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Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by Charles Cousen, ca. 1819–1889

Abingdon

between 1859 and 1861

James Charles Armytage, 1802–1897

Approach to Venice

between 1859 and 1861

Print made by Benjamin Green, ca. 1736–ca. 1800

A Flower Piece

1779

Alexander Bannerman, ca. 1730–1780

Boit. Baker

undated

Print made by Alexander Bannerman, ca. 1730–1780

Cibber

undated

Alexander Bannerman, ca. 1730–1780

John Greenhill

undated

George Chinnery, 1774–1852

Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840

1840

unknown artist

Eagle on a Perch

ca. 1800

Charles Cooper Henderson, 1803–1877

Unloading the Luggage From The Exeter Coach

undated

Thomas Rowlandson, 1756–1827

A Horse Sale in Hopkins's Repository, Barbican

between 1798 and 1800

Jan Wyck, ca. 1645–1700

A Hawking Party

undated

Charles Turner, 1774–1857

Wrestling

1810

Possibly John West Giles, active 1827–1865

Man Leading a Horse in Front of a Stable

1827

Lewis Vulliamy, 1791–1871

Design for a Chapel at Enfield: Longitudinal Section

undated

Lewis Vulliamy, 1791–1871

Design for a Chapel at Enfield: Transverse Sections, East and West End

undated

Thomas Daniell, 1749–1840

Dane's Island

undated

Samuel Howitt, 1756–1822

Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"

1805

Charles James Richardson, 1806–1871

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

1871

John Buckler FSA, 1770–1851

Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart

1817

Richard Gilson Reeve, 1803–1889

The Mail Coach in a Drift of Snow

Richard Gilson Reeve, 1803–1889

The Mail Coach in a Storm of Snow

Alexander Bannerman, ca. 1730–1780

Robert Streater

undated

Print made by Thomas Chambars, ca. 1724–1789

Henry Tilson

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Vanbrugh

undated

Print made by Thomas Chambars, ca. 1724–1789

Abraham Vanderdort

undated

Print made by Thomas Chambars, ca. 1724–1789

William van der Velde, Junior

undated

Alexander Bannerman, ca. 1730–1780

Peter Vander Meulen

undated

Alexander Bannerman, ca. 1730–1780

La Soeur

undated

Alexander Bannerman, ca. 1730–1780

George Lambert

undated

Print made by James Bretherton, ca. 1730–1806

Henry Herbert Earl of Pembroke

1762

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Hilliard

undated

Print made by Thomas Chambars, ca. 1724–1789

Gerard Honthorst

undated

Alexander Bannerman, ca. 1730–1780

Inigo Jones

1762

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Thomas Girtin, 1775–1802

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

1802

Thomas Girtin, 1775–1802

View of the Gate of St. Denis taken from the Suburbs

1802

Samuel Howitt, 1756–1822

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Samuel Howitt, 1756–1822

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Unknown artist (Company style)

Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826

1826

John Leech, 1817–1864

The Close of the Season

undated

Robert MacPherson, 1814–1872

Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi

ca. 1863

Thomas Rowlandson, 1756–1827

Horsemen Colliding

between 1785 and 1790

Benjamin Holl, 1808–1884

Shakspeare

1827

Arthur Pond, ca. 1705–1758

Untitled: Profile of seated man with long nose

1740

John Buckler FSA, 1770–1851

South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath

1805

John Buckler FSA, 1770–1851

South View of Longleat, Wiltshire; the Seat of the Marquis of Bath

1821

John Buckler FSA, 1770–1851

South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk

1810

Print made by William Daniell, 1769–1837

Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy

1803

Alexander Bannerman, ca. 1730–1780

Daniel Mytens

1762

Alexander Bannerman, ca. 1730–1780

Murray

undated

Alexander Bannerman, ca. 1730–1780

John Riley and Egbert Hemskirt

1762

Print made by Charles Bretherton, ca. 1760–1783

Jonathan Richardson

undated

Alexander Bannerman, ca. 1730–1780

Peter Roestraten

undated

Print made by Thomas Chambars, ca. 1724–1789

Lewis Francis Roubiliac

undated

Alexander Bannerman, ca. 1730–1780

Henry Steenwyck

undated

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Laniere

undated

Alexander Bannerman, ca. 1730–1780

Louis Laguerre, Bernard Lens and Charles Jervas

Between 1750 and 1775

Alexander Bannerman, ca. 1730–1780

George Lambert

undated

Alexander Bannerman, ca. 1730–1780

John Mabuse

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Medina

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Medina

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Antonio More

undated

Print made by Thomas Chambars, ca. 1724–1789

John Baptiste Monnoyer

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Antonio More

undated

Print made by Thomas Chambars, ca. 1724–1789

Claude la Fevre and Mr. John Hayls

undated

Alexander Bannerman, ca. 1730–1780

Adrian Hanneman

undated

Alexander Bannerman, ca. 1730–1780

George Jamesone

undated

John Opie, 1761–1807

Reclining Female Nude

1793

Joseph Josiah Dodd, 1809–1894

View of Tonbridge During the Late Election

after 1832

Print made by unknown artist

Harvest

undated

Francis Towne, 1740–1816

View of the Rhydaer

1777

Print made by Thomas Chambars, ca. 1724–1789

Francesco Cleyn

undated

Print made by Thomas Chambars, ca. 1724–1789

Horatio Gentileschi and Edward Mascall

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

ca. 1793

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Sir Balthazar Gerbier

undated

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745