Height [cm]: 29 - YCBA Collections Search Search Results

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 7 inches (28.6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1623. Mares and Foals, / From a Picture in the Possession of Lewis Dymock, Esqr.

Creator:: Thomas Morris, born 1771
Date:: 1793
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/2 x 17in. (29.2 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1624. Scottish Landscape

Creator:: Joseph Gray, 1890–1962
Date:: 1928
Materials & Techniques:: Etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 11 9/16 x 15 13/16 inches (29.4 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

1625. Shipbuilders

Creator:: Ethel Kirkpatrick, ca. 1890–1941
Date:: 1920-30
Materials & Techniques:: Color woodblock print
Dimensions:: Sheet: 11 7/16 x 16 3/16in. (29.1 x 41.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

1626. 2. A rowing eight at Oxford

Creator:: W. Stack, active 1824
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 1/4 x 19 3/8in. (28.6 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1627. [Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale.

Creator:: unknown artist
Date:: 1844
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/4 x 18 15/16in. (28.6 x 48.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1628. [Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale.

Creator:: unknown artist
Date:: 1844
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/4 x 18 15/16in. (28.6 x 48.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1629. [Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale.

Creator:: unknown artist
Date:: 1844
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/4 x 18 15/16in. (28.6 x 48.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1630. Various Portraits on one sheet

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 8 1/4in. (28.6 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

1631. Dr. Samuel Johnson

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/2 x 8 3/4in. (29.2 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

1632. Samuel Johnson

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 8in. (28.6 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

1633. The Wilderness

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1634. The Life, and Posthumous Writings, of William Cowper, (volume 1)

Creator:: Text by William Hayley, 1745–1820
Date:: 1803-1804
Materials & Techniques:: Bound volume with engraved illustrations on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1635. Blotter

Creator:: Peter Doig, born 1959
Date:: 1996
Materials & Techniques:: Etching, aquatint, and spitbite on 350gsm Zerkall Etching white wove paper
Dimensions:: Sheet: 21 1/4 × 17 1/4 inches (54 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1636. Meditation

Creator:: Print made by Charles West Cope, 1811–1890
Date:: ca. 1844
Materials & Techniques:: Etching, touched proof on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 9/16 × 8 11/16 inches (29.3 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift in memory of Margaret F. Kruse by her Family. Mark W. Rowland, Yale 1992

1637. War Correspondent Constance Stuart, 1945

Creator:: unknown artist
Date:: 1945
Materials & Techniques:: Silver bromide print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1638. Story from Glasgow, Plate 2

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1639. Story from Glasgow, Plate 1

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1640. Story from Glasgow, Plate 3

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1641. Story from Glasgow, Plate 4

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1642. Story from Glasgow, Plate 5

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1643. Story from Glasgow, Plate 6

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1644. Story from Glasgow, Plate 7

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1645. Story from Glasgow, Plate 8

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1646. Story from Glasgow, Plate 9

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1647. Story from Glasgow, Plate 10

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1648. Story from Glasgow, Plate 11

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1649. Story from Glasgow, Plate 12

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1650. Story from Glasgow, Plate 14

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1651. Story from Glasgow, Plate 13

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1652. Story from Glasgow, Plate 16

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1653. Story from Glasgow, Plate 15

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1654. Story from Glasgow, Plate 17

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1655. Story from Glasgow, Plate 18

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1656. Story from Glasgow, Plate 22

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1657. Story from Glasgow, Plate 23

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1658. Story from Glasgow, Plate 27

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1659. Story from Glasgow, Plate 84

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1660. Story from Glasgow, Plate 88

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1661. Story from Glasgow, Plate 94

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1662. The Lignum vitae, or Guaiacum, Plate 9

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

1663. The Bay-Berry Tree, Myrtus arborea aromatica, Plate X

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 9 inches (33.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

1664. The Male Popaw Tree, Papaya, Plate 14

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 inches (35.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

1665. The Female Popaw Tree, Papaya, Plate 15

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 9 inches (35.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

1666. The Tree Jessamin, Plate 17

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 3/4 inches (33 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

1667. The Pine Apple, Anana, Plate 21

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

1668. The Sea-side Laurel, Plate 22

Creator:: Print made by J. Mynde, active 1740–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 3/8 inches (33 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

1669. The Elms

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1670. Olney Bridge

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1671. The Shrubbery

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1672. The Temple in the Wilderness

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1673. Weston House

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1674. The Rustic Bridge.

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1675. Weston Lodge

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1676. Views from the Alcove

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1677. The Alcove from the Avenue

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1678. Bridge Below Phema

Creator:: John Claude White, 1853–1918
Date:: 1903 to 1904, printed 1907
Materials & Techniques:: Platinum print on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 1/8 inches (13 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1679. Sir Laurence Olivier

Creator:: Michael Childers, born 1944
Date:: 1975
Materials & Techniques:: Inkjet print on medium, smooth, semi-gloss white wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

1680. Christopher Isherwood, Palm Springs CA

Creator:: Michael Childers, born 1944
Date:: 1970
Materials & Techniques:: Inkjet print on medium, smooth, semi-gloss white wove paper
Dimensions:: Sheet: 19 × 13 inches (48.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

1681. Sir John Gielgud and Sir Ralph Richardson in No Man's Land by Harold Pinter, National Theater, London

Creator:: Michael Childers, born 1944
Date:: 1975
Materials & Techniques:: Inkjet print on medium, smooth, semi-gloss white wove paper
Dimensions:: Sheet: 19 × 13 inches (48.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

1682. Make Way for the Speaker

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1830
Materials & Techniques:: Colored lithograph on medium, smooth, cream wove paper
Dimensions:: Mount: 11 1/4 × 14 inches (28.6 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

1683. Rocks at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1684. Fishermen Putting out to Sea, Hastings

Creator:: Samuel Prout, 1783–1852
Date:: between 1810 and 1820
Materials & Techniques:: Watercolor, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Estate of Roberta A. Kendall

1685. Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: 1717
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Plate: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1686. The Memorial of Lord Darnley

Creator:: Bernard Lens III, 1682–1740
Date:: 1728
Materials & Techniques:: Gouache on vellum wrapped around panel
Dimensions:: Sheet: 11 1/4 × 18 1/4 inches (28.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

1687. Cowper's Summer House

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1688. Olney Church

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1689. The Peasant's Nest

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1690. Untitled

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, slightly textured, black wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1691. Close, No. 31 Saltmarket

Creator:: Thomas Annan, 1829–1887
Date:: between 1868 and 1877
Materials & Techniques:: Carbon print from a glass-plate negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1692. Close, No. 93 High Street

Creator:: Thomas Annan, 1829–1887
Date:: 1868
Materials & Techniques:: Albumen print from wet collodion glass plate negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 1/2 inches (29.2 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1693. Still-Life with Casket and Coral

Creator:: Roger Fenton, 1819–1869
Date:: 1860 to 1861
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 11 3/8 inches (28.6 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1694. The Ghost of Your Desire

Creator:: Freya Payne, born 1968
Date:: 2005
Materials & Techniques:: Etching, aquatint, roulette, and spit-bite on moderately thick, slightly textured, white wove paper
Dimensions:: Frame: 21 × 18 × 1 5/8 inches (53.3 × 45.7 × 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Driek and Michael Zirinsky

1695. The Allied Gourmands Taking a Luncheon; or the Turkey in Danger

Creator:: Print made by Thomas Jones, active 1828
Date:: 1828
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

1696. The Upsetting of the Reform Coach

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1834
Materials & Techniques:: Colored lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

1697. Demolishing a Prude (Vide Spectator)

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1834
Materials & Techniques:: Colored lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

1698. Tears of Repentance. Cabinet In's and Out's

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 1/4 inches (28.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson.

1699. The Dog wot has Lost his Tail

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1834
Materials & Techniques:: Colored lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

1700. The Rivals

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1834
Materials & Techniques:: Colored lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

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1601. Story from Glasgow, Plate 76

1602. Story from Glasgow, Plate 74

1603. Story from Glasgow, Plate 77

1604. Story from Glasgow, Plate 75

1605. Story from Glasgow, Plate 78

1606. Story from Glasgow, Plate 79

1607. Story from Glasgow, Plate 80

1608. Story from Glasgow, Plate 82

1609. Story from Glasgow, Plate 81

1610. Story from Glasgow, Plate 83

1611. Story from Glasgow, Plate 87

1612. Story from Glasgow, Plate 85

1613. Story from Glasgow, Plate 86

1614. Story from Glasgow, Plate 89

1615. Story from Glasgow, Plate 91

1616. Story from Glasgow, Plate 90

1617. Story from Glasgow, Plate 93

1618. Story from Glasgow, Plate 92

1619. Story from Glasgow, Plate 96

1620. Story from Glasgow, Plate 95

1621. Story from Glasgow, Plate 97

1622. Mar's Work, Stirling

1623. Mares and Foals, / From a Picture in the Possession of Lewis Dymock, Esqr.

1624. Scottish Landscape

1625. Shipbuilders

1626. 2. A rowing eight at Oxford

1627. [Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale.

1628. [Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale.

1629. [Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale.

1630. Various Portraits on one sheet

1631. Dr. Samuel Johnson

1632. Samuel Johnson

1633. The Wilderness

1634. The Life, and Posthumous Writings, of William Cowper, (volume 1)

1635. Blotter

1636. Meditation

1637. War Correspondent Constance Stuart, 1945

1638. Story from Glasgow, Plate 2

1639. Story from Glasgow, Plate 1

1640. Story from Glasgow, Plate 3

1641. Story from Glasgow, Plate 4

1642. Story from Glasgow, Plate 5

1643. Story from Glasgow, Plate 6

1644. Story from Glasgow, Plate 7

1645. Story from Glasgow, Plate 8

1646. Story from Glasgow, Plate 9

1647. Story from Glasgow, Plate 10

1648. Story from Glasgow, Plate 11

1649. Story from Glasgow, Plate 12

1650. Story from Glasgow, Plate 14

1651. Story from Glasgow, Plate 13

1652. Story from Glasgow, Plate 16

1653. Story from Glasgow, Plate 15

1654. Story from Glasgow, Plate 17

1655. Story from Glasgow, Plate 18

1656. Story from Glasgow, Plate 22

1657. Story from Glasgow, Plate 23

1658. Story from Glasgow, Plate 27

1659. Story from Glasgow, Plate 84

1660. Story from Glasgow, Plate 88

1661. Story from Glasgow, Plate 94

1662. The Lignum vitae, or Guaiacum, Plate 9

1663. The Bay-Berry Tree, Myrtus arborea aromatica, Plate X

1664. The Male Popaw Tree, Papaya, Plate 14

1665. The Female Popaw Tree, Papaya, Plate 15

1666. The Tree Jessamin, Plate 17

1667. The Pine Apple, Anana, Plate 21

1668. The Sea-side Laurel, Plate 22

1669. The Elms

1670. Olney Bridge

1671. The Shrubbery

1672. The Temple in the Wilderness

1673. Weston House

1674. The Rustic Bridge.

1675. Weston Lodge