Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
6
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
7
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
8
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Title Page (Plate 2)
1793
9
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
10
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
11
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
12
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
13
Robert Smirke, 1752–1845
Bachanalia Scene
undated
14
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
15
Print made by John Sell Cotman, 1782–1842
Castle Above a Waterfall
ca. 1830
16
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
17
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
18
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
19
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
20
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
21
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
22
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties Fighting
ca. 1792
23
Print made by Sir David Young Cameron, 1865–1945
Via ai Prati, Genoa [North Italian Set: No. 8]
1896
24
Rev. William Gilpin, 1724–1804
Landscape with Two Men on a Hill and a Castle in the Distance
between 1762 and 1783
25
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
26
J. Tobin, active 1776
Preparing to lay eel traps
undated
27
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
28
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
29
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
30
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
31
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
32
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
33
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
34
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
35
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
36
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
37
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
38
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
39
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
40
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
41
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
42
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
43
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
44
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
45
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
46
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
47
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
48
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
49
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
50
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
51
Isaac Cruikshank, 1764–1811
The Cuckold Departs for the Hunt
ca. 1800
52
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
53
Edward Duncan, 1803–1882
Pheasant Shooting
1825
54
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
55
James Seymour, 1702–1752
A Boar Hunt
undated
56
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
57
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
58
J. Hill, active 19th century
A Frigate in a Calm
1811
59
J. Hill, active 19th century
A Sloop of War in a Light Breeze
1811
60
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
61
J. Hill, active 19th century
A First Rate after a Storm
1811
62
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
63
Print made by Day & Co., 1824–1913
North West View, Lincoln's Inn
between 1845 and 1850
64
Print made by Ebenezer Challis, active 1837–1859
The Baron's Hall
1844
65
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
66
Jan Wyck, ca. 1645–1700
A Hunting Party
undated
67
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
68
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
69
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
70
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Cresset
1915
71
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
72
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
73
Print made by Thomas Chambars, ca. 1724–1789
Sir Godfrey Kneller and John Zackary Kneller
undated
74
Print made by Thomas Chambars, ca. 1724–1789
Horatio Gentileschi and Edward Mascall
undated
75
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Cresset
1915
76
Print made by Richard Parkes Bonington, 1802–1828
Bologna
1828
77
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
78
Sir David Wilkie, 1785–1841
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
79
Thomas Hearne, 1744–1817
Haymaking
undated
80
Alfred Priest, 1810–1850
Coldham Hall, with H. Priest and C. Turner Angling, 1835
1835
81
attributed to Peter DeWint, 1784–1849
The Harvesters
undated
82
Robert Dighton, 1752–1814
The Travelling Musicians
undated
83
Robert Dighton, 1752–1814
Administering the Oath at Highgate
undated
84
Robert Dighton, 1752–1814
Canvasing for Member of Parliament
undated
85
Robert Dighton, 1752–1814
A Country Amusement - Bull Baiting
undated
86
Robert Dighton, 1752–1814
The Travelling Show Man
undated
87
Robert Dighton, 1752–1814
The Ferry
undated
88
Robert Dighton, 1752–1814
Relieving the Distressed Travellers
undated
89
Robert Dighton, 1752–1814
Modern Exercise
undated
90
Robert Dighton, 1752–1814
A Modern Diversion
undated
91
Robert Dighton, 1752–1814
The Produce of Industry
undated
92
Robert Dighton, 1752–1814
The Harmonious Family
undated
93
Gavin Hamilton, 1723–1798
Andromache Mourning the Death of Hector
between 1760 and 1763
94
William Hamilton, 1751–1801
Figures Harvesting
undated
95
Thomas Hearne, 1744–1817
Edinburgh
ca. 1778
96
Samuel Howitt, 1756–1822
Landscape with Hay Cart before a Cottage
undated
97
Elias Martin, 1739–1818
Group of Caricature Heads
undated
98
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
99
Thomas Stothard, 1755–1834
A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background