Print made by Francis E. Adams, active ca.1760–1775
Heyday! Is This My Daughter Anne!
1773
5
Print made by Philip Dawe, ca.1750–ca.1790
Reading by a Paper-Bell Shade
1768
6
Print made by John Dixon, ca. 1740–1811
The Old Beau in an Extasy
1773
7
Print made by Richard Purcell, active 1746–1766
Correspondence
undated
8
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
9
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
10
Print made by Philip Dawe, ca.1750–ca.1790
The Letter Woman
ca. 1769
11
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Maid with Her Apron Before the Candle
1770
12
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
13
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
14
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
15
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
16
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
17
John Thomas Smith, 1766–1833
The Smock Exposed
1817
18
John Thomas Smith, 1766–1833
The Reconcilation
1817
19
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
20
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
21
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
22
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
23
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
24
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
25
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
26
Print made by John Faber the Younger, ca. 1695–1756