Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841
1841
6
Edward Lear, 1812–1888
Cervara
1832
7
Edward Lear, 1812–1888
Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841
1841
8
Edward Lear, 1812–1888
Rome from Monte Pincio
1832
9
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
10
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
11
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
12
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
13
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
14
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
15
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
16
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
17
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
18
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
19
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
20
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
21
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
22
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
23
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
24
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
25
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
26
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
28
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
29
Print made by Paulus Pontius, 1603–1658
Gerardus Hontborst
ca. 1635
30
Richard Cooper the Elder, 1701–1764
View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo
1779
31
Richard Cooper the Elder, 1701–1764
View of Part of Tivoli and Adjacent Hills
32
Print made by George Cuitt, 1779–1854
Presented by the Officers
after 1813
33
Print made by Edward Goodall, 1795–1870
A Tempest – Voyage of Columbus
1834
34
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
35
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
36
Print made by James C. Allen, active 1821–1831
Whitby
ca. 1830
37
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
38
Benjamin Cole, 1697–1783
The West Prospect of the Parish Church of St. Michael, Cornhill
undated
39
Robert Laurie, 1755?–1836
Court of Equity, Belle Savage Inn, Ludgate Hill
1778
40
William Henry Toms, ca. 1700–ca. 1750
St. Brigit alias St. Brides Church
1739
41
unknown artist
Bow Steeple, Cheapside
1798
42
George Vertue, 1684–1756
The Monument in Westminster Abbey of King Henry V
between 1699-1756
43
John Faber the Younger, ca. 1695–1756
Alexander Pope
ca. 1744
44
unknown artist
South Front of St. Mary's Church, Strand
1796
45
unknown artist
St. Bennet's Fink, Threadneedle St
1797
46
Anthony Walker, 1726–1765
Outside Northwest View of St. Giles Church in the Fields
1753
47
Thomas Malton, 1726–1801
King Street, Guildhall
1783
48
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Notre Dame
1908
49
unknown artist
St. Barts the Greater
1800
50
Print made by James Basire the younger, 1769–1822
A View of the Chapel and Hall of Oriel College
1807
51
Print made by James S. Storer, 1771–1853
Part of Balliol College Quadrangle
1809
52
Print made by William Bernard Cooke, 1778–1855
The Mewstone, Entrance of Plymouth Sound
1815
53
Print made by John Wykeham Archer, 1808–1864
Crook of the Lune, Looking towards Hornby Castle
1821
54
Print made by William Miller, 1796–1882
Bass Rock
1826
55
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
56
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814-1826
57
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
58
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
59
Heneage Finch fourth Earl of Aylesford, 1751–1812
Maxstoke Priory
undated
60
Anthony Cardon, 1772–1813
A New Love Song only Ha' Penny a Piece
1796
61
F. Jones, 19th century
The Falls from the Narrow Neck near the Eastern Headland of the Outlet
1865
62
Print made by Mark Catesby, 1682–1749
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
1754
63
Print made by Elizabeth Blackwell, died 1774
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
64
Print made by Elizabeth Blackwell, died 1774
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
1737
65
Print made by John Raphael Smith, 1752–1812
Like Mistress, Like Maid
1781
66
Print made by James Basire, 1730–1802
George Gower
1800
67
William Camden Edwards, 1777–1855
Nicholas Revett
1827
68
Charles Turner, 1774–1857
J.M.W. Turner
1856
69
Print made by William Fairland, active 1828–1835
Sir Anthony Van Dyke
1828
70
John Harris, 1811–1865
Coaching: The Early Delivery
1863
71
John Harris, 1811–1865
Coaching: The Right Sort
1863
72
John Harris, 1811–1865
Coaching: The Last Change Down
1863
73
Print made by Edward Goodall, 1795–1870
Leaving Home
1834
74
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1833
75
George Vertue, 1684–1756
Procession of Queen Elizabeth
1742
76
John Young, 1755–1825
The Right Honourable William Pitt
1797
77
Print made by John Charlton, 1849–1917
Officer 7th Bombay Lancers
1897
78
Thomas Cook, 1744–1818
The Distressed Poet
1797
79
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
80
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
81
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
82
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
83
Georg Paul Nusbiegel, 1713–1776
Jacob Bates / The Famous English Horse Rider
1766
84
John Harris, 1811–1865
Coaching: The First Change Up
1863
85
John Robert Cozens, 1752–1797
Elm
1789
86
Thomas Rowlandson, 1756–1827
Set of eight (1): Cries of London
1799
87
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
88
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
89
Print made by Alfred Henry Forrester, 1804–1872
Why... Because..
undated
90
Print made by John Robert Cozens, 1752–1797
Spruce Fir
1789
91
Print made by John Robert Cozens, 1752–1797
Oak
1789
92
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
93
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
94
Print made by Edward Goodall, 1795–1870
The Alps at Daybreak
1834
95
Print made by Edward Goodall, 1795–1870
Smailholm Tower (Vignette)
1834
96
Henry Thomas Alken, 1785–1851
[Fox Hunting] A Pair: The Cock-Tails Done / Fifty Minutes in the Vale of Blackmore and Twenty on the Hills / Without a Check ..
1834
97
Henry Thomas Alken, 1785–1851
[Fox Hunting] A Pair: Yellowham Wood, / County of Dorset. .
1834
98
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
99
unknown artist
Scenographia Americana: Untitled view (perhaps of Boston?)