1743–1803
Date:: 1764
Materials & Techniques:: Pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Valencia, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. View from the Gallows Hill

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Horse

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

147. Head of a Horse

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 x 6 7/16 inches (12.7 x 16.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

148. Testa di Fecco

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 7 3/4 inches (13.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. [One of] Miscellaneous Sketches in Wrapper

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 7 inches (13.3 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Ruins of the Old Bridge, Vernon

Creator:: Frederick Goulding, 1842–1909
Date:: 1879
Materials & Techniques:: Etching on moderately thick, slightly texture, beige laid paper
Dimensions:: Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

151. Wooded Landscape with a River Leading to Distant Buildings

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. A Macarony Alderman and His Rib

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1772
Materials & Techniques:: Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 x 7 13/16 inches (27.9 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Egham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Chelsea

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1882
Materials & Techniques:: Etching and drypoint on thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

155. A Fireworks Display

Creator:: John Wilson Carmichael, 1799–1868
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 5 3/4in. (10.8 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Fife

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 5 1/8 x 7 1/8 inches (13 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Gulliver Bound by the Lilliputians

Creator:: Richard Wilson, 1713/4–1782
Date:: undated
Materials & Techniques:: Graphite on medium, rough, blue laid paper
Dimensions:: Mount: 6 7/8 x 9 5/8 inches (17.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. River Ferry with Many Passengers and Animals

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 17 3/8 inches (12.7 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Dr. Syntax Made Free of the Cellar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

Creator:: James Ward, 1769–1859
Date:: 1820 to 1830
Materials & Techniques:: Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 3/4 inches (13 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Fulham Palace, Porter's Lodge

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink with white gouache over graphite on thick, textured, card
Dimensions:: Sheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Church House - Hackney

Creator:: M. A. Gliddon, active 1840
Date:: 1841
Materials & Techniques:: Watercolor and pen and brown ink over traces of graphite on wove paper
Dimensions:: Sheet: 5 1/8 x 8in. (13 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Hackney Charity Schools

Creator:: M. A. Gliddon, active 1840
Date:: 1841
Materials & Techniques:: Watercolor with pen and black ink over traces of graphite on wove paper
Dimensions:: Sheet: 5 1/8 x 8 11/16in. (13 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. A View from St. Mary's, Southwark, Looking Towards Westminster

Creator:: Wenceslaus Hollar, 1607–1677
Date:: ca. 1638
Materials & Techniques:: Pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 12 1/8 inches (13 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. A Bear Attacking a Fallen Indian

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. A Tiger Pierced with an Arrow

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. A Bull Attacking a Dog

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Lion Attacking a Stag

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. A Monkey and Young

Creator:: Samuel Howitt, 1756–1822
Date:: after 1799
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. A Boar and a Ram

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. A Lion Standing over a Wounded Leapard

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. The Mischievous Dog

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. A Goose and a Baboon

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 3/16 inches (13 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Bull Attacking Mastiff

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 3/8 inches (13 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. View of Canterbury

Creator:: Thomas Johnson, 1651–1685
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 5 1/4 × 31 3/4 inches (13.3 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Trees by a Lake

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. A Fruit Stall in a Market

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

Creator:: Elijah Walton, 1832–1880
Date:: undated
Materials & Techniques:: Gouache on verry thick, smooth, cream wove paper
Dimensions:: Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. West Hill, the seat of D.H. Rucker

Creator:: Humphry Repton, 1752–1818
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Harbor Scene

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Brown wash heightened with white over graphite
Dimensions:: Sheet: 5 1/16 x 8 7/8in. (12.9 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. The Deep-Dene. The Seat of Thomas Hope, Esq.

Creator:: George Frederick Prosser, active 1828–1868
Date:: undated
Materials & Techniques:: Lithograph on smooth, thin, white wove paper laid on white wove paper
Dimensions:: Image: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Man Asleep in a Bunk on Board a Ship

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 3/8 inches (13 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Shepherd, Shepherdess and Dog

Creator:: Michel Vincent Brandoin, 1733–1807
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 3 7/8 inches (13 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Garden Stair, Haddon Hall

Creator:: William Callow, 1812–1908
Date:: 1849
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. A Bridal Pair (Figures copied from Hogarth's Rake's Progress)

Creator:: Julius Tidd, active 1773–1779
Date:: 1780
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Linlithgow Palace

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/16 x 7 3/16 inches (13.1 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Two Figures by the Side of a Pond and a Church in a Hilly Landscape

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Graphite on very thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 12 inches (25.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Bishop Wood's Alms-Houses, Clapton

Creator:: M. A. Gliddon, active 1840
Date:: 1842
Materials & Techniques:: Watercolor over graphite on wove paper
Dimensions:: Sheet: 5 1/8 x 7 1/4in. (13 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. The Rock of Gibraltar, from the North Front Guard Room

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Clare College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"

Creator:: Francis Hayman, 1707/8–1776
Date:: undated
Materials & Techniques:: Graphite, red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 6 3/4 inches (13 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Wreck and the Merchant Vessel, St. George, at Deal, Kent

Creator:: John Samuel Hayward, 1778–1822
Date:: 1807
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Fox and the Hedgehog (Porcupine)

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. A Monkey and a Fox

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. The Dog and the Wolf

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Riders Outside an Inn

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. The Fair Grounds

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 x 17 3/8in. (13.2 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Herstmonceux Castle, Sussex Pl. 4

Creator:: Sparrow, active 1773–1787
Date:: undated
Materials & Techniques:: Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 5/16 × 10 inches (16 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Herstmonceux Castle, Sussex Pl. IV

Creator:: Sparrow, active 1773–1787
Date:: undated
Materials & Techniques:: Engraving on textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 3/4 × 9 7/8 inches (32.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Three Seated Ladies

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pens, brown ink and watercolor on medium, slightly textured, beige laid paper, mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 13

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101. Demonic Dances and Attack

102. Noah's Children Rejoicing

103. Prison Scene

104. Ladies in Waiting

105. Female Figure

106. Two Sketches of a Nude Woman

107. From Antique Coins

108. Caius Julius Cæsar

109. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

110. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

111. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

112. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

113. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

114. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

115. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

116. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

117. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

118. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

119. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

120. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

121. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

122. Porch to a Private House in Padua

123. Sketch of Three Standing Gravestones

124. Threee Ornate Tombstones

125. Raby Castle

126. Sketch of Ships near West Cowes, Isle of Wight

127. Near Falmouth

128. Near the Entrance to Newport from East Cowes

129. Sketch of a Landscape with a Distant Harbor

130. Sketch of Sailing Boats in a Harbor

131. Sketch of a Sailing Boat

132. Near Freshwater, Isle of Wight

133. Untitled: Two Classical Domestic Scenes

134. Designs for the Great Room of the Society of Arts (4 of 1 sheet)

135. Bois, France

136. Head of a Horse

137. Figures at a Country Inn

138. Now Sir, You're a Complete Macaroni

139. Spring

140. Harlech Castle

141. Study of Trees on the Banks of the Yare

142. Tobias and the Angel

143. View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

144. Valencia, Spain

145. View from the Gallows Hill

146. Horse

147. Head of a Horse

148. Testa di Fecco

149. [One of] Miscellaneous Sketches in Wrapper

150. Ruins of the Old Bridge, Vernon

151. Wooded Landscape with a River Leading to Distant Buildings

152. A Macarony Alderman and His Rib

153. Egham

154. Chelsea

155. A Fireworks Display

156. Fife

157. Gulliver Bound by the Lilliputians

158. River Ferry with Many Passengers and Animals

159. Dr. Syntax Made Free of the Cellar

160. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

161. Fulham Palace, Porter's Lodge

162. Church House - Hackney

163. Hackney Charity Schools

164. A View from St. Mary's, Southwark, Looking Towards Westminster

165. A Bear Attacking a Fallen Indian

166. A Tiger Pierced with an Arrow

167. A Bull Attacking a Dog

168. Lion Attacking a Stag

169. A Monkey and Young

170. A Boar and a Ram

171. A Lion Standing over a Wounded Leapard

172. The Mischievous Dog

173. A Goose and a Baboon

174. Bull Attacking Mastiff

175. View of Canterbury