Search Constraints
Search Results
1
- September 1960 (wood)
- 1960
- Not on view
2
- The Avon Gorge
- between 1816 and 1818
- Not on view
3
- Dedham Vale
- 1802
- Not on view
4
- Harwich: The Low Lighthouse and Beacon Hill
- ca. 1820
- Not on view
5
- Lane near Dedham
- 1802
- Not on view
6
- Hampstead Heath Looking Towards Harrow
- 1821
- Not on view
7
- Landscape: Towednack, Cornwall
- ca. 1939
- Not on view
8
- Corfe Castle, Dorset
- 1764
- Not on view
9
- Glasses
- ca. 1919
- Not on view
10
- Seated Woman in a Broad-Brimmed Hat
- undated
- Not on view
11
- Carolina dell'Acqua
- 1903 to 1904
- Not on view
12
- Port on a Stormy Day
- 1835
- Not on view
13
- Ailsa Craig
- 1860
- Not on view
14
- A Mother with her Son and a Pony
- ca. 1775
- Not on view
15
- Classical Landscape
- 1767 to 1771
- Not on view
16
- Cottage by a country lane
- ca. 1820
- Not on view
17
- William Collins, R.A
- 1831
- Not on view
18
- Portrait of Nicola Luciani
- between 1913 and 1914
- Not on view
19
- Constable Study I, November 2011
- November, 2011
- Not on view
20
- The Capture of the "Marquis d'Antin" and the "Louis Erasme"
- between 1745 and 1755
- Not on view
21
- Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow
- 1830
- Not on view
22
- Horses Grazing: Mares and Foals in a Field
- 1830
- Not on view
23
- Ariadne
- ca. 1723
- Not on view
24
- John Locke
- ca. 1775
- Not on view
25
- Eclipse
- 1989
- Not on view
26
- Caroline Conway, Lady Aylesbury
- 18th century-19th century
- Not on view
27
- Boxers: in pink and yellow breeches, respectively Staffordshire figure group
- Not on view
28
- Kildare
- 1909
- Not on view
29
- Two Bottles and Glass
- 1967 (1973)
30
- Tintern Abbey at Sunset
- 1861
31
- The Vine
- 1852
32
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
33
- Dorking Hen, Lateral View
- 1795 to 1806
34
- Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
- 1795 to 1806
35
- Dorking Hen Body, Lateral View (Outline drawing of the muscles)
- 1795 to 1806
36
- The Bruiser
- 1763
37
- A Silver Mine at Sala, I: illustration for La Motraye's 'Travels'
- 1723
38
- A Midnight Modern Conversation
- 1733
39
- Simon Lord Lovat
- 1746
40
- Horses Threshing, Pont Aven
- 1893
41
- Found, with further sketches in the margin
42
- Glaucus and Scylla
- 1813 to 1823
43
- Interior of St. John's Palace, Eltham
- ca. 1793
44
- Simon, Lord Lovat
- 1746
45
- Seated Woman
- undated
46
- Michael Mirevelt
- ca. 1635
47
- Ioannes, Comes Nassouiæ
- ca. 1635
48
- Theodorus Rombouts
- ca. 1635
49
- In Lord Yarborough's Park, Appuldurcombe, Isle of Wight
- 1826
50
- Within Carisbrooke Castle Grounds, Isle of Wight
- between 1826 and 1830
51
- Jajja Diitch (Coleus species 2)
- undated
52
- Moon-Light
- ca. 1797
53
- A New Drawing Book of Variety of Landskips
- ca. 1730
54
- The Manchester Hero, or Arts Yield to Arms
55
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
56
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
57
- Hogarth Declaring His Love to Miss Thornhill
- 1817
58
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
59
- The Smock Exposed
- 1817
60
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
61
- The Reconcilation
- 1817
62
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
63
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
64
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
65
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
66
- Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham
- ca. 1790
67
- Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
- undated
68
- Eragrostis Tef
- 1775
69
- Unidentified Ungulate
- undated
70
- Ledbury Church and Village, Herefordshire
- undated
71
- The Southeast view of Rose Castle in Cumberland
- 1765
72
- Norwegian Landscape
- undated
73
- Self Portrait
- ca. 1897
74
- Temple of Edfou, Upper Egypt
- between 1841 and 1851
75
- The Seat of Stafford Briscoe
- undated
76
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
77
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
78
- The Eleventh Hour
- 1817
79
- The Virtuous Family
- ca. 1790
80
- The Eel Catcher
- undated
81
- Brighton
- 1814 to 1826
82
- Mount Edgecomb, Devonshire
- 1814 to 1826
83
- Raby Castle, County of Durham
- 1820
84
- Fall of the Tees
- 1818-1823
85
- Aske Hall
- 1818-1823
86
- Thomaso Patch, Autore
- 1768
87
- View on the Thames at Battersea
- undated
88
- The Spoiled Child, Scene VI
- ca. 1802
89
- Garden of Gethsemane
- 1841
90
- Castell Dinas Brân, Wales
- ca. 1771
91
- Classical Composition
- undated
92
- Glencoe: A Shepherd Boy Crossing a Burn
- 1857
93
- The Cheesecake House, Hyde Park
- ca. 1795
94
- Lytton Strachey
- undated
95
- Hob Thursts Houses, Monsoldale, Derbyshire
- 1789
96
- The Manse, Cults, Fife: The Artist's Old Home
- undated
97
- The Manse, Cults, Fife: The Artist's Old Home
- undated
98
- The Manse, Cults, Fife: The Artist's Old Home
- undated
99
- Vale of Newlands, Cumberland
- undated
100
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated