Height [cm]: 21 - YCBA Collections Search Search Results

201. "With one accord in love sublime..." (Plate 44)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. "In Great Eternity every particular Form..." (Plate 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. "When those who disregard all Mortal Things..." (Plate 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. "In beauty the Daughters of Albion divide..." (Plate 58)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. "The clouds of Albions Druid Temples..." (Plate 60)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. "Repose on me till the morning of the Grave..." (Plate 62)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. "O Skofield why art thou cruel?..." (Plate 68)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. "I have mock'd those who refused cruelty..." (Plate 81)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Satan before the Throne of God

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 15 1/2 × 10 3/8 inches (39.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

216. Job's Evil Dreams

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 15 3/4 × 10 1/2 inches (40 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

217. The Vision of Christ

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

218. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

219. Standing Female Figure

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 3 1/8 inches (20.6 x 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

220. Crowd before a Prophetess

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 7/8 inches (21.3 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

221. Small Sketchbook / Album

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Sketchbook in tooled suede-covered boards with three sketched sheets of twelve leaves, manuscript notes, and nineteen additional drawings inserted
Dimensions:: Spine: 8 1/4 inches (21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

222. Scene from Timon of Athens

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 10 15/16 inches (20.5 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Five Vignettes of Scenes from Antiquity

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Entrance of the Torre de las dos Hermanas in the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. The Great Bath of the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Arch Near Tivoli

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. St. Thomas's Church, the Narrows, from Government House, St. John's, Newfoundland

Creator:: William Spreat, active 1841–1848
Date:: ca. 1850
Materials & Techniques:: Color lithograph
Dimensions:: Sheet: 8 3/8 x 13 3/4in. (21.3 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Vaucluse, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. [One of] Miscellaneous Sketches in Wrapper

Creator:: Luigi Balugani, 1737–1770
Date:: 1770
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 12 5/8 inches (21 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. El Hudderi

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 13 1/2 inches (21.3 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. St. Mary's Font

Creator:: Edward Pryce Owen, 1788–1863
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 1/4 x 6 7/8in. (21 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

234. New Hungerford Market, London, on the Day of Opening, July 2, 1833 - with Ascent of Mr. Graham in his Balloon

Creator:: John S. Templeton, active 1830–1857
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Mill near the Grand Chartreuse, Dauphiny

Creator:: Print made by Henry Dawe, 1790–1848
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Every Sous Begad!

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Fille d'Auberge

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1774
Materials & Techniques:: Etching and drypoint on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 1/16 x 7 3/4 inches (25.5 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Postiglione Germanico

Creator:: Print made by Charles Bretherton, ca. 1760–1783
Date:: 1772
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 13/16 x 8 1/2 inches (27.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Postiglione Inglese

Creator:: Print made by Charles Bretherton, ca. 1760–1783
Date:: 1772
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 11/16 x 8 3/8 inches (27.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Overthrow of Dr. Slop

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. The Damnation of Obadiah

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. The Battle of the Cataplasm

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The Siege of Namur

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 17 13/16 inches (28.5 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1858
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. The Margate Hoy

Creator:: Print made by Charles Catton the elder RA, 1728–1798
Date:: 1785
Materials & Techniques:: Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper
Dimensions:: Sheet: 11 15/16 × 18 inches (30.4 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Procris and Cephalus

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1864
Materials & Techniques:: Etching and mezzotint, printed in brown ink; finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1860
Materials & Techniques:: Etching and mezzotint, printed in brown ink; finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 7/8 inches (34 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Road Scene, Trowse Hall, near Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 x 12 1/16 inches (23.5 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Aesacus and Hesperie

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Sheep-Washing, Windsor

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Sheep-washing, Windsor

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Lillebonne - Château d'Harcourt

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

254. Via Mala

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, with brown wash (touched proof) on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Via Mala

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The Lost Sailor

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Moonlight at Sea, Off the Isle of Wight

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Moonlight on the Medway at Chatham

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Kingston Bank

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. View of a River from a Terrace, Macon

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Moonlight at Sea, Off the Isle of Wight

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Aquatint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 13 1/2 inches (30.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. View of a River from a Terrace, Macon

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on Medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Falls of the Rhine, Schaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Falls of the Rhine, Schaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 15 1/2 inches (31.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. View of a Lake, Derwentwater

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Kingston Bank

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Moonlight on the River, Lucerne

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 7/8 inches (29.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Titlepage to Restes et Fragments

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 8 1/4 x 6 1/4in. (21 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

272. Back of the New Mills, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1812
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Kirkstall Lock, on the River Aire

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 5/8 inches (21 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Arundel Castle, with Rainbow

Creator:: Print made by unknown artist
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. The Eddystone Lighthouse

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824-1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/4 inches (29.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Sun-Rise, Whiting Fishing at Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824 to 1825
Materials & Techniques:: Mezzotint; earliest engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/8 × 14 3/8 inches (25.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 12 1/8 inches (22.9 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Eddystone Lighthouse

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof, Turner's copies on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/8 × 21 5/8 inches (37.8 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Sun-Rise, Whiting Fishing at Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824-1827
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Side View of Single Barque

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on thick, rough, beige wove paper
Dimensions:: Mount: 10 15/16 × 16 3/4 inches (27.8 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

283. Adelaide: Side View of Schooner

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 11 13/16 × 16 3/8 inches (30 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

284. Single Brig (?) Another Sailing Vessel Against Outline of City on Background

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 1/8 × 16 15/16 inches (20.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

285. Thornbury Castle, Gloucestershire

Creator:: John Inigo Richards, 1730/31?–1810
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 5/8 inches (21.3 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Half-length Portrait of Man in Peasant Dress

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 9/16 × 6 9/16 inches (21.7 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

287. Four Figures on a Sheet

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 13 9/16 inches (20.6 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

288. Harvesters Resting in a Corn Field

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. The Right Honorable Lady Jane Dundas

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: ca. 1802
Materials & Techniques:: Stipple engraving, mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 7/8 inches (28.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

290. Head of Christ, Crowned with Thorns

Creator:: Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:: between 1656 and 1675
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 9/16 x 6 1/8 inches (21.8 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

291. The Magdalen

Creator:: Print made by Prince Rupert, 1619–1682
Date:: 1659
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 6 3/4 inches (23.2 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

292. The Magdalen

Creator:: Print made by Prince Rupert, 1619–1682
Date:: 1659
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 6 3/4 inches (23 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

293. Portrait of Young Man

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

294. The Right Honorable Lady Beauchamp

Creator:: Print made by William Nutter, 1754–1802
Date:: 1790
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 11 7/8 inches (42.9 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

295. The Honourable Mrs. Bingham

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: after 1786
Materials & Techniques:: Mezzotint, etching, and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 8 1/4 inches (27.1 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

296. Haymakers

Creator:: Louisa Anne Beresford, 1818–1891
Date:: undated
Materials & Techniques:: Graphite, watercolor and gouache on very thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 19 1/2 inches (21.3 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Lady Elizabeth Foster

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 14 inches (50.5 × 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

298. The Right Honourable Lady Charlotte Campbell

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1799
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 3/16 inches (39.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

299. The Right Honourable Jane Elizabeth Viscountess Andover

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1799
Materials & Techniques:: Stipple engraving (proof without letters) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 11 1/8 inches (36.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

300. The Right Honourable Charlotte Viscountess St. Asaph

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1797
Materials & Techniques:: Stipple engraving (proof without letters) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/16 × 11 5/8 inches (43.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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201. "With one accord in love sublime..." (Plate 44)

202. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

203. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

204. "In Great Eternity every particular Form..." (Plate 54)

205. "When those who disregard all Mortal Things..." (Plate 55)

206. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

207. "In beauty the Daughters of Albion divide..." (Plate 58)

208. "The clouds of Albions Druid Temples..." (Plate 60)

209. "Repose on me till the morning of the Grave..." (Plate 62)

210. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

211. "O Skofield why art thou cruel?..." (Plate 68)

212. "Then all the Males conjoined into One Male..." (Plate 69)

213. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

214. "I have mock'd those who refused cruelty..." (Plate 81)

215. Satan before the Throne of God

216. Job's Evil Dreams

217. The Vision of Christ

218. London from Greenwich

219. Standing Female Figure

220. Crowd before a Prophetess

221. Small Sketchbook / Album

222. Scene from Timon of Athens

223. Five Vignettes of Scenes from Antiquity

224. Scene from Don Quixote

225. Repose in Egypt

226. Entrance of the Torre de las dos Hermanas in the Alhambra

227. The Great Bath of the Alhambra

228. Arch Near Tivoli

229. St. Thomas's Church, the Narrows, from Government House, St. John's, Newfoundland

230. Vaucluse, France

231. [One of] Miscellaneous Sketches in Wrapper

232. El Hudderi

233. St. Mary's Font

234. New Hungerford Market, London, on the Day of Opening, July 2, 1833 - with Ascent of Mr. Graham in his Balloon

235. Mill near the Grand Chartreuse, Dauphiny

236. Every Sous Begad!

237. Fille d'Auberge

238. Postiglione Germanico

239. Postiglione Inglese

240. Overthrow of Dr. Slop

241. The Damnation of Obadiah

242. The Battle of the Cataplasm

243. The Siege of Namur

244. Little Devil's Bridge over the Russ above Altdorft, Switzerland

245. The Margate Hoy

246. Procris and Cephalus

247. The Source of the Arveron in the Valley of Chamouni, Savoy

248. Road Scene, Trowse Hall, near Norwich

249. Aesacus and Hesperie

250. Fitting out. - Plate 1

251. Sheep-Washing, Windsor

252. Sheep-washing, Windsor

253. Lillebonne - Château d'Harcourt

254. Via Mala

255. Via Mala

256. The Stork and Aqueduct

257. The Lost Sailor

258. Moonlight at Sea, Off the Isle of Wight

259. Moonlight on the Medway at Chatham

260. Kingston Bank

261. View of a River from a Terrace, Macon

262. Moonlight at Sea, Off the Isle of Wight

263. View of a River from a Terrace, Macon

264. Falls of the Rhine, Schaffhausen

265. Falls of the Rhine, Schaffhausen

266. View of a Lake, Derwentwater

267. Kingston Bank

268. Huntsmen in a Wood

269. Huntsmen in a Wood

270. Moonlight on the River, Lucerne

271. Titlepage to Restes et Fragments

272. Back of the New Mills, Norwich

273. Kirkstall Lock, on the River Aire

274. Stangate Creek, on the River Medway

275. Stangate Creek, on the River Medway