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401. The Housewife's Employment

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 9 7/8 inches (35 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

402. Sta. Maria Magdelena

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paaper
Dimensions:: Sheet: 14 3/16 x 10 1/8 inches (36.1 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

403. Youth Playing Bagpipes

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately thick, cream laid paper
Dimensions:: Sheet: 12 13/16 × 8 7/8 inches (32.6 × 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

404. St. John, Apostle and Evangelist

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1751
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 x 9 1/2 inches (34.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

405. Boy Lighting a Candle

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1751
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 15/16 × 8 7/8 inches (32.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

406. The Scytheman's Refreshment

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: between 1748 and 1756
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 15/16 × 9 inches (32.9 × 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

407. Cupid in the Character of Bacchus

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1739
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 11 7/16 inches (39.7 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

408. Lady with Glass

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1739
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 9 9/16 inches (33.9 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

409. Angelina

Creator:: Print made by Edward Fisher, 1722–1785
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 x 10 3/16 inches (33.4 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

410. A Flower Piece

Creator:: Print made by Benjamin Green, ca. 1736–ca. 1800
Date:: 1779
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 9 3/8 inches (34.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

411. Castello S. Angelo Di Roma

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1602
Materials & Techniques:: Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. The Pantheon

Creator:: William Humphrey, 1745–1810
Date:: 1772
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 x 9 3/4in. (33 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 1/2 inches (33 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Mrs. Callander of Craigforth

Creator:: Attributed to William Dickinson, 1746–1823
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 13/16 × 9 15/16 inches (35.1 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/4in. (33.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. Opposition Coaches at Speed

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/16 x 17 3/4in. (33.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. The Cryer, Alias the Bell Weather

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 7/8 x 8 7/8in. (32.7 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Dr. Samuel Johnson

Creator:: Anker Smith, 1759–1819
Date:: 1808
Materials & Techniques:: Engraving on laid paper
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

420. Henry Grattan

Creator:: Valentine Green, 1739–1813
Date:: 1782
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 13/16 × 10 13/16 inches (37.6 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. Rustic Benevolence

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1804
Materials & Techniques:: Stipple engraving, colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 19 3/8 inches (41.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. A Negroes Dance in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/8 x 15 3/4 inches (33.4 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. The Tree of Liberty

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 7/8 x 9 5/16in. (32.7 x 23.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/8in. (33.3 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Presages of the Millenium

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. A Groom, Berkshire

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1816
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 x 6 1/4 inches (33 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. St. Martin-in-the-Fields, Interior

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 13/16 × 15 3/4 inches (32.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box

Creator:: Edward Allen Everitt, 1824–1882
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, graphite, and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 8 13/16 inches (32.9 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Doorway and Window of a Church

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 15/16 × 9 7/16 inches (32.9 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 × 10 7/16 inches (32.7 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. The Daughters of Guercino

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1772
Materials & Techniques:: Stipple engraving in red ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/16 × 10 13/16 inches (33.1 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Athenaeum

Creator:: Print made by R. F. Cahusac, active 1830
Date:: 1830
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Hawes Bridge near Kendal

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 16 5/8 inches (33.2 x 42.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. A Hackney Meeting

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 7/8 x 9 1/4in. (32.7 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. A Black Rabbit

Creator:: Joseph Crawhall, 1861–1913
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum arabic on linen
Dimensions:: Image: 9 7/8 × 13 1/2 inches (25.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. The 'Royal' Coach Outside the White Lion Inn

Creator:: William Evans of Bristol, 1809–1858
Date:: ca. 1845
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 13 1/16 × 17 3/8 inches (33.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. A Stable Boy rubbing down a Racehorse

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Black chalk and stumping on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. "The Poacher's Progress:" Poachers in Prison (The Pardon)

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, rough, brown wove paper
Dimensions:: Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Foxhunting: The Start, With Rider in Foreground Mounting on Off-Side

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 7/8 inches (32.7 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1788 and 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1762
Materials & Techniques:: Color engraving
Dimensions:: Sheet: 13 1/8 x 20 3/4in. (33.3 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. A View of Part of the Garden at Hall Barn

Creator:: William Woollett, 1735–1785
Date:: 1760
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. A View of the Great Room, etc. at Hall-Barn

Creator:: William Woollett, 1735–1785
Date:: 1760
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. The Double Deliverance, 1588–1605

Creator:: Print made by unknown artist
Date:: 1621
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 20 1/2 inches (39.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. William Cobbett

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 12 9/16 inches (43.1 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Dr. John Fothergill

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 9 5/8 inches (33.3 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Thomas Maggi

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 10 3/8 inches (33 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Griselda Returning to her Father

Creator:: Print made by Amedeo Gabrielli, 1749–1817
Date:: after 1785
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/16 x 13 inches (43.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Cleone

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 10 7/8 inches (32.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. The Solicitor General for the French Republic

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 9 7/8in. (33.3 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 7/8 x 8 3/4in. (32.7 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 9 3/4in. (33 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Fashionable - Jockeyship

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 9 11/16in. (33.3 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. the East Prospect of the Ruins of Furness Abbey in Lancashire

Creator:: unknown artist
Date:: 1727
Materials & Techniques:: Colored line engraving
Dimensions:: Sheet: 13 x 19 7/8in. (33 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Bedford from the North

Creator:: Print made by Henry Burn, active 1845
Date:: ca. 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Stipple engraving, proof before title on thick, rough, beige wove paper
Dimensions:: Sheet: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. A Morning Frolic or the Transmutation of Sexes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 7/8 x 9 7/8in. (32.7 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. The Feathered Fair in a Fright

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, smooth, cream wove paper
Dimensions:: Plate: 14 × 9 7/8 inches (35.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. The Manchester Hero, or Arts yieId to Arms

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 7/8 x 9 7/8in. (32.7 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint and etching; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 18 inches (33 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Jack A Both Sides!

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 8 3/4in. (33 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. A New Speaker - The Wedding Night

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 1/8 x 9 1/4in. (33.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. The Minister Casting Up His Accounts

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Nap in the Country - Nap in Town

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. The Great Britain Iron Steam Ship

Creator:: Thomas Picken, 1815–1870
Date:: 1846
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 21 7/8 inches (39.7 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Dr. William Markham, Head Master of Westminster School, Bishop of Chester

Creator:: Edward Fisher, 1722–1785
Date:: 1762
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 15/16 × 9 5/16 inches (32.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Sir Robert Fletcher

Creator:: William Dickinson, 1746–1823
Date:: 1774
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 13/16 × 11 inches (37.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. John Warburton Esqr. Somerset Herald of Arms Fellow of the Royal Society and of the Antiquarian Society of London; Author of the Maps, by Actual Survey, of Middlesex, Essex, Hertfordshire, Yorkshire, Northumberland; & c.

John Warburton Esqr. Somerset Herald of Arms Fellow of the Royal Society and of the Antiquarian Society of London; Author of the Maps, by Actual Survey, of Middlesex, Essex, Hertfordshire, Yorkshire, Northumberland; & c.

Creator:: Andrew Miller, Died 1763
Date:: 1740
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 15/16 x 9 3/4in. (32.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. John Hamilton Mortimer

Creator:: Print made by Benedictus Antonio van Assen, active 1788–died 1817
Date:: 1810
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 9 5/8 inches (32.6 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Marine View

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: between 1720 and 1730
Materials & Techniques:: Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 16 5/16 inches (33.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Charles van Loo

Creator:: Charles Exshaw, c. 1730–1771
Date:: ca. 1757
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 11 1/8 inches (35 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Isabel van Loo

Creator:: Charles Exshaw, c. 1730–1771
Date:: ca. 1757
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 11 inches (35.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore

489. Mr. Adrian Beverland and his Mistress

Creator:: Print made by Pieter Schenck I, 1660–1719
Date:: ca. 1686
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Ratisbonne

Creator:: Print made by François-Séraphin Delpech, 1778–1825
Date:: between 1818 and 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

491. Chartres

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1902
Materials & Techniques:: Etching with drypoint on Japanese paper
Dimensions:: Sheet: 13 × 8 3/4 inches (33 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

492. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/16 × 24 1/4 inches (33.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Measured Drawing of Sculpture in Gymnasium at Ephesus

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 6 7/16 inches (32.7 × 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Rameses II

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1909
Materials & Techniques:: Etching with drypoint on wove paper
Dimensions:: Sheet: 13 × 7 1/2 inches (33 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

496. William Hayley

Creator:: Johann Jacobé, 1733–1797
Date:: 1779
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 7/8 x 10 3/4in. (32.7 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. The Shepherd

Creator:: Engraved by Welby Sherman, active 1827
Date:: between 1827 and 1836
Materials & Techniques:: Engraving with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/8 x 11 9/16 inches (32.7 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Henry More

Creator:: Print made by William Faithorne, ca. 1620–1691
Date:: 1675
Materials & Techniques:: Line engraving and etching on moderately thick, smooth, beige laid paper
Dimensions:: Sheet: 13 x 7 5/16 inches (33 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. William L. Harkness

499. Freetown, Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 30 3/16 inches (33.3 × 76.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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401. The Housewife's Employment

402. Sta. Maria Magdelena

403. Youth Playing Bagpipes

404. St. John, Apostle and Evangelist

405. Boy Lighting a Candle

406. The Scytheman's Refreshment

407. Cupid in the Character of Bacchus

408. Lady with Glass

409. Angelina

410. A Flower Piece

411. Castello S. Angelo Di Roma

412. The Pantheon

413. Dover

414. Ramsgate

415. Mrs. Callander of Craigforth

416. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

417. Opposition Coaches at Speed

418. The Cryer, Alias the Bell Weather

419. Dr. Samuel Johnson

420. Henry Grattan

421. Rustic Benevolence

422. A Negroes Dance in the Island of Dominica

423. Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined

424. The Tree of Liberty

425. Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition

426. Presages of the Millenium

427. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

428. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

429. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

430. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

431. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

432. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

433. A Groom, Berkshire

434. St. Martin-in-the-Fields, Interior

435. Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box

436. Doorway and Window of a Church

437. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

438. The Daughters of Guercino

439. Athenaeum

440. Hawes Bridge near Kendal

441. A Hackney Meeting

442. A Black Rabbit

443. The 'Royal' Coach Outside the White Lion Inn

444. A Stable Boy rubbing down a Racehorse

445. "The Poacher's Progress:" Poachers in Prison (The Pardon)

446. Foxhunting: The Start, With Rider in Foreground Mounting on Off-Side

447. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

448. A Horse Sale in Hopkins's Repository, Barbican

449. How to Vault in the Saddle

450. Four O'Clock in the Country

451. Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758

452. A View of Part of the Garden at Hall Barn

453. A View of the Great Room, etc. at Hall-Barn

454. The Double Deliverance, 1588–1605

455. William Cobbett

456. Dr. John Fothergill

457. Thomas Maggi

458. Griselda Returning to her Father

459. Cleone

460. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

461. Reading by a Paper-Bell Shade

462. The Solicitor General for the French Republic

463. The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen

464. The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master

465. Fashionable - Jockeyship

466. the East Prospect of the Ruins of Furness Abbey in Lancashire

467. Bedford from the North

468. The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown

469. A Morning Frolic or the Transmutation of Sexes

470. The Feathered Fair in a Fright

471. The Manchester Hero, or Arts yieId to Arms

472. Hadleigh Castle, Large Plate

473. Jack A Both Sides!

474. A New Speaker - The Wedding Night