Height [cm]: 29 / Subject Terms: women - YCBA Collections Search Search Results

1. The Harvest Moon

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1833
Materials & Techniques:: Oil on paper, laid on panel
Dimensions:: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Study of the Lamentation on the Dead Christ

Creator:: Benjamin West, 1738–1820
Date:: ca. 1785
Materials & Techniques:: Oil on paper on panel
Dimensions:: 11 1/2 x 9 1/4 inches (29.2 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Musician

Creator:: Albert Joseph Moore, 1841–1893
Date:: ca. 1867
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 x 15 1/4 inches (28.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. Apuleia in Search of Apuleius

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Book of Thel; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. View of Tonbridge During the Late Election, December 18, 1832

Creator:: Print made by Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:: Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Chain Pier at Brighton

Creator:: Print made by John Bruce, fl. 1826
Date:: ca. 1830
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Gipsy Encampment

Creator:: Print made by Samuel David Colkett, 1806–1863
Date:: 1830
Materials & Techniques:: Etching on very thick, rough, white wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/4 inches (29.1 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Lot and His Family

Creator:: Print made by John Alexander, 1686–before 1768
Date:: ca. 1718
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Rocket Practice in the Marshes

Creator:: John Grant, Died 1873
Date:: 1845
Materials & Techniques:: Aquatint with stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 17 11/16 inches (35.3 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Studies for Stone Sculpture

Creator:: Henry Moore, 1898–1986
Date:: 1938
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 7 3/4 inches (29.2 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeffrey H. Loria, Yale BA 1962, in memory of Henry Moore

19. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Cathedral, Palma

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1928
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 18 1/8 inches (28.7 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

21. Belgian Set: Damme [No. 5]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22. L'Enfant Prodigue reclamant la bonté de son Pere

Creator:: Print made by Johann Elias Haid, 1739–1809
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/8 x 18 1/8 inches (36.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. La male consequence du celibat

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 13/16 x 10 1/16 inches (40.2 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Vertumnus and Pomonae

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint with touches of gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/2 × 8 11/16 inches (29.2 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. The Quakers' Meeting

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 8 3/8 inches (28.9 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. A View of the Garden of the Earl of Burlington, at Chiswick, taken from the Top of the Flight of Steps leading to ye Grand Gallery at ye Back Front

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 x 16 1/2in. (29.2 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "You're Not Going to Follow, Belle, Are You?"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Creator:: Print made by Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. An Arch at Holy Island, Northumberland

Creator:: John Varley, 1778–1842
Date:: 1809
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Return From the Chase, After a Fall

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Exeter College Eight on the Isis, Oxford

Creator:: William Turner of Oxford, 1789–1862
Date:: 1824
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Perspective View of the Foundling Hospital with Emblematic Figures

Creator:: Charles Grignion, 1717–1810
Date:: 1749
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Sophia, Honour, and the Chambermaid

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

40. Cadore

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1927
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

41. Four Friends

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1947
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 9/16 x 8 inches (29.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

42. Gate Toward Bursit, Aix-la-Chappelle

Creator:: Charles Gore, 1729–1807
Date:: 1785
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Rustic Scene

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/8 x 15 3/8 inches (28.9 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Little Missenden Church from the Southeast

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. A Choral Band

Creator:: Print made by Lydia Bates, active 1784
Date:: ca. 1777
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 9/16 x 16 3/4 inches (29.4 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Deucalion and Pyrrha after the Flood

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Falstaff Disguised as Herne

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. City of Lin Tsin, Shantung, with a View of the Grand Canal

Creator:: William Alexander, 1767–1816
Date:: 1795
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. George Fox Preaching at Carlisle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1912
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

50. Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

Creator:: Print made by James Gillray, 1756–1815
Date:: 1793
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 14 3/8 inches (31.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Inside of St. Paul's Cathedral from the West End to the Choir

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Louise Purnell, Albert Finney, Derek Jacobi, Maggie Smith and Graham Crowden in 'Black comedy' by Peter Schaffer, The National Theatre, London

Creator:: Lewis Morley, 1925–2013
Date:: 1965
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

54. Studies of Two Women's Heads

Creator:: John Russell, 1745–1806
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 11 3/8 x 13 3/4 inches (28.9 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. L'Adieu

Creator:: Print made by Michael Hanhart, active 1841–1852
Date:: ca. 1858
Materials & Techniques:: Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

56. The Test

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink and wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 16 5/16 inches (28.6 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Nymphs at a Roman Bath

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 13/16 x 7 7/16 inches (22.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. View of the Front of the New Public Buildings, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Portrait of a Lady Standing near a Lake

Creator:: Richard Cosway, 1742–1821
Date:: ca. 1802
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 3/8 inches (28.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Cartoon Gallery, Knole, Kent

Creator:: Print made by Joseph Nash, 1808–1878
Date:: 1840
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 5/8 × 21 3/8 inches (37.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

64. Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire

Creator:: Joshua Cristall, 1768–1847
Date:: 1818
Materials & Techniques:: Watercolor and graphite, with scraping on thick, slightly textured, beige card
Dimensions:: Sheet: 11 3/8 × 18 1/8 inches (28.9 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Long Walk, Windsor

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on medium, rough, beigh wove paper
Dimensions:: Sheet: 11 1/2 x 15 1/2 inches (29.2 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The French Lady in London

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: ca. 1771
Materials & Techniques:: Gray wash black ink and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. St. Andrew's Castle in the Kingdom of Fife

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 18 5/8 x 14 13/16 inches (47.3 x 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

68. Her New Heir, Stokesay

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

69. Acrobats at Lorca Fair

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1931
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 18 1/8 inches (28.9 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

70. The Death of Mark Antony

Creator:: Print made by Jean Marie Delatre, 1746–1840
Date:: 1805
Materials & Techniques:: Line engraving and stipple engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 12 1/4 inches (37.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Figure Drawing

Creator:: Ken Ersser, born 1940
Date:: 1969
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Frame: 14 × 10 × 7/8 inches (35.6 × 25.4 × 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stuart Bennett

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1. The Harvest Moon

2. Study of the Lamentation on the Dead Christ

3. A Musician

4. Apuleia in Search of Apuleius

5. The Book of Thel; Title Page (Plate 2)

6. Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

7. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

8. III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

9. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

10. View of Tonbridge During the Late Election, December 18, 1832

11. View of the Clifton Suspension Bridge

12. Evening

13. Chain Pier at Brighton

14. The Gipsy Encampment

15. Lot and His Family

16. Rocket Practice in the Marshes

17. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

18. Studies for Stone Sculpture

19. Eight Rural Subjects

20. The Cathedral, Palma

21. Belgian Set: Damme [No. 5]

22. L'Enfant Prodigue reclamant la bonté de son Pere

23. La male consequence du celibat

24. Death of the Strong Wicked Man

25. The Death of the Good Old Man

26. Vertumnus and Pomonae

27. The Quakers' Meeting

28. A View of the Garden of the Earl of Burlington, at Chiswick, taken from the Top of the Flight of Steps leading to ye Grand Gallery at ye Back Front

29. "You're Not Going to Follow, Belle, Are You?"

30. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

31. An Arch at Holy Island, Northumberland

32. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

33. Return From the Chase, After a Fall

34. Travelling in France

35. The Canterbury-Dover Coach Passing Vanbrugh Castle

36. The Exeter College Eight on the Isis, Oxford

37. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

38. A Perspective View of the Foundling Hospital with Emblematic Figures

39. Sophia, Honour, and the Chambermaid

40. Cadore

41. Four Friends

42. Gate Toward Bursit, Aix-la-Chappelle

43. A Rustic Scene

44. Little Missenden Church from the Southeast

45. A Choral Band

46. Deucalion and Pyrrha after the Flood

47. Falstaff Disguised as Herne

48. City of Lin Tsin, Shantung, with a View of the Grand Canal

49. George Fox Preaching at Carlisle

50. Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

51. The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens

52. The Inside of St. Paul's Cathedral from the West End to the Choir

53. Louise Purnell, Albert Finney, Derek Jacobi, Maggie Smith and Graham Crowden in 'Black comedy' by Peter Schaffer, The National Theatre, London

54. Studies of Two Women's Heads

55. L'Adieu

56. The Test

57. Nymphs at a Roman Bath

58. Crofton Hall, Yorkshire

59. View of the Front of the New Public Buildings, Guildford

60. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

61. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

62. Portrait of a Lady Standing near a Lake

63. The Cartoon Gallery, Knole, Kent

64. Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire

65. The Long Walk, Windsor

66. The French Lady in London

67. St. Andrew's Castle in the Kingdom of Fife

68. Her New Heir, Stokesay

69. Acrobats at Lorca Fair

70. The Death of Mark Antony

71. Pilgrim's Progress Illustrated, Uncut Panorama

72. Figure Drawing