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Subject Terms bow (costume accessory)

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The Swain's Amusement
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
between 1748 and 1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Anthony van Dyck, Eques Pictor
Creator:
Print made by Jan van der Bruggen, 1649–1714
Date:
1682
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 9 inches (29.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Billington
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/8 x 11 1/8 inches (35.9 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Swain's Amusement
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
between 1748 and 1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 9 3/16 inches (33.7 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ophelia: There Is Rue for You and Here's Some for Me
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 8 7/8 inches (28.7 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hon. Mr. Leicester Stanhope
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 × 7 7/8 inches (28.8 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund