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America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 10, "The Terror Answered...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 16, "In the Flames Stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 6, "Appear to the Americans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 8, "The Morning Comes...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Balliol College Quadrangle
Creator:
Print made by James S. Storer, 1771–1853
Date:
1809
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, engraver's proof on medium, smooth, cream laid paper
Dimensions:
Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spruce Fir
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Oak

Oak
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Boscawen and Sheerness Privateers
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount
Dimensions:
Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Creator:
Louis Haghe, 1806–1885
Date:
ca. 1840
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
His Majesty's Ship Britannia Returning to Port
Creator:
Louis Haghe, 1806–1885
Date:
ca. 1840
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 18 15/16 inches (36.9 x 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venus Childing Cupid
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/16 × 12 7/8 inches (43.3 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Atalanta and Hippomanes
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection