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1. Gertassee, 9:10 am, 31 January 1867 (284)

Gertassee, 9:10 am, 31 January 1867 (284)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 7 inches (31.8 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian

Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 1/8 inches (54 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Details of a Corinthian Temple on the Acropolis of Pergamon

Details of a Corinthian Temple on the Acropolis of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Entrance into the Temple of the Sun in Palmira from the East

The Entrance into the Temple of the Sun in Palmira from the East
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Remains of the Great Temple in Palmira seen from the West. ...

The Remains of the Great Temple in Palmira seen from the West. ...
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
Creator:
Carington Bowles, 1724–1793
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Figure Seated by an Indian Temple

Figure Seated by an Indian Temple
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Gouache on medium, slightly textured, cream wove paper
Dimensions:
Image: 9 5/8 × 11 1/4 inches (24.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Facade for a Temple of Peace, Kew Gardens, Surrey

Facade for a Temple of Peace, Kew Gardens, Surrey
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1763
Materials & Techniques:
Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Landscape with a Ruined Temple

Landscape with a Ruined Temple
Creator:
Alexander Cozens, 1717–1786
Date:
between 1746 and 1750
Materials & Techniques:
Graphite, brown ink, brown wash and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 x 17 1/4 inches (35.6 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Ambrogio Brambilla, active ca. 1579–1599
Date:
between 1581 and 1586
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/8 inches (39.4 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Ambrogio Brambilla, active ca. 1579–1599
Date:
between 1581 and 1586
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 14 1/8 inches (31.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. View of the Theater and Plan of the Ionic Temple at Sardis

View of the Theater and Plan of the Ionic Temple at Sardis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black and brown ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (54 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Members of a Ionic Temple in Ruins at Priene (now Turunclar)

Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 × 14 15/16 inches (54.1 × 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Members of an Ionic Temple at Teos

Members of an Ionic Temple at Teos
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (53.9 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plan of the Temple of Juno at Samos and Details of a Column

Plan of the Temple of Juno at Samos and Details of a Column
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 1/16 inches (54 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection