Height [cm]: 37 - YCBA Collections Search Search Results

201. Memorial to Francis Musters

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Brass Plate for John Skevington from Hornsey Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/8 x 10 1/4 inches (36.5 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Eton College from Datchet Road

Creator:: Thomas Girtin, 1775–1802
Date:: 1790
Materials & Techniques:: Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. The Charmer

Creator:: John Raphael Smith, 1752–1812
Date:: ca. 1780
Materials & Techniques:: Black chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. A New Love Song only Ha' Penny a Piece

Creator:: Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 5/8 inches (43.5 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Portrait of Charles Ryskamp

Creator:: Cecil Beaton, 1904–1980
Date:: 1969
Materials & Techniques:: Gelatin silver print on thick, semigloss photographic paper
Dimensions:: Sheet: 14 5/8 x 11 3/4 inches (37.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Ryskamp

209. The Falls from the Narrow Neck near the Eastern Headland of the Outlet

Creator:: F. Jones, 19th century
Date:: 1865
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 22 1/8 inches (36.5 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

210. Cottages at Chatsworth, Derbyshire: Perspective

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 14 5/8 × 12 1/4 inches (37.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Creator:: Print made by Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

212. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

213. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

214. A Monument (male bust with military emblems)

Creator:: John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 1/2in. (36.8 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Like Mistress, Like Maid

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

216. Lithograph from a Collection of 14, 1952-1954

Creator:: Print made by Reg Butler, 1913–1981
Date:: 1954
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 11 15/16 inches (40 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

217. Lithograph from a Collection of 14, 1952-1954

Creator:: Print made by Reg Butler, 1913–1981
Date:: 1954
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 11 1/16 inches (38.3 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

218. Cassandra

Creator:: Print made by Reg Butler, 1913–1981
Date:: 1952
Materials & Techniques:: Lithograph with crayon on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 10 15/16 inches (38 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

219. Liberation, Southern France, 1944

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1941, printed 1993
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

220. Study of a Tree Overgrown with Ivy

Creator:: Attributed to James Mudd, 1821–ca. 1906
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 11 1/2 inches (36.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

221. The Foot-Bridge

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

222. Mother and Child

Creator:: Colin Jones, 1936–2021
Date:: 1973
Materials & Techniques:: Vintage gelatin silver print on photographic paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

223. George Gower

Creator:: Print made by James Basire, 1730–1802
Date:: 1800
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 11/16 inches (36.8 x 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Nicholas Revett

Creator:: William Camden Edwards, 1777–1855
Date:: 1827
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.4 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. J.M.W. Turner

Creator:: Charles Turner, 1774–1857
Date:: 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 22 1/4 × 17 3/8 inches (56.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Sir Anthony Van Dyke

Creator:: Print made by William Fairland, active 1828–1835
Date:: 1828
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper with beige chine collé
Dimensions:: Sheet: 14 11/16 x 11 1/8 inches (37.3 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Coaching: The Early Delivery

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Coaching: The Right Sort

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Coaching: The Last Change Down

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Study from Nature: Inveruglas

Creator:: Joseph Noel Paton, 1821–1901
Date:: 1857
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 20 1/2 inches (36.8 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund, and Mr. and Mrs. Bart T. Tiernan, Yale LLB 1968, with additional support from: Mr. and Mrs. Ronald R. Atkins; Elizabeth Ballantine, Yale BA 1971, MA 1974, MSL 1982, PhD 1986; Mr. and Mrs. Henry E. Bartels; The Ajax Foundation on behalf of Mr. and Mrs. Richard Bressler; Bruce Budd; Homer Byington, III, Yale BA 1956; Mr. and Mrs. Norman C. Cross, Jr.; Lee MacCormick Edwards; The Forbes Foundation; Mr. and Mrs. Brian Hopkinson; Mr. and Mrs. Thomas Israel, Yale BA 1966; Katherine Haskins; Mr. and Mrs. Lowell Libson; Mr. and Mrs. Robert A. Martin, Yale BA 1954; Virginia Mattern; Mona Pierpaoli and David Adler; and Mr. and Mrs. Ross D. Siragusa, Jr., Yale BA 1953

231. The Destruction of Pompeii

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor and pastel on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 14 3/8 x 10 3/8 inches (36.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

232. Leaving Home

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Hermitage Castle

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Procession of Queen Elizabeth

Creator:: George Vertue, 1684–1756
Date:: 1742
Materials & Techniques:: Etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 15/16 × 27 inches (58.3 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

235. Two Women Bathing a Child II

Creator:: Henry Moore, 1898–1986
Date:: 1973
Materials & Techniques:: Lithograph in black and gray
Dimensions:: Sheet: 14 1/2 x 16 1/2in. (36.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Bequest of Susan Morse Hilles

236. The Shah Nujeef

Creator:: William Simpson, 1823–1899
Date:: 1861
Materials & Techniques:: Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. The Right Honourable William Pitt

Creator:: John Young, 1755–1825
Date:: 1797
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 7/16 x 10 1/2in. (36.7 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Susan L. Darling in Memory of Arthur Burr Darling, Yale 1916

238. Officer 7th Bombay Lancers

Creator:: Print made by John Charlton, 1849–1917
Date:: 1897
Materials & Techniques:: Chromolithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/8 inches (36.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

239. Culver Cliff, Isle of Wight

Creator:: William Dyce, 1806–1864
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8in. (37.1 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Lion Family

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 3/8 inches (27.3 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:: Mount: 14 5/8 x 17 1/2 inches (37.1 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Queen Square, London

Creator:: Edward Dayes, 1763–1804
Date:: 1786
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The Dansant

Creator:: Malcolm Drummond, 1880–1945
Date:: undated
Materials & Techniques:: Pen and black ink and white chalk on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

244. Matlock High Tor, Derbyshire

Creator:: John Emes, 1762–1810
Date:: ca. 1786
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Creator:: Mary Hoare, 1744–1820
Date:: 1780
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. The Curfew Tower, Windsor

Creator:: Henry Edridge, 1769–1821
Date:: 1808
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Ruined Archway with a Line of Washing, possibly in Rome

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Hilly Landscape with Village and River

Creator:: Jonathan Fisher, active 1763–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gum arabic, and graphite on medium, moderately textured, cream laid paper, mounted on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 × 21 1/4 inches (36.7 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. The Distressed Poet

Creator:: Thomas Cook, 1744–1818
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Plate: 14 1/2 x 16 3/8 inches (36.8 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mary E. Knapp

250. Study for Solitude

Creator:: Frederic Leighton, 1830–1896
Date:: ca. 1890
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 x 11 1/4in. (36.8 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Back View of a Standing Female, Called Mrs. Fuseli

Creator:: Henry Fuseli, 1741–1825
Date:: 1810
Materials & Techniques:: Watercolor, gray wash and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 8 3/4 inches (36.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. The Apparition of the Armed Head: Macbeth

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 x 8 7/8 inches (36.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Creator:: Francis Jukes, 1747–1812
Date:: 1800
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 7/16 x 19in. (36.7 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. A Scarlet Ibis

Creator:: Sarah Stone, active 1786
Date:: ca. 1786
Materials & Techniques:: Watercolor heightened with white
Dimensions:: Sheet: 14 1/2 x 10 3/8in. (36.8 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Study of a Plunging Eagle

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Varnish over graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. St. Davids Head, Pembrokeshire

Creator:: John Glover, 1767–1849
Date:: ca. 1805
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 25 3/16 inches (36.5 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund

258. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Landscape: India

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 7/8 × 23 3/8 inches (42.9 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

264. Garden View of the Taj Mahal

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/2 x 19 7/8 inches (34.3 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

265. South East View of Fort George, Madras

Creator:: Thomas Daniell, 1749–1840
Date:: January 1793
Materials & Techniques:: Graphite on thin, slightly textured, beige laid paper
Dimensions:: Mount: 14 7/16 × 22 5/8 inches (36.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

266. Front of Fort William and River Hoogly

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 20 15/16 inches (30.5 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

267. Jacob Bates / The Famous English Horse Rider

Creator:: Georg Paul Nusbiegel, 1713–1776
Date:: 1766
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/8 x 18 3/4in. (36.5 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Coaching: The First Change Up

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Elm

Creator:: John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

270. Set of eight (1): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. `Hold Back, Sir!'

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: 1904
Materials & Techniques:: Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Taking a Fence Side-Saddle

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouahce and pen with black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 10 3/4 inches (37 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Why... Because...

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 13/16 x 13 inches (45.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Spruce Fir

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

277. Oak

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

278. The Old Stables, Petworth

Creator:: John Melchior Barralet, active 1750–1787
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 14 15/16 inches (28.4 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Colored stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 19 7/8 inches (42.9 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Greenwich Hospital

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. The Alps at Daybreak

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Smailholm Tower (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. "The National Sports of Great Britain" 1821: Badger Catching

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 14 1/2 × 19 5/16 inches (36.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Four Horses Standing in a Group in the Shade of Large Trees by Water

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 5/16 inches (36.5 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. [Fox Hunting] A Pair: The Cock-Tails Done / Fifty Minutes in the Vale of Blackmore and Twenty on the Hills / Without a Check ...

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1834
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 5/8 x 20 1/2in. (37.1 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. [Fox Hunting] A Pair: Yellowham Wood, / County of Dorset. ..

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1834
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 5/8 x 20 1/2in. (37.1 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/16 × 22 9/16 inches (43.6 × 57.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Scenographia Americana: Untitled view (perhaps of Boston?)

Creator:: unknown artist
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. View in Basement Story under House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: after 1819
Materials & Techniques:: Hand colored engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Martin Archer Shee, Esq., R. A.

Creator:: Print made by William Thomas Fry, 1789–1843
Date:: 1817
Materials & Techniques:: Crayon manner with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 11/16 × 10 7/8 inches (37.3 × 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Giles Hussey

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Image: 14 7/16 x 10 1/4in. (36.6 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Cracker and Friend lying in an Armchair (Turps finds a new use for bull terriers)

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Black chalk and gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 8 11/16 inches (34 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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201. Memorial to Francis Musters

202. Brass Plate for John Skevington from Hornsey Church

203. Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church

204. St. Alban's Cathedral, Hertfordshire

205. Eton College from Datchet Road

206. The Charmer

207. A New Love Song only Ha' Penny a Piece

208. Portrait of Charles Ryskamp

209. The Falls from the Narrow Neck near the Eastern Headland of the Outlet

210. Cottages at Chatsworth, Derbyshire: Perspective

211. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

212. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

213. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

214. A Monument (male bust with military emblems)

215. Like Mistress, Like Maid

216. Lithograph from a Collection of 14, 1952-1954

217. Lithograph from a Collection of 14, 1952-1954

218. Cassandra

219. Liberation, Southern France, 1944

220. Study of a Tree Overgrown with Ivy

221. The Foot-Bridge

222. Mother and Child

223. George Gower

224. Nicholas Revett

225. J.M.W. Turner

226. Sir Anthony Van Dyke

227. Coaching: The Early Delivery

228. Coaching: The Right Sort

229. Coaching: The Last Change Down

230. Study from Nature: Inveruglas

231. The Destruction of Pompeii

232. Leaving Home

233. Hermitage Castle

234. Procession of Queen Elizabeth

235. Two Women Bathing a Child II

236. The Shah Nujeef

237. The Right Honourable William Pitt

238. Officer 7th Bombay Lancers

239. Culver Cliff, Isle of Wight

240. Lion Family

241. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

242. Queen Square, London

243. The Dansant

244. Matlock High Tor, Derbyshire

245. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

246. The Curfew Tower, Windsor

247. Ruined Archway with a Line of Washing, possibly in Rome

248. Hilly Landscape with Village and River

249. The Distressed Poet

250. Study for Solitude

251. Back View of a Standing Female, Called Mrs. Fuseli

252. The Apparition of the Armed Head: Macbeth

253. Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)

254. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

255. A Scarlet Ibis

256. Study of a Plunging Eagle

257. St. Davids Head, Pembrokeshire

258. Plate IX: St Stephen's Chapel

259. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

260. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

261. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

262. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

263. Landscape: India

264. Garden View of the Taj Mahal

265. South East View of Fort George, Madras

266. Front of Fort William and River Hoogly

267. Jacob Bates / The Famous English Horse Rider

268. Coaching: The First Change Up

269. Elm

270. Set of eight (1): Cries of London

271. `Hold Back, Sir!'

272. Taking a Fence Side-Saddle

273. Grouse Shooting

274. Partridge Shooting

275. Why... Because...