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Edward Millington Synge, 1860–1913

Street of the Pope's Soldiers

Morton, active 1767

Plan of a Building for the Register Offices in Scotland

1767

Francesco Bartolozzi, 1728–1815

Cupid and Psyche

Francesco Bartolozzi, 1728–1815

Perseus, Having Rescued Andromeda

1788

Francesco Bartolozzi, 1728–1815

Perseus Relating to Andromeda the Power of Medusa's Head

1788

Print made by Benoit Audran, 1661–1721

Guillaume Laud

undated

Capt. Francis Grose, 1731–1791

St. Catherine's Castle at Fowey, Cornwall

undated

Isaac Cruikshank, 1764–1811

Effects of the Dog Tax

1796

Print made by Joseph Wood, 1720–1763 or 1764

The Hermit

1744

Print made by Francesco Bartolozzi, 1728–1815

St. Cecilia

1784

Print made by John Doyle ('H.B.'), 1797–1868

Supposed Colloquy between a Top Sawyer and his Brother Labourer

1843

Print made by Benjamin Baker, 1766–1841

Plan of the West India Docks

1802

Thomas Malton the Younger, 1748–1804

Hall's Library at Margate

1789

Richard Houston, ca. 1721–1775

Winter

Richard Houston, ca. 1721–1775

Summer

unknown artist

Carlinan Mill, Iverary, Scotland

1811

Capt. Francis Grose, 1731–1791

Wellingborough out of the Angel Window, Northamptonshire

1762

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Edward Millington Synge, 1860–1913

St. Marks, Venice, No. 1

1906

Samuel Alken, 1756–1815

North East View of Fort Louis in the Island of Martinique

1796

Print made by William Walcot, 1874–1943

Villa Quintilii

1921

Print made by John Doyle ('H.B.'), 1797–1868

Poking the Old Lion

1847

Francesco Bartolozzi, 1728–1815

George Frideric Handel

1784

Print made by Francesco Bartolozzi, 1728–1815

Miss Price

1792

Print made by Francesco Bartolozzi, 1728–1815

Gualtherus and Griselda

1784

Isaac Cruikshank, 1764–1811

Oh! Dear What can the Matter Be

1793

George Richardson, ca.1738–ca.1813

[One of] 25 drawings and prints for ceilings

undated

Attributed to Gideon Yates, active 1825–1837

Fishmonger's Hall and London Bridge

1832

Giles Hussey, 1710–1788

Study of classical figure of man

between 1730 and 1768

Giles Hussey, 1710–1788

Study of classical sculpture or reclining figure

between 1730 and 1768

Giles Hussey, 1710–1788

Study of classical scultpure of Castor and Pollux

between 1730 and 1768

Giles Hussey, 1710–1788

Study of statue of an Egyptian man

between 1730 and 1768

Richard Banks Harraden, 1778–1862

Pembroke College, Cambridge

undated

Richard Banks Harraden, 1778–1862

New Building of St. John's from the Gardens, Cambridge

ca. 1830

Richard Banks Harraden, 1778–1862

Jesus College, Cambridge

ca. 1830

William Taverner, 1703–1772

Landscape with Buildings: Possibly at Richmond, Surrey

undated

Henry Phillip Hope, active 1799–1818

Adrian Hope's House II: Gallery - Plan and Elevations

undated

unknown artist

Badgebury House, South East Front - Elevation

1841

Print made by James T. Willmore, 1800–1863

Barnard Castle

1831

Humphry Repton, 1752–1818

Cobham Hall, Kent: Landscape drawing for Cobham Hall

ca. 1790

Luigi Balugani, 1737–1770

Protea gaguedi J.F. Gmel. (protea): finished drawing

undated

James Bruce, 1730–1794

A Fish, Zeezan jidda

undated

Henry Phillip Hope, active 1799–1818

South East Front of the Deepdene

undated

Henry Phillip Hope, active 1799–1818

Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)

undated

Giles Hussey, 1710–1788

Two Studies of classical sculpture of Farnese Hercules

between 1730 and 1768