Height [cm]: 28 / Width [cm]: 31 - YCBA Collections Search Search Results

1. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Calm

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Entrance of Calais Harbour

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Lazzaretto

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Trio

Creator:: Print made by John Copley, 1875–1950
Date:: 1940
Materials & Techniques:: Etching and drypoint with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 15 5/8 inches (35.9 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Preparatory Study for the decoration "Equestrian Portrait of George I"

Creator:: John Vanderbank, 1694–1739
Date:: undated
Materials & Techniques:: Graphite with brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 12 3/8 inches (28.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1825
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 17 3/4 inches (27.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Rome, Tomb of Cecilia Metella

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching and engraving, Engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Tempest – Voyage of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Mount: 17 5/8 × 12 1/16 inches (44.8 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 inches (28.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Near Ambleside

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 12 1/8 inches (20 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor, gouache, verso; white gouache on medium, smooth, brown wove paper
Dimensions:: Sheet: 11 × 12 1/4 inches (27.9 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. St. Cecilia

Creator:: James Henry Watt, 1799–1867
Date:: 1834
Materials & Techniques:: Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 14 5/16 inches (28.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, white goauche, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 12 inches (19.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Plan of the Mesquita of Cordova

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 7/16 inches (28.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Design for a Bookcase

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Gray wash, watercolor, pen and ink over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 12 3/16 inches (28.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Southwest Prospect of the Church of St. Helen

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The South Prospect of the Church of St. Olave in Southwark

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Southeast Prospect of the Chapel Royal of St. Peter in the Tower

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Southwest Prospect of the Church of St. Giles Without Cripplegate

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 7/8 x 12 1/4in. (27.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Southeast Prospect of the King Henry the VII's Chapel at Westminster

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Southeast Prospect of the Church of St. Dunstan in the West

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Southwest Prospect of the Church of All Hallows Staining

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/8 x 12 3/16in. (28.3 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Southwest Prospect of the Church of St. Giles without Cripplegate

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The West Prospect of the Church of St. Barts the Great

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Goodrich Castle on the Wye

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Line engraving and etching, engraver's proof, touched on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Plymouth Dock, from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Forum Romanum

Creator:: Engraved by George Hollis, 1792–1842
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Florence, from Fiesoli

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1820
Materials & Techniques:: Line engraving, and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 17 1/4 inches (28.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Harewood House

Creator:: Print made by John Scott, 1774–1828
Date:: 1816
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Galileo's Villa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Roman Forum from the Tower of the Capitol

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Galileo's Villa (vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 1/8 inches (44.1 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Galileo's Villa (vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. London Café

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 11 × 12 inches (27.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

44. Somerset Maugham

Creator:: Lewis Morley, 1925–2013
Date:: taken 1961, printed 1997
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

45. Victoria Station

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

46. Trainspotter

Creator:: Lewis Morley, 1925–2013
Date:: 1957
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

47. Joe Orton, Tattoo

Creator:: Lewis Morley, 1925–2013
Date:: 1965
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

48. Folkstone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 3/4 inches (27.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Captain William Baillie

Creator:: Print made by William Baillie, 1723–1810
Date:: between 1750 and 1810
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 12 1/4 inches (28.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Ullswater, Cumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 3/4 inches (27.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Carriage

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 3/8 × 6 3/4 inches (13.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Horse and Rider Walking to Left in a Hilly Landscape

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and gouache on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 10 13/16 × 13 5/16 inches (27.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Admiralty

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 12 7/16 × 16 inches (31.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Newgate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. East India House

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 9/16 × 16 inches (31.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. David Frost Bashing Bernard Levin

Creator:: Lewis Morley, 1925–2013
Date:: 1961
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

60. Peter Cook and Sister Sarah

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Toned gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 15 × 12 inches (38.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

61. David Hockney with Ed Buck, Powis Terrace Studio, London

Creator:: Michael Childers, born 1944
Date:: 1972
Materials & Techniques:: Chromogenic print (Type C) on semi-gloss, resin-coated photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

62. Bride and groom in field with factory in distance

Creator:: Bruce Davidson, born 1933
Date:: 1965
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

63. The North

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

64. Harlech, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1880
Materials & Techniques:: Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 14 7/8 inches (27.5 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

65. A Lock on the Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 12 1/4 inches (27.6 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, University Purchase

66. Ragged Sails, I

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1925
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 15 inches (32.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

67. Bolton Abbey, Yorkshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 11/16 inches (27.6 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Plough

Creator:: Print made by David Lucas, 1802–1881
Date:: 1837
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 10 7/8 x 12in. (27.6 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1830
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 15/16 × 14 9/16 inches (27.8 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Laugharne Castle

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Leicester Abbey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Llanthony, Monmouthshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving and stipple engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Llanthony, Monmouthshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving and stipple engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Rochester, Stroud and Chatham

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1838
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Dunwich, Suffolk

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 14 9/16 inches (27.6 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Nottingham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1833
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 13 3/4 inches (27.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Dudley, Worcestershire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1835
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 × 15 inches (27.5 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Durham Cathedral

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Renoldo and Armida

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 12 1/16 inches (27.9 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Viscountess Bayham (afterwards Marchioness Camden)

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: undated
Materials & Techniques:: Mezzotint with sipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 1/16 × 15 1/8 inches (51 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of the Cappuccini Mount, the Po River and the Bridge from the Road to the Palentine

Creator:: Henry Swinburne, 1743–1803
Date:: 1764
Materials & Techniques:: Gray wasn, black wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1829
Materials & Techniques:: Line engraving, 2nd state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 14 7/8 inches (27.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Dustanborough Castle

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1830
Materials & Techniques:: Line engraving, 3rd state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 15/16 inches (27.5 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Alnwick Castle

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1830
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1831
Materials & Techniques:: Etching and line engraving, Engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 14 13/16 inches (28.4 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Richmond Hill and Bridge

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, 2nd state on moderarely thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 14 5/8 inches (27.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Market of Love

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 12 5/16 inches (27.8 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. David Hockney with Billy Wilder, Montcalm, Los Angeles

Creator:: Michael Childers, born 1944
Date:: undated
Materials & Techniques:: Gelatin silver print on semi-gloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

95. David Hockney with Jacques de Bascher, Powis Terrace Studio, London

Creator:: Michael Childers, born 1944
Date:: 1978
Materials & Techniques:: Chromogenic print (Type C) on semi-gloss, resin-coated photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

96. David Hockney with Ed Buck, Powis Terrace Studio, London

Creator:: Michael Childers, born 1944
Date:: 1972
Materials & Techniques:: Chromogenic print (Type C) on semi-gloss, resin-coated photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

97. David Hockney on Lounge at Rising Glen, Hollywood Hills, Los Angeles

Creator:: Michael Childers, born 1944
Date:: 1978
Materials & Techniques:: Gelatin silver print on semi-gloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

98. David Hockney Poolside with David Stoltz, Montcalm, Los Angeles

Creator:: Michael Childers, born 1944
Date:: 1982
Materials & Techniques:: Gelatin silver print on semi-gloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

99. David Hockney at Home, Montcalm, Los Angeles

Creator:: Michael Childers, born 1944
Date:: 1982
Materials & Techniques:: Gelatin silver print on semi-gloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

100. “The Glass,” David Hockney’s Sketchbook, John Schlesinger's House, Palm Springs

Creator:: Michael Childers, born 1944
Date:: 2002
Materials & Techniques:: Gelatin silver print on semi-gloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

YCBA Collections Search

Refine your search

Search Constraints

Height [cm] 28

Width [cm] 31

Search Results

1. The Cypress Grove

2. Calm

3. Entrance of Calais Harbour

4. Lazzaretto

5. Trio

6. Preparatory Study for the decoration "Equestrian Portrait of George I"

7. Brighton

8. Dover from Shakespeare's Cliff

9. Rome, Tomb of Cecilia Metella

10. A Tempest – Voyage of Columbus

11. Tantallon Castle

12. Tantallon Castle

13. Near Ambleside

14. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

15. St. Cecilia

16. Orfordness

17. St. James Barracks

18. Plan of the Mesquita of Cordova

19. Design for a Bookcase

20. The Southwest Prospect of the Church of St. Helen

21. The South Prospect of the Church of St. Olave in Southwark

22. The Southeast Prospect of the Chapel Royal of St. Peter in the Tower

23. The Southwest Prospect of the Church of St. Giles Without Cripplegate

24. The Southeast Prospect of the King Henry the VII's Chapel at Westminster

25. The Southeast Prospect of the Church of St. Dunstan in the West

26. The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.

27. The Southwest Prospect of the Church of All Hallows Staining

28. The Southwest Prospect of the Church of St. Giles without Cripplegate

29. The West Prospect of the Church of St. Barts the Great

30. Goodrich Castle on the Wye

31. Dartmouth, Devon

32. Plymouth Dock, from Mount Edgecumbe

33. Pendennis Castle, and Entrance of Falmouth Harbour

34. Ilfracombe, North Devon

35. The Forum Romanum

36. Florence, from Fiesoli

37. Harewood House

38. Galileo's Villa

39. The Roman Forum from the Tower of the Capitol

40. St. Herbert's Chapel

41. Galileo's Villa (vignette)

42. Galileo's Villa (vignette)

43. London Café

44. Somerset Maugham

45. Victoria Station

46. Trainspotter

47. Joe Orton, Tattoo

48. Folkstone: Harbour, and Coast to Dover, Kent

49. The South-East Prospect of King Henry The VII's Chapel at Westminster

50. Captain William Baillie

51. Ullswater, Cumberland

52. A Carriage

53. Horse and Rider Walking to Left in a Hilly Landscape

54. The Admiralty

55. Newgate

56. East India House

57. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

58. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

59. David Frost Bashing Bernard Levin

60. Peter Cook and Sister Sarah

61. David Hockney with Ed Buck, Powis Terrace Studio, London

62. Bride and groom in field with factory in distance

63. The North

64. Harlech, no. 2

65. A Lock on the Stour, Suffolk

66. Ragged Sails, I

67. Bolton Abbey, Yorkshire

68. The Plough

69. Devonport and Dockyard, Devonshire

70. Laugharne Castle

71. Leicester Abbey

72. Llanthony, Monmouthshire

73. Llanthony, Monmouthshire

74. Rochester, Stroud and Chatham