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101. Introduction (Plate 3)

Introduction (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. A Dream (Plate 4)

A Dream (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. The Little Girl Found (Plate 6)

The Little Girl Found (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. The Lamb (Plate 8)

The Lamb (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Satan before the Throne of God

Satan before the Throne of God
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Overall: 15 1/2 × 10 3/8 inches (39.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

106. Job's Evil Dreams

Job's Evil Dreams
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Overall: 15 3/4 × 10 1/2 inches (40 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

107. Tiriel Supporting the Dying Myratana and Cursing His Sons

Tiriel Supporting the Dying Myratana and Cursing His Sons
Creator:
William Blake, 1757–1827
Date:
1786 to 1789
Materials & Techniques:
Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. A Visionary Head

A Visionary Head
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. The Little Black Boy (Plate 30)

The Little Black Boy (Plate 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. The Vision of Christ

The Vision of Christ
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Overall: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

111. When the Morning Stars Sang Together

When the Morning Stars Sang Together
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Overall: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

112. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Creator:
Prints made by William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
Creator:
Text by William Blake, 1757–1827
Date:
1809
Materials & Techniques:
Bound volume, 12mo, full red crushed levant morocco, Jansen style, with gilt edges
Dimensions:
Spine: 7 1/2 inches (19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Garf Hassai, Malta

Garf Hassai, Malta
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:
Mount: 7 9/16 x 8 5/8 inches (19.2 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

115. A Weasel

A Weasel
Creator:
Edward Lear, 1812–1888
Date:
1832
Materials & Techniques:
Watercolor with pen in brown ink, with gouache and gum over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 x 11 inches (18.7 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Albenga

Albenga
Creator:
Edward Lear, 1812–1888
Date:
1864
Materials & Techniques:
Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 7 5/16 x 21 1/4 inches (18.6 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

117. Catania

Catania
Creator:
Edward Lear, 1812–1888
Date:
1847
Materials & Techniques:
Pen and brown ink, pen and black ink, and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 5/8 × 14 1/2 inches (19.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
Creator:
Edward Lear, 1812–1888
Date:
1849
Materials & Techniques:
Watercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 5 1/16 inches (19.4 x 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

119. Sketchbook of Shipping Scenes, from August 1845 to July 1846

Sketchbook of Shipping Scenes, from August 1845 to July 1846
Creator:
Edward Lear, 1812–1888
Date:
1845 to 1846
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, gray-green wove paper
Dimensions:
Sheet: 7 3/8 × 10 5/8 inches (18.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Villa Torlania, formerly Villa Conti, Erascati

Villa Torlania, formerly Villa Conti, Erascati
Creator:
Edward Lear, 1812–1888
Date:
ca. 1844
Materials & Techniques:
Graphite on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 5 1/4 x 9 11/16 inches (13.3 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

121. Study of Two Figures and a Face

Study of Two Figures and a Face
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

122. Study of a Horse's Forelegs

Study of a Horse's Forelegs
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 4 3/8 inches (19.1 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

123. Seated Woman

Seated Woman
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 x 3 5/8 inches (9.2 x 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

124. Charity

Charity
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

125. Standing Figure with Upraised Arms

Standing Figure with Upraised Arms
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 3 3/8 inches (19.1 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

126. Standing Figure

Standing Figure
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 x 3 1/4 inches (18.7 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

127. Sketch of a Landscape with Figures

No cover image available
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 4 1/2 inches (18.7 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

128. Study of an Interior Scene, with Roman Soldiers

Study of an Interior Scene, with Roman Soldiers
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and black ink and gray ink, over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 9/16 × 9 1/2 inches (19.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Study of Nude Figures in a Wooded Area

Study of Nude Figures in a Wooded Area
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/16 inches (19.1 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed

Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Image: 4 3/4 × 3 1/2 inches (12.1 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Untitled: Romantic Figures on Horses

Untitled: Romantic Figures on Horses
Creator:
Print made by Charles Rolls, 1800–active 1830
Materials & Techniques:
Etching and line engraving with chine collé on wove paper
Dimensions:
Image: 3 3/4 x 3in. (9.5 x 7.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Untitled: Arabian Knight

Untitled: Arabian Knight
Creator:
Print made by Henry Warren, 1794–1879
Date:
1830
Materials & Techniques:
Etching and line engraving with chine collé on wove paper
Dimensions:
Image: 3 3/4 x 3 1/8in. (9.5 x 7.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. The Rape of the Golden Fleece

The Rape of the Golden Fleece
Creator:
Print made by Abraham Raimbach, 1784–1868
Materials & Techniques:
Etching and line engraving with chine collé on wove paper
Dimensions:
Image: 7 1/2 x 5in. (19.1 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Untitled: Death of the African Magician

Untitled: Death of the African Magician
Creator:
Robert Smirke, 1752–1845
Materials & Techniques:
Engraving
Dimensions:
Image: 4 x 3 1/4in. (10.2 x 8.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Hesper Appearing to Columbus in Prison

Hesper Appearing to Columbus in Prison
Creator:
Robert Smirke, 1752–1845
Materials & Techniques:
Engraving
Dimensions:
Image: 7 1/2 x 5in. (19.1 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Coleus edulis (Ethiopian potato): outline sketches of flowering stem, tubers, details of leaf and flowers

Coleus edulis (Ethiopian potato): outline sketches of flowering stem, tubers, details of leaf and flowers
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 11 7/8 inches (18.7 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Azzo (Clemantis hirsuta)

Azzo (Clemantis hirsuta)
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Portrait of Fuseli

Portrait of Fuseli
Creator:
Print made by William Bromley, 1769–1842
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 inches (39.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Mill near the Grand Chartreuse, Dauphiny

Mill near the Grand Chartreuse, Dauphiny
Creator:
Print made by Henry Dawe, 1790–1848
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Postiglione Inglese

Postiglione Inglese
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1772
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 11/16 x 8 3/8 inches (27.2 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Val d'Aosta

Val d'Aosta
Creator:
Print made by Alfred Dawson, active 1860–1894
Date:
1885
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 x 14 1/2 inches (26.2 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith Zlotsky

144. The Source of the Arveron in the Valley of Chamouni, Savoy

The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1860
Materials & Techniques:
Etching and mezzotint, printed in brown ink; finished state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 7/8 inches (34 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. The Temple of Jupiter in the Island of Aegina

The Temple of Jupiter in the Island of Aegina
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1920
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 inches (27 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Via Mala

Via Mala
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching, with brown wash (touched proof) on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. The Temple of Jupiter in the Island of Aegina

The Temple of Jupiter in the Island of Aegina
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1920
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Via Mala

Via Mala
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Stonehenge at Daybreak

Stonehenge at Daybreak
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1897
Materials & Techniques:
Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. The Lost Sailor

The Lost Sailor
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Castle Acre Priory

Castle Acre Priory
Creator:
Print made by David Lucas, 1802–1881
Date:
1830 to 1831
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/2 inches (19.1 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Moonlight on the Medway at Chatham

Moonlight on the Medway at Chatham
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1920
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. View of a River from a Terrace, Macon

View of a River from a Terrace, Macon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. View of a River from a Terrace, Macon

View of a River from a Terrace, Macon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on Medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with brown ink; touched proof, Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with white chalk and graphite; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Newcastle-on-Tyne

Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Soft-ground etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Spanish Student

Spanish Student
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Etching on moderately thick, slightly textured, beige Japan paper
Dimensions:
Sheet: 18 x 12 11/16 inches (45.7 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Rochester, on the River Medway

Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, with graphite and black chalk; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; first engraver's proof (before a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (c) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, with graphite, black chalk, and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and etching, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Dartmouth, on the River Dart

Dartmouth, on the River Dart
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Etching, mezzotint, and drypoint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Arundel Castle, on the River Arun

Arundel Castle, on the River Arun
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and etching with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Totnes, on the River Dart

Totnes, on the River Dart
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Totnes, on the River Dart

Totnes, on the River Dart
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 1/4 inches (33.7 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Arundel Castle, with Rainbow

Arundel Castle, with Rainbow
Creator:
Print made by unknown artist
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Lord Craven's Yacht, July 23, 1817

Lord Craven's Yacht, July 23, 1817
Creator:
Joseph Cartwright, c.1789–1829
Date:
1817
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 15 5/8 inches (40.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

179. Side View of Battleship Surrounded by Several Others in Heavy Seas

Side View of Battleship Surrounded by Several Others in Heavy Seas
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, gray wash, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 7 5/8 × 16 7/8 inches (19.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

180. Maria Vaillant

Maria Vaillant
Creator:
Print made by Wallerant Vaillant, 1623–1677
Date:
ca.1668
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 × 7 7/8 inches (25.6 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

181. What's Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death's at Hand.

What's Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death's at Hand.
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 5/16 x 9 3/16 inches (18.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

182. Masonic Symbol

Masonic Symbol
Creator:
Print made by Prince Rupert, 1619–1682
Date:
1661
Materials & Techniques:
Mezzotint on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 5/8 × 6 5/8 inches (19.4 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

183. Portrait of a Young Man

Portrait of a Young Man
Creator:
Print made by Prince Rupert, 1619–1682
Date:
1659
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 9/16 × 5 7/8 inches (19.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

184. The Little Lansquenet

The Little Lansquenet
Creator:
Print made by Prince Rupert, 1619–1682
Date:
1658
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Mount: 8 3/4 × 7 5/16 inches (22.2 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

185. Head of a Young Woman

Head of a Young Woman
Creator:
Print made by Prince Rupert, 1619–1682
Date:
1658
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 11/16 × 6 1/8 inches (19.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

186. The Calmady Children

The Calmady Children
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1835
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 x 10 7/16 inches (32 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

187. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

188. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

189. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

190. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

191. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

192. Shepherd and Shepherdess

Shepherd and Shepherdess
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
1676
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 6 3/4 inches (19 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

193. Man with Jug

Man with Jug
Creator:
Print made by Richard Brookshaw, 1736–1804
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 6 7/8 inches (19.2 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

194. Dinant

Dinant
Creator:
Print made by Charles Turner, 1774–1857
Date:
undated
Materials & Techniques:
Mezzotint and etching (proof) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

195. The Actresses Dressing Room at Drury Lane

The Actresses Dressing Room at Drury Lane
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Two Kingfishers beside a Lake

Two Kingfishers beside a Lake
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Oil on canvas
Dimensions:
Sheet: 7 1/2 × 8 5/8 inches (19.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Rowlandson and Wigstead on Tour

Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. "Sheppon Fields"

"Sheppon Fields"
Creator:
unknown artist
Date:
1846
Materials & Techniques:
Graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 × 9 1/4 inches (18.7 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

199. Roman Sketchbook

Roman Sketchbook
Creator:
Alexander Cozens, 1717–1786
Date:
1746
Materials & Techniques:
Sketchbook with sketches in graphite, pen and black ink, pen and brown ink, black wash, gouache and gray wash on medium, slightly textured, cream laid paper, bound in vellum
Dimensions:
Spine: 7 5/8 inches (19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Dunkerswell Abbey, August 20, 1783

Dunkerswell Abbey, August 20, 1783
Creator:
Francis Towne, 1740–1816
Date:
1783
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection