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Mary Smirke Upnor Lodge
Mary Smirke, 1779–1853
Upnor Lodge
1820
unknown artist Chatham Dockyard from Upnor
unknown artist
Chatham Dockyard from Upnor
ca. 1820
Edward Goodall Scene at Colgong on the Ganges
Print made by Edward Goodall, 1795–1870
Scene at Colgong on the Ganges
1836
unknown artist View of Calcutta from the Esplanade, No. 1
Print made by unknown artist
View of Calcutta from the Esplanade, No. 1
ca. 1860
Edward Radclyffe Calcutta
Print made by Edward Radclyffe, 1809–1863
Calcutta
ca. 1845
James Stephenson Cabul, from the Bala Hissar
Print made by James Stephenson, 1808–1886
Cabul, from the Bala Hissar
1885
unknown artist At Chatsoo near Jeypoor
Print made by unknown artist
At Chatsoo near Jeypoor
undated
John Luard Simla
Print made by John Luard, 1790–1875
Simla
between 1832 and 1838
John Luard Pilgrims
Print made by John Luard, 1790–1875
Pilgrims
undated
unknown artist Polo Players
Print made by unknown artist
Polo Players
undated
Sawrey Gilpin Doe and Buck
Sawrey Gilpin, 1733–1807
Doe and Buck
undated
Sawrey Gilpin Four Deer
Sawrey Gilpin, 1733–1807
Four Deer
undated
Edward Dayes Melrose Abbey, Roxburghshire
Edward Dayes, 1763–1804
Melrose Abbey, Roxburghshire
1792
Edward Dayes Elgin Cathedral, Moray
Edward Dayes, 1763–1804
Elgin Cathedral, Moray
1792
unknown artist Mal Cut Purse
unknown artist
Mal Cut Purse
1793
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
John Phillipps Emslie Northumberland Head Inn at Corner of Fort St. and Gun St., Spitalfields
John Phillipps Emslie, 1839–1913
Northumberland Head Inn at Corner of Fort St. and Gun St., Spitalfields
1883
Robert Hills Cows From Various Angles
Robert Hills, 1769–1844
Cows From Various Angles
undated
Robert Hills Study of Cows with Calf
Robert Hills, 1769–1844
Study of Cows with Calf
undated
Robert Hills A Young Deer
Robert Hills, 1769–1844
A Young Deer
1801
Paul Sandby Head of a Woman, Study for The Bible Lesson
formerly attributed to Paul Sandby, 1731–1809
Head of a Woman, Study for The Bible Lesson
ca. 1743
Anthony Vandyke Copley Fielding Richmond Hill
Anthony Vandyke Copley Fielding, 1787–1855
Richmond Hill
1830
William Ellis Canal at Shenstone's, The Leasowes
William Ellis, 1747–1810
Canal at Shenstone's, The Leasowes
1806
Robert Hills A Bull
Robert Hills, 1769–1844
A Bull
undated
Joshua Brewster Fisher Scene Muswell Hill
Joshua Brewster Fisher, 1859–fl.1918
Scene Muswell Hill
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
Thomas Henry Wyatt Design for St. David, Pantasaph, Flintshire. East Elevation
Thomas Henry Wyatt, 1807–1880
Design for St. David, Pantasaph, Flintshire. East Elevation
undated
Joseph Farington View of Taplow and Maidenhead from Cliveden
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
Francois Gasselin View of the Royal Hospital, Chelsea
Francois Gasselin, ca. 1683–1703
View of the Royal Hospital, Chelsea
undated
John Robert Cozens At Portici
John Robert Cozens, 1752–1797
At Portici
ca. 1783
John Robert Cozens In the Tyrol
John Robert Cozens, 1752–1797
In the Tyrol
ca. 1783
John Eckstein Design for Funerary Monument
John Eckstein, 1735–1818
Design for Funerary Monument
undated
François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
John Linnell Study for Master William Wilberforce
John Linnell, 1792–1882
Study for Master William Wilberforce
1824
Henry Fuseli Study of a Back of a Female Nude, Standing
attributed to Henry Fuseli, 1741–1825
Study of a Back of a Female Nude, Standing
undated
Capt. Francis Grose Northwest View of Castle Church, Hexham, Northumberland
Attributed to Capt. Francis Grose, 1731–1791
Northwest View of Castle Church, Hexham, Northumberland
undated
James Ward Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
James Ward, 1769–1859
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
undated
Robert MacPherson Piazza of St. Peter's
Robert MacPherson, 1814–1872
Piazza of St. Peter's
ca. 1860
Robert MacPherson Palace, Church, and Baptistery of the Lateran
Robert MacPherson, 1814–1872
Palace, Church, and Baptistery of the Lateran
ca. 1860
Thomas Hall A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
unknown artist Westminster Hall
unknown artist
Westminster Hall
ca. 1820
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
Thomas Rowlandson A Death-Bed Scene
Thomas Rowlandson, 1756–1827
A Death-Bed Scene
undated
Henry Thomas Alken "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
Henry Thomas Alken "Scraps", No. 8: Scenes of a Lancer and Other Cavalry
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
Edward Duncan Pheasant Shooting
Edward Duncan, 1803–1882
Pheasant Shooting
1825
Edward Duncan Wild Duck Shooting
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
unknown artist Studies of a Sleeping Lion
unknown artist
Studies of a Sleeping Lion
undated
unknown artist Head of a Male Lion
unknown artist
Head of a Male Lion
undated
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
Sawrey Gilpin A Horse Grazing
Sawrey Gilpin, 1733–1807
A Horse Grazing
undated
Sawrey Gilpin Seven Studies of Jockeys' Caps
Sawrey Gilpin, 1733–1807
Seven Studies of Jockeys' Caps
undated
Sawrey Gilpin A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
John Frederick Lewis Study of a Crouching Fox, Facing Right
John Frederick Lewis, 1804–1876
Study of a Crouching Fox, Facing Right
undated
James Seymour A Boar Hunt
James Seymour, 1702–1752
A Boar Hunt
undated
James Seymour Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
undated
James Seymour Studies of a Jockey Whipping-On
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
James Seymour Rider on a Horse, Rearing to Left
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
James Seymour Saddled Horse, Walking to Left
James Seymour, 1702–1752
Saddled Horse, Walking to Left
undated
James Seymour Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
Peter Tillemans Racing: a Match in Progress
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
George Cruikshank Pisces - Too Deep!
Print made by George Cruikshank, 1792–1878
Pisces - Too Deep!
undated
George Cruikshank Davy Jones
Print made by George Cruikshank, 1792–1878
Davy Jones
undated
George Cruikshank The Tailors Baffling the Bailiff
Print made by George Cruikshank, 1792–1878
The Tailors Baffling the Bailiff
undated
Thomas Daniell Boat Sketch
Thomas Daniell, 1749–1840
Boat Sketch
undated
Thomas Daniell Tomb
Thomas Daniell, 1749–1840
Tomb
undated
Thomas Daniell Landscape
Thomas Daniell, 1749–1840
Landscape
undated
Thomas Daniell Buddha
Thomas Daniell, 1749–1840
Buddha
undated
James Seymour Seymour's Twelve Prints of Hunters & Running Horses, taken in Various Actions
James Seymour, 1702–1752
Seymour's Twelve Prints of Hunters & Running Horses, taken in Various Actions
ca. 1750
William Finden The Drachenfels
Print made by William Finden, 1787–1852
The Drachenfels
1832-1834
Edward Francis Finden The Castellated Rhine
Print made by Edward Francis Finden, 1791–1857
The Castellated Rhine
1833
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
Joseph Crawhall Self Portrait
Joseph Crawhall, 1861–1913
Self Portrait
early 1890's
Sawrey Gilpin A Racing Saddle on a Horse's Back, With Details of Stirrup
Sawrey Gilpin, 1733–1807
A Racing Saddle on a Horse's Back, With Details of Stirrup
undated
William Sawrey Gilpin An Arabian Stallion Walking to Right
William Sawrey Gilpin, 1762–1843
An Arabian Stallion Walking to Right
undated
Paul Nash Winter, Hampden
Paul Nash, 1889–1946
Winter, Hampden
1921
James Seymour George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721
James Seymour, 1702–1752
George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721
1721
James C. Allen Hebiborough Sands
Print made by James C. Allen, active 1821–1831
Hebiborough Sands
ca. 1830
Thomas Chambars Grinling Gibbons
Print made by Thomas Chambars, ca. 1724–1789
Grinling Gibbons
undated
Joseph Collyer John Bacon, Esq., R. A.
Print made by Joseph Collyer, 1748–1827
John Bacon, Esq., R. A
undated
William Finden Rhodes
Print made by William Finden, 1787–1852
Rhodes
1833
John Cousen The Acropolis of Athens
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832-1834
William Finden The Drachenfels
Print made by William Finden, 1787–1852
The Drachenfels
1833