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1. Tree

Tree
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 7/16 × 7 5/8 inches (36.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
Creator:
Print made by Elizabeth Blackwell, died 1774
Date:
1737
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
Lady Langham
Creator:
Print made by Charles Wilkin, 1750–1814
Date:
1800
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 11 1/8 inches (37 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 10 3/8 inches (37.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
George Primrose
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/2 x 10 3/8 inches (36.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Right Honourable Jane Elizabeth Viscountess Andover
Creator:
Print made by Charles Wilkin, 1750–1814
Date:
1799
Materials & Techniques:
Stipple engraving (proof without letters) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 11 1/8 inches (36.8 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Burchell Reading the Ballad
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/8 x 10 1/16 inches (36.5 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
First Design of a Battle Scene
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:
Image: 3 5/8 × 4 13/16 inches (9.2 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Maria dei Gratia Princeps, Comes Arenbergiæ
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
1645
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 7/16 × 11 inches (36.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Balcony
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
between 1835 and 1854
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Quintinus Simons
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 7/16 × 10 15/16 inches (36.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Guillaume Laud
Creator:
Print made by Benoit Audran, 1661–1721
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 7/16 x 9 7/16 inches (36.7 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection