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A Limekiln, Possibly at Briton Ferry in South Wales
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795-96
Materials & Techniques:
Oil on panel
Dimensions:
11 3/8 x 15 7/8 inches (28.9 x 40.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Basle

Basle
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 3/8 inches (29.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Overthrow of Dr. Slop
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gipsy Encampment
Creator:
Print made by Samuel David Colkett, 1806–1863
Date:
1830
Materials & Techniques:
Etching on very thick, rough, white wove paper
Dimensions:
Sheet: 11 7/16 x 15 3/4 inches (29.1 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le depart de l'Enfant Prodigue
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/16 x 18 1/16 inches (36.4 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A View of the Bridge at Walton-on-Thames in Surrey
Creator:
Charles Grignion, 1717–1810
Date:
1752
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cathedral, Palma
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1928
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 18 1/8 inches (28.7 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A View from Richmond Hill up the River
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 x 17in. (29.2 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"You're Not Going to Follow, Belle, Are You?"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Racing Scene
Creator:
Samuel Howitt, 1756–1822
Date:
1792
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:
Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Charcoal on medium, slightly textured, brown wove paper
Dimensions:
Mount: 11 1/4 × 15 5/16 inches (28.6 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Return From the Chase, After a Fall
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The London-Dumphries Royal Mail
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
between 1830 and 1840
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 11 5/16 × 16 1/4 inches (28.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travelling in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Canterbury-Dover Coach Passing Vanbrugh Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1800
Materials & Techniques:
Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travellers by a Clump of Trees in a Rocky Landscape with Stream
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beive wove paper laid in contemporary mount
Dimensions:
Mount: 11 5/16 x 14 5/16 inches (28.8 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Jersey Vraic Cart
Creator:
Print made by Edmund Blampied, 1886–1966
Date:
1939
Materials & Techniques:
Etching on laid paper
Dimensions:
Plate: 8 1/2 x 11 inches (21.6 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Paul Moore
Gate Toward Bursit, Aix-la-Chappelle
Creator:
Charles Gore, 1729–1807
Date:
1785
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gray Mare and a Chestnut Foal
Creator:
John Frederick Lewis, 1804–1876
Date:
1846
Materials & Techniques:
Watercolor, white gouache and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 16 1/4 inches (28.9 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old Walton Bridge seen from the Middlesex Shore
Creator:
Canaletto, 1697–1768
Date:
1755
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 26 3/4 inches (28.9 x 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View at Charlton, Kent
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1783
Materials & Techniques:
Gouache and watercolor on thin paper mounted on panel
Dimensions:
Sheet: 11 1/2 x 17 3/8 inches (29.2 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1802
Materials & Techniques:
Graphite and pen and brown ink, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustration to "Beyond This Limit"
Creator:
Wyndham Lewis, 1882–1957
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 7 5/8 inches (29.2 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Foundling Hospital
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cardinal Wolsey Receiving a Letter Sent by Henry VIII
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent
Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brussels from the Paris Road
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 11/16 x 10 3/16 inches (17 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Iola S. Haverstick
A Review in a Market Place
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clare Hall
Creator:
Print made by John Bluck, active 1791–1831
Date:
1814
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Water-Wheel Driving a Transporter
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and black ink; verso: pen and black ink, gray ink, pastel, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 5/16 x 18 1/4 inches (28.7 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scene with Cart
Creator:
Frank Meadow Sutcliffe, 1853–1941
Date:
1871
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

36. Haytime

Haytime
Creator:
Frank Meadow Sutcliffe, 1853–1941
Date:
1871
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Valley of Rocks, Lynton, North Devon
Creator:
Francis Oliver Finch, 1802–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crossing Lancaster Sands
Creator:
David Cox, 1783–1859
Date:
mid-1830s
Materials & Techniques:
Watercolor, gouache and graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/16 × 20 1/16 inches (36.4 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Martin Hardie, 1875–1952
Date:
1918
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 11 1/4 × 18 3/8 inches (28.6 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery