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1
- Hampstead Heath, with a Bonfire
- ca. 1822
- Not on view
2
- Hadleigh Castle
- 1828 to 1829
- Not on view
3
- Self-Portrait
- ca. 1759
- Not on view
4
- Landscape with Goatherd
- ca. 1842
- Not on view
5
- Landscape with a Lake
- 1808
- Not on view
6
- Landscape with a Castle
- ca. 1808
- Not on view
7
- Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
- ca. 1819
- Not on view
8
- Whitby
- 1878
- Not on view
9
- A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
- ca. 1825
- Not on view
10
- A Wherry Taking Passengers out to Two Anchored Packets
- 1825
- Not on view
11
- Joshua Rose of Liverpool
- ca. 1795
- Not on view
12
- A Setter at the Edge of a Wood
- between 1775 and 1785
- Not on view
13
- The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
- undated
- Not on view
14
- Dutch Sailing Vessels
- 1814
- Not on view
15
- The Passing of the Great Emancipation Act
- ca. 1829
- Not on view
16
- Study of a Groom, Seen from Behind
- ca. 1820
- Not on view
17
- The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
- ca. 1825
- Not on view
18
- After the Race
- 1875
- Not on view
19
- The Kill
- undated
20
- Figures at Mass, Poland
- ca. 1904
21
- Ancient Trees, Lullingstone Park
- 1828
22
- Wilmot's Hill, Kent
- ca. 1851
23
- Sunset
- ca. 1861
24
- A Cow Lodge with a Mossy Roof
- ca. 1829
25
- Old Cedar Tree in Botanic Garden, Chelsea
- 1854
26
- A Moonlit Scene with a Winding River
- ca. 1827
27
- Study of a Pilgrim
- undated
28
- The Bellman
- 1879
29
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
30
- Opening the Fold
- 1880
31
- The Rising Moon
- 1857
32
- Human Skeleton, Lateral View
- 1795 to 1806
33
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
34
- Dorking Hen, Lateral View
- 1795 to 1806
35
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
36
- Tiger Body, Standing in Human Posture
- 1795 to 1806
37
- Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
- 1795 to 1806
38
- Benjamin Read
- ca. 1757
39
- Hudibras and the Lawyer (no.7)
40
- Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
- 1747
41
- Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
- 1747
42
- Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
- 1747
43
- Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
- 1747
44
- Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
- 1747
45
- Plate 11, The Idle 'Prentice Executed at Tyburn
- 1747
46
- Plate 12, The Industrious 'Prentice Lord Mayor of London
- 1747
47
- Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
- 1747
48
- Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
- 1747
49
- Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
- 1747
50
- Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
- 1747
51
- Glaucus and Scylla
- between 1813 and 1823
52
- On the Washburn
- ca. 1815
53
- Shields Lighthouse
- between 1820 and 1826
54
- The Drawing of the Clyde
- 1809
55
- Calm
- 1812
56
- Bonneville, Savoy
- 1816
57
- The Fifth Plague of Egypt
- 1808
58
- The Stork and Aqueduct
- between 1813 and 1823
59
- Interior of a Church
- 1819
60
- Bonneville, Savoy
- 1816
61
- Ville de Thun, Switzerland
- 1816
62
- River Wye
- 1812
63
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
64
- Basle
- 1807
65
- Bridge and Cows
- 1807
66
- Dumblain Abbey, Scotland
- 1816
67
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
68
- Lauffenbourgh on the Rhine
- 1811
69
- Windmill and Lock
- 1811
70
- Junction of Severn and Wye
- 1811
71
- Ships in a Breeze
- 1808
72
- Mt. St. Gothard
- 1808
73
- The Woman and Tambourine
- 1807
74
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
75
- Calm
- 1812
76
- The Crypt of Kirkstall Abbey
- 1812
77
- Scene in the Campagna
- 1812
78
- Morpeth, Northumberland
- 1809
79
- Knowsley Hall
- undated
80
- Landscape Near Segni
- 1838
81
- Reclining Nude
- undated
82
- Sketches for "The Accusation of Susanna"
- undated
83
- Prison Scene
- undated
84
- Two Children Embracing
- undated
85
- Anger, Envy, and Fear
- undated
86
- Abraham and Isaac
- 1799 to 1800
87
- Five Visionary Heads of Women
- 1819 to 1820
88
- Introduction to the Fables, The Shepherd and the Philosopher
- 1793
89
- Fable VI. The Miser and Plutus
- 1793
90
- Fable XXII. The Goat Without a Beard
- 1793
91
- Fable XXIV. The Butterfly and the Snail
- 1793
92
- Fable XXVIII. The Persian, the Sun, and the Cloud
- 1793
93
- Fable XXX. The Setting-dog and the Partridge
- 1793
94
- Fable XLI. The Owl and the Farmer
- 1793
95
- Fable I. The Dog and the Fox
- 1793
96
- Fable XVI. The Ravens, the Sexton, and the Earth-Worm
- 1793
97
- Fable XVI. The Pin and the Needle
- 1793
98
- Fable XIII. The Tame Stag
- 1793
99
- Fable XII. Pan and Fortune
- 1793
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
100
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827