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The Well of St. Keyne
Creator:
Thomas Creswick, 1811–1869
Date:
ca. 1838
Materials & Techniques:
Oil on panel
Dimensions:
9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Remains of the Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Arch in the Vault of an Overgrown Ruin
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Black ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doorhead of the Palazzo Contarini della Porta di Ferro
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899
George Fox at Launceston Gaol
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 x 11 5/8 inches (23.3 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
Arch of Titus, Roman Forum
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 3/16 × 14 1/2 inches (23.3 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Sketch with a Figure and an Animal
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/16 × 13 7/16 inches (20.8 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
Ruined Gateway at Kilmallock
Creator:
Thomas Crofton Croker, 1798–1854
Date:
undated
Materials & Techniques:
Pen and black ink, pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 6 5/8 inches (23.2 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Choice
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1737
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 15 1/8 inches (27 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Quakers' Meeting
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
between 1683 and 1688
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 7 1/16 inches (24.8 × 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Drinking Scene
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/16 × 6 13/16 inches (23.4 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Quakers' Meeting
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 8 3/8 inches (28.9 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Balcony
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
between 1835 and 1854
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
Creator:
Print made by John Browne, 1741–1801
Date:
after 1762
Materials & Techniques:
Etching on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 9 x 12 1/16 inches (22.8 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 16 3/8 inches (23.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery