Height [cm]: 28 - YCBA Collections Search Search Results

301. St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, white goauche, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 12 inches (19.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Maraccas Waterfall

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. The Garden of the Villa Borghese

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1776
Materials & Techniques:: Watercolor and oil paint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Plan of the Mesquita of Cordova

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 7/16 inches (28.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Shed

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/16in. (28.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

307. Allington Castle, Kent

Creator:: Robert Nixon, 1759–1837
Date:: ca. 1790
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 15 1/8 inches (27.6 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

Creator:: Jacob More, 1740–1793
Date:: 1783
Materials & Techniques:: Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Maraval Dike

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, white goauche and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Design for a Ceiling

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 18 1/2 inches (34.6 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Design for a Bookcase

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Gray wash, watercolor, pen and ink over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 12 3/16 inches (28.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Design for a Plinth

Creator:: Joseph Wilton, 1722–1803
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, gray wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 11 × 10 3/8 inches (27.9 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Windsor Castle, Berkshire

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1823
Materials & Techniques:: Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Lord Charles Bunbury

Creator:: James Watson, 1740–1790
Date:: 1768
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 × 10 1/16 inches (36.4 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Vue du Pont de Westminister du Cote du Nord de Londres

Creator:: Balthaazar F. Leizelt, active 1750–1800
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 16in. (27.9 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Gilbert Burnet, Bishop of Salisbury

Creator:: Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/16 × 7 15/16 inches (28.1 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. St. Mary, Abchurch

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 x 6 3/4in. (27.9 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. St. Michael's Crooked Lane

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/8 x 7 1/4in. (28.3 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Church Tower at Stretton, Leicestershire

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1915
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/4 inches (28.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

320. A View of the Custom House with Part of the Tower

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 15/16 x 15 3/4in. (27.8 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Women at Prayer

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1936
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 11/16 x 11 9/16 inches (39.8 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

322. The Southwest Prospect of St. Katherine Cree church

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/8 x 12 1/2in. (28.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. The Southwest Prospect of the Church of St. Helen

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. The South Prospect of the Church of St. Olave in Southwark

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. The Southeast Prospect of the Chapel Royal of St. Peter in the Tower

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. The Southwest Prospect of the Church of St. Giles Without Cripplegate

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 7/8 x 12 1/4in. (27.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. The Southeast Prospect of the King Henry the VII's Chapel at Westminster

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. The Southeast Prospect of the Church of St. Dunstan in the West

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Roslyn

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 8 5/8 inches (32.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

330. Landscape

Creator:: Paul Nash, 1889–1946
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

331. Rosslyn Chapel

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1901
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 inches (28.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

332. View of the Tomb of Sir Julius Caesar

Creator:: unknown artist
Date:: 1810
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 7/8 x 9 7/8in. (27.6 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Mother and Child V

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

334. Inside St. Martin-in-the-Fields

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 1/8 x 16 3/4in. (28.3 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Charles I

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: between 1683 and 1687
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 10 1/16 inches (34.4 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

336. The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. The Southwest Prospect of the Church of All Hallows Staining

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/8 x 12 3/16in. (28.3 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. The Southeast Prospect of the Church of All Hallows, London Wall

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/2in. (27.9 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Walberswick Ferry

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1913
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 11 1/8 x 15 11/16 inches (28.2 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

340. Rue du Gros-Horloge, Rouen

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

341. Burmese Dancers

Creator:: Print made by Charles William Cain, 1893–1962
Date:: between 1920 and 1924
Materials & Techniques:: Drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 14 9/16 x 18 3/4 inches (37 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

342. Veronica [North Italian Set: No. 2]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 7 3/8 inches (33 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

343. The Southeast Prospect of the Church of St. Duncan

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 11 15/16in. (27.9 x 30.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. The Southwest Prospect of the Church of St. Giles without Cripplegate

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. St. Helen's, Bishopsgate

Creator:: unknown artist
Date:: 1810
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 13 1/4in. (27.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Head of a Girl

Creator:: Print made by Gerald Leslie Brockhurst, 1890–1978
Date:: 1944
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 3/4 inches (40.7 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Associates in Fine Arts

347. Le Casaquin de Laine

Creator:: Print made by Gerald Leslie Brockhurst, 1890–1978
Date:: 1923
Materials & Techniques:: Etching, stipple engraving, and drypoint on medium, slightly textured, greened white laid paper
Dimensions:: Sheet: 11 1/16 x 8 9/16 inches (28.1 x 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

348. The West Prospect of the Church of St. Barts the Great

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Almina

Creator:: Print made by Gerald Leslie Brockhurst, 1890–1978
Date:: 1924
Materials & Techniques:: Etching, stipple engraving, and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 8 1/8 inches (27.6 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

350. Old Chelsea Church

Creator:: Walter Greaves, 1846–1930
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black and brown ink over graphite on Very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 7 1/8in. (27.9 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Goodrich Castle on the Wye

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Tivoli

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1777
Materials & Techniques:: Watercolor and graphite with gum on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Rye House

Creator:: John Linnell, 1792–1882
Date:: 1814
Materials & Techniques:: Graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 11 1/8 x 15 1/2 inches (28.3 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Cobham Hall, Kent: Plan of the Ground Floor of the Offices

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 20 5/8 inches (27.6 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Head of a Young Woman Looking Left

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown chalk, blue chalk, red chalk, and graphite on moderately thick, rough, brown wove paper
Dimensions:: Sheet: 11 × 10 3/8 inches (27.9 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Study for Man Playing a Harp

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 9 7/8 inches (27.9 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Young Woman of Loheia in Arabia Felix of the Tribe Beni-Koreish

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 5 3/4 inches (18.4 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. South West View of Dunster Castle, Somersetshire

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1800
Materials & Techniques:: Line engraving, 1st. published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Distant View of Chester

Creator:: Print made by William Byrne, 1743–1805
Date:: 1810
Materials & Techniques:: Line engraving, open etching
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Line engraving (engraver's proof)
Dimensions:: Sheet: 11 1/8 × 14 1/4 inches (28.3 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Line engraving and etching, engraver's proof, touched on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Plymouth Dock, from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. The Forum Romanum

Creator:: Engraved by George Hollis, 1792–1842
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Florence, from Fiesoli

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1820
Materials & Techniques:: Line engraving, and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 17 1/4 inches (28.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Columbus Setting Sail

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 1/16 inches (36.2 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. The Landing of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 17 7/8 inches (29.4 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Mount: 11 13/16 × 16 3/4 inches (30 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1823
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching False proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. A Village Fair

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 15/16 × 11 7/8 inches (43 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 × 19 5/8 inches (33 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Aysgarth Force

Creator:: Print made by John Scott, 1774–1828
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 15/16 inches (29.8 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. St. Pierre's Cottage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 15/16 inches (43.3 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Crook of the Lune, Looking towards Hornby Castle

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Bolton Abbey

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Columbus Setting Sail

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. The Landing of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 19 9/16 inches (37.5 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 18 7/8 inches (33.3 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Bass Rock

Creator:: Print made by William Miller, 1796–1882
Date:: 1826
Materials & Techniques:: Line engraving and etching, 2nd state on thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 3/16 × 15 1/8 inches (28.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and gouache, verso: white gouache on medium, smooth, brown wove paper
Dimensions:: Sheet: 10 7/8 × 8 5/8 inches (27.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. A Proposed plan for Trafalgar Square

Creator:: George Belton Moore, 1805–1875
Date:: 1841
Materials & Techniques:: Watercolor, white gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 21 1/16 inches (27.5 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. View of Chepstow Castle, Monmouthshire, from Under the Bridge

Creator:: John Varley, 1778–1842
Date:: 1802
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Mountainous Landscape with Figures

Creator:: attributed to Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Watercolor, with pen in gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 x 17 inches (27.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. The Via Nomentana

Creator:: Richard Wilson, 1713/4–1782
Date:: 1754
Materials & Techniques:: Black and white chalk with stumping on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Man Kneeling

Creator:: George Smith, active 1836
Date:: 1836
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 7 7/8 inches (27.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. A Family Cooking Under A Tree

Creator:: John Thomas Smith, 1766–1833
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 7 3/8 inches (27.6 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Three Ladies

Creator:: John Vanderbank, 1694–1739
Date:: 1726
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 7 3/16 inches (28.3 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. River with Angler

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 17 5/16 inches (27.9 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 28

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301. St. James Barracks

302. Maraccas Waterfall

303. The Garden of the Villa Borghese

304. Plan of the Mesquita of Cordova

305. Tivoli

306. Shed

307. Allington Castle, Kent

308. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

309. Maraval Dike

310. Design for a Ceiling

311. Design for a Bookcase

312. Design for a Plinth

313. Windsor Castle, Berkshire

314. Lord Charles Bunbury

315. Vue du Pont de Westminister du Cote du Nord de Londres

316. Gilbert Burnet, Bishop of Salisbury

317. St. Mary, Abchurch

318. St. Michael's Crooked Lane

319. Church Tower at Stretton, Leicestershire

320. A View of the Custom House with Part of the Tower

321. Women at Prayer

322. The Southwest Prospect of St. Katherine Cree church

323. The Southwest Prospect of the Church of St. Helen

324. The South Prospect of the Church of St. Olave in Southwark

325. The Southeast Prospect of the Chapel Royal of St. Peter in the Tower

326. The Southwest Prospect of the Church of St. Giles Without Cripplegate

327. The Southeast Prospect of the King Henry the VII's Chapel at Westminster

328. The Southeast Prospect of the Church of St. Dunstan in the West

329. Roslyn

330. Landscape

331. Rosslyn Chapel

332. View of the Tomb of Sir Julius Caesar

333. Mother and Child V

334. Inside St. Martin-in-the-Fields

335. Charles I

336. The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.

337. The Southwest Prospect of the Church of All Hallows Staining

338. The Southeast Prospect of the Church of All Hallows, London Wall

339. Walberswick Ferry

340. Rue du Gros-Horloge, Rouen

341. Burmese Dancers

342. Veronica [North Italian Set: No. 2]

343. The Southeast Prospect of the Church of St. Duncan

344. The Southwest Prospect of the Church of St. Giles without Cripplegate

345. St. Helen's, Bishopsgate

346. Head of a Girl

347. Le Casaquin de Laine

348. The West Prospect of the Church of St. Barts the Great

349. Almina

350. Old Chelsea Church

351. Goodrich Castle on the Wye

352. Tivoli

353. Rye House

354. Cobham Hall, Kent: Plan of the Ground Floor of the Offices

355. Head of a Young Woman Looking Left

356. Study for Man Playing a Harp

357. Young Woman of Loheia in Arabia Felix of the Tribe Beni-Koreish

358. South West View of Dunster Castle, Somersetshire

359. Distant View of Chester

360. Crypt in Kirkstall Abbey, Yorkshire

361. Dartmouth, Devon

362. Plymouth Dock, from Mount Edgecumbe

363. Pendennis Castle, and Entrance of Falmouth Harbour

364. Ilfracombe, North Devon

365. Clovelly Bay and Lundy Island

366. The Forum Romanum

367. Florence, from Fiesoli

368. Richmond Castle and Town

369. Richmond, Yorkshire

370. The Observatory at Rosehill, Sussex

371. Egglestone Abbey, near Barnard Castle

372. Columbus Setting Sail

373. The Landing of Columbus

374. Junction of the Greta and Tees at Rokeby

375. Brignall Church