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1. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Blessing of the Suez Canal, November 16, 1869

The Blessing of the Suez Canal, November 16, 1869
Creator:
William Simpson, 1823–1899
Date:
after 1869
Materials & Techniques:
Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Study of a Religious Ceremony Scene

Study of a Religious Ceremony Scene
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
Creator:
Print made by John Franklin, c.1800–1868
Date:
ca. 1825
Materials & Techniques:
Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

5. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!
Creator:
Print made by Charles Jameson Grant, active 1830–1852
Date:
1833
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman

6. The North Country Mails at The Peacock Inn, Islington

The North Country Mails at The Peacock Inn, Islington
Creator:
James Pollard, 1792–1867
Date:
1815
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A Fist Fight, With the Prince Regent Among the Spectators

A Fist Fight, With the Prince Regent Among the Spectators
Creator:
George Dance, 1741–1825
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/16 × 16 3/4 inches (28.4 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection