Height [cm]: 24 / Classification: Prints - YCBA Collections Search Search Results

701. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

702. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 3/8 inches (26.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

703. Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 6 9/16 inches (23.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

704. The Campagna of Rome - from Roger's 'Italy'

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

705. Aske Hall - from Whitaker's 'History of Richmondshire' 1818-1823

Creator:: Print made by John Scott, 1774–1828
Date:: 1821
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 1/2 × 12 13/16 inches (24.1 × 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

706. Decline of Carthage

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

707. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

708. Wreck off Hastings

Creator:: Print made by William Miller, 1796–1882
Date:: 1875
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/4 × 13 3/8 inches (26 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

709. Designs for Architectural Ornamentation: Arched Friezes

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 7/8 inches (23.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

710. Harbor Scene

Creator:: Robert Charles Goff, 1837–1922
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 x 8 1/8 inches (29 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

711. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

712. Richmond, Yorkshire [From the Moors]

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

713. Great Yarmouth

Creator:: Print made by William Miller, 1796–1882
Date:: 1829
Materials & Techniques:: Line engraving, 2nd state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 9/16 inches (27 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

714. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1829
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 9/16 inches (27 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

715. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1829
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

716. Alnwick Castle

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1830
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

717. Robin Hood's Bay

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint
Dimensions:: Plate: 7 1/8 x 12in. (18.1 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

718. Trematon Castle

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

719. Eton College

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

720. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1831
Materials & Techniques:: Etching and line engraving, Engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 14 13/16 inches (28.4 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

721. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

722. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

723. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

724. The Chimera of Amiens

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching and drypoint
Dimensions:: Plate: 9 5/8 x 7 1/4in. (24.4 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

725. The Wingless Chimera

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1911
Materials & Techniques:: Etching and drypoint on laid paper
Dimensions:: Plate: 7 5/8 x 9 3/8in. (19.4 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

726. Hills of Tullock

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1915
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 8 1/8 x 7 5/8in. (20.6 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

727. St. John Wapping

Creator:: William Angus, 1752–1821
Date:: 1818
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 1/4 x 11in. (23.5 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

728. St. Botolph's Bridge No. 1

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 4th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 inches (23.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

729. London Bridge

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1795
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

730. Two Plans for the Conversion of Old London Bridge by C. Labelye, The Second a Plan by Sir Christopher Wren

Creator:: Benjamin Cole, 1697–1783
Date:: 1746
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 1/4 x 15 5/8in. (23.5 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

731. Ruins of the Crypt of St. Thomas on Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 5/8 x 11 5/8in. (24.4 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

732. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

733. Valle Crucis Abbey, Denbighshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

734. Valle Crucis Abbey, Denbighshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1828
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/16 × 14 13/16 inches (25.6 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

735. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

736. Stone Henge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Line engraving and etching, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

737. Stone Henge, Wiltshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

738. The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

739. John Bull Ground Down

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13 1/4in. (24.1 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

740. Corpor(e)al (!) Stamina.

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 6 7/8in. (23.8 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

741. The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 1/4in. (24.4 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

742. Loyal Souls; - or - A Peep into the Mess-Room, at St. James's

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 9 9/16 x 13 15/16in. (24.3 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

743. John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 15/16in. (24.4 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

744. Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 9 3/8 x 13 1/2in. (23.8 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

745. What a Cur ' tis

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 8 7/8in. (24.1 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

746. Blindmans-Buff - or - Too Many for John Bull

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 1/4in. (24.4 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

747. The Royal Society

Creator:: James Gillray, 1756–1815
Date:: 1786
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14 3/4in. (24.1 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

748. Design for the New Gallery of Busts and Pictures

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 5/16in. (24.4 x 31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

749. Malagrida, Driving Post

Creator:: James Gillray, 1756–1815
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 1/4in. (23.5 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

750. A Sphere, Projecting against a Plane ---

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 8 3/8in. (23.8 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

751. An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 8 3/4in. (24.4 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

752. French Democrats Surprizing the Royal-Runaways

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

753. A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on thin, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 inches (29.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

754. The Valley of the Shadow of Death

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

755. Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 9 5/8 x 13 7/8in. (24.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

756. No Flower that Blows, Is Like this Rose

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 9 1/2 x 7 15/16in. (24.1 x 20.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

757. Drawing for Twelfth-Cake at St. Annes Hill!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 8 5/8in. (24.1 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

758. Riding [a pair]: 1. The Time O'Day

Creator:: Edward Hull, 1810–1877
Date:: 1820
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 1/2 x 14 1/4in. (24.1 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

759. More Humbugs, - or - Another Attack on John Bulls Purse

Creator:: Charles Williams, active 1796–1830
Date:: 1818
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/16 x 12 3/4in. (24 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

760. A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart.

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: ca. 1750
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 9 5/8 x 17in. (24.4 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

761. Hunting, Shooting, etc. [set of six]: 1. Duck Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

762. Coursing [one of a pair]: Hampton Court Park. Plate 1. Hold hard, Gentlemen!

Creator:: Edward Hull, 1810–1877
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 1/4 x 12 5/8in. (23.5 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

763. Nibbling at a Thin Slice of Single Gloucester!!

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 7/16 x 8 11/16in. (24 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

764. Hay Making, from "Picturesque groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

765. Miscellaneous Figures

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

766. Witches in a Hayloft

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813?
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

767. A Picture of Misery

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

768. The Landing of St. Catherine

Creator:: Alexander Runciman, 1736–1785
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

769. St. Nicholas du Chardonnet, Paris

Creator:: Randolph Schwabe, 1885–1948
Materials & Techniques:: Etching
Dimensions:: Sheet: 17 1/4 x 10 3/4 inches (43.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

770. Venice, The Dogana

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1875
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

771. Venice, the Bridge of Sighs

Creator:: James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

772. The Prince of Orange Landing at Torbay

Creator:: Print made by William Miller, 1796–1882
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

773. Snowstorm

Creator:: Print made by Robert Brandard, 1805–1862
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

774. Whalers

Creator:: Print made by Robert Brandard, 1805–1862
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

775. Tivoli

Creator:: Print made by John Pye, 1782–1874
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

776. Paestum

Creator:: Print made by John Pye, 1782–1874
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 1/8 inches (38.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

777. Designs for Architectural Ornamentation: Columns, Capitals and Pilasters

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

778. Designs for Architectural Ornamentation: Doorways

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

779. Designs for Monumental Ornamentation

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

780. Rough Weather at Blatchington

Creator:: Sir Frank Short, 1857–1945
Date:: 1925
Materials & Techniques:: Etching and drypoint on wove paper
Dimensions:: Sheet: 9 3/8 x 13in. (23.8 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

781. The Coast Road, Kingsdown No. 2

Creator:: Sir Frank Short, 1857–1945
Date:: 1922
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

782. French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13 15/16in. (24.1 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

783. The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 3/8in. (23.5 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

784. Glorious Reception of the Ambassador of Peace, on His Entry Into Paris

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 3/8in. (23.5 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

785. Which is the Better Man or The Pot Calls the Kettle Blacka-e

Creator:: James Gillray, 1756–1815
Date:: 1786
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14 15/16in. (24.4 x 37.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

786. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1842
Materials & Techniques:: Aquatint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection