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A View of Richmond Bridge, on the Thames
Creator:
Sir Augustus Wall Callcott, 1779–1844
Date:
between 1807 and 1810
Materials & Techniques:
Oil on paper on board
Dimensions:
7 1/2 x 10 1/2 inches (19.1 x 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Guildford
Creator:
Samuel Palmer, 1805–1881
Date:
1844
Materials & Techniques:
Watercolor and gouache and scraping out with some varnish over graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Old Buildings
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Brown ink, brown wash, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 10 5/8 inches (19.4 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weald of Kent
Creator:
Samuel Palmer, 1805–1881
Date:
between 1833 and 1834
Materials & Techniques:
Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dumblain Abbey, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temple of Jupiter in the Island of Aegina
Creator:
Attributed to Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stonehenge at Daybreak
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Evening Landscape with Castle and Bridge in Yorkshire
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Procris and Cephalus
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Crowhurst

Crowhurst
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Solway Moss
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dumblain Abbey, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink Third state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Procris and Cephalus
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiriel Supporting the Dying Myratana and Cursing His Sons
Creator:
William Blake, 1757–1827
Date:
1786 to 1789
Materials & Techniques:
Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Edward Lear, 1812–1888
Date:
1845-1846
Materials & Techniques:
All graphite, some heightened with white
Dimensions:
Sheet: 7 3/8 x 10 5/8in. (18.7 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Architectural Sketch of Building with Doric Columns
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1860
Materials & Techniques:
Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 7/8 inches (34 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of a River from a Terrace, Macon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on Medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Val d'Aosta
Creator:
Print made by Alfred Dawson, active 1860–1894
Date:
1885
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 x 14 1/2 inches (26.2 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith Zlotsky
Crowhurst, Sussex
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowhurst, Sussex
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowhurst, Sussex
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temple of Jupiter in the Island of Aegina
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1920
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preparing to Administer the Sacrament
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1838
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper mounted to medium, smooth cream card
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. Paul Moore
Stones Found in a Pitt, in Ringfield Near Beccles, Suffolk
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 10 3/4 inches (18.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Gledhow

Gledhow
Creator:
Print made by George Cooke, 1781–1834
Date:
1816
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/16 × 18 3/4 inches (33.2 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/16 inches (30.8 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 17 11/16 inches (34 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1819
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper with cream chine collé
Dimensions:
Sheet: 11 15/16 × 17 15/16 inches (30.3 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 11 7/16 inches (21.6 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1821
Materials & Techniques:
Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 18 1/16 inches (30 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof on very thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simmer Lake near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simmer Lake near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hardraw Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1817
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1818-1823
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 × 19 3/8 inches (30.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heysham and Cumberland Mountain
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heysham and Cumberland Mountain
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 × 11 3/16 inches (20.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 11/16 × 18 15/16 inches (32.2 × 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 20 7/8 inches (40.3 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Room at Woodcock Manor
Creator:
Sydney Prior Hall, 1851–1929
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, brown card
Dimensions:
Sheet: 7 1/2 × 10 5/8 inches (19.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection
The Trees and River in the Park at Coleorton Hall, Leicestershire
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Chestnut Tree at Little Wymondley, Hertfordshire
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 x 10 3/4 inches (19.4 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gateway of Lancaster Castle
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vishnu Riding a Palanquin Composed of Female Attendants
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 5/8 inches (19.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trinity Church, Port of Spain
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white goauche on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Governor's Residence, St. Anns
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and black ink, gray wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bamboo Arches, St. Anns
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge over the Severn at Newtown, Looking up the River
Creator:
Thomas Sunderland, 1744–1828
Date:
1797
Materials & Techniques:
Graphite, pen and brown ink, gray wash, and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 3/4 inches (18.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Valley of the Ardennes [Belgian Set: No. 10]
Creator:
Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Tree Study
Creator:
John Baverstock Knight, 1785–1859
Date:
undated
Materials & Techniques:
Gray wash, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 10 13/16in. (19.4 x 27.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Forested River Bank, Hill Town and Mountain Peaks in Distance
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/16 x 10 1/2 inches (18.5 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
Study of Figures for "A View of the Campagna"
Creator:
Richard Wilson, 1713/4–1782
Date:
ca. 1755
Materials & Techniques:
Black chalk and white gouache on medium, rough, brown laid paper mounted on card
Dimensions:
Sheet: 7 5/8 x 10 11/16 inches (19.4 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Open etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 17 7/8 inches (29.4 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1823
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Line engraving and etching False proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 18 1/2 inches (29.8 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 × 19 5/8 inches (33 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hilly Scene with Village and Horseman
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 5/8 inches (19.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Bridge
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 7/16 inches (19.2 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man on Horse, with Pigs
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 3/4 inches (18.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape Composition
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1801
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Castle
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Watercolor, brown wash, graphite, and white gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shipping in a Calm
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man of War with Other Shipping
Creator:
Captain T. Richbell, active 1792–1825
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink, gray wash, and gouache on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shipping in a Choppy Sea
Creator:
Follower of William Owen, 1769–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scratching out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 3/4in. (19.1 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shipping in a Choppy Sea
Creator:
Follower of William Owen, 1769–1825
Date:
undated
Materials & Techniques:
Watercolor and graphite with scratching out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 1/2in. (19.1 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Carlisle

Carlisle
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Gledhow

Gledhow
Creator:
Print made by George Cooke, 1781–1834
Date:
1816
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Larch Tree
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Four way

Four way
Creator:
John Tunnard, 1900–1971
Date:
1967
Materials & Techniques:
Watercolor, black chalk and pastel on medium, slightly textured, white wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/2 inches (19.1 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
Berwick-on-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Louis XV

Louis XV
Creator:
Print made by François-Séraphin Delpech, 1778–1825
Date:
undated
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 10 1/2 inches (36.1 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch for Dieppe Sands
Creator:
Walter Richard Sickert, 1860–1942
Date:
1919
Materials & Techniques:
Pen and black and red ink over graphite on thin, slightly textured, cream laid paper mounted on masonite
Dimensions:
Sheet: 7 1/8 x 10 5/8 inches (18.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
Sketch for Dieppe Sands
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1919
Materials & Techniques:
Pen and black ink, pen and red ink, and graphite on medium, smooth, cream wove paper laid onto card
Dimensions:
Sheet: 7 5/8 x 10 3/4 inches (19.4 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
Creator:
John White Abbott, 1763–1851
Date:
1811
Materials & Techniques:
Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
Creator:
Hubert-François Gravelot, 1699–1773
Date:
1762
Materials & Techniques:
Graphite and red chalk, incised and squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige 19th century laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 12 x 11 1/16 inches (30.5 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection