Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
6
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
7
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
8
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
9
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
10
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
11
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
12
Print made by William Blake, 1757–1827
London (Plate 39)
1794
13
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
14
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
15
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
16
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
17
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
18
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
19
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
20
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
21
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
22
Print made by James Caldwall, 1739–1819
A French Physician with His Retinue Going to Visit His Patients
1771
23
Print made by John Sell Cotman, 1782–1842
Castle Above a Waterfall
ca. 1830
24
Michael "Angelo" Rooker, 1746–1801
The Gate at Blenheim
1787
25
unknown artist
The Arrival of Ferries at London Bridge (?)
undated
26
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
27
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
28
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
29
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
30
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
31
George Sidney Shepherd, 1784–1862
The Times and Evening Mail Office
1811
32
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
33
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
34
Henry Thomas Alken, 1785–1851
Shot from a Gun
undated
35
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties
between 1790 and 1796
36
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
37
Print made by Sir Muirhead Bone, 1876–1953
Ely Cathedral
1903
38
Print made by Sir David Young Cameron, 1865–1945
Via ai Prati, Genoa [North Italian Set: No. 8]
1896
39
Print made by Sir David Young Cameron, 1865–1945
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
40
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
41
Richard Westall, 1765–1836
Jonah Cast Into the Sea (Jonah 1:15)
before 1835
42
Richard Westall, 1765–1836
Moses Bringing the Ten Commandments from Mount Sinai (Exodus 34:29)
before 1835
43
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
44
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
45
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
46
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
47
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
48
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
49
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
50
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
51
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
52
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
53
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
54
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
55
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
56
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
57
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
58
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
59
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
60
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
61
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
62
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
63
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
64
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
65
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
66
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
67
Samuel Howitt, 1756–1822
The Check
undated
68
Samuel Howitt, 1756–1822
Going to Cover
undated
69
Samuel Howitt, 1756–1822
Going out of Kennel
undated
70
Samuel Howitt, 1756–1822
The Death
undated
71
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
72
Samuel Howitt, 1756–1822
Going Home
undated
73
Samuel Howitt, 1756–1822
Full Cry
undated
74
James Seymour, 1702–1752
A Boar Hunt
undated
75
Francis Barlow, 1622–1704
Hare Hunting
undated
76
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
77
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
78
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
79
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
80
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
81
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
82
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
83
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
84
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
85
Print made by Day & Co., 1824–1913
South East View, Lincoln's Inn
between 1845 and 1850
86
George Cruikshank, 1792–1878
Shooting Accident
undated
87
William Hamilton, 1751–1801
The Return from Coursing
undated
88
Print made by George Cruikshank, 1792–1878
Jack Sheppard Gets Drunk and Orders his Mother off
1839
89
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
90
Print made by George Cruikshank, 1792–1878
Jack Sheppard Committing the Robbery in Willesden Church
1839
91
Print made by George Cruikshank, 1792–1878
Audacity of Jack Sheppard
1839
92
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
93
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
94
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
95
Thomas Higham, 1796–1844
Red-Scar, the Residence of William Cross, Esquire
1832
96
Print made by John Browne, 1741–1801
A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir