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1. The Entrance to the Menai Straits

The Entrance to the Menai Straits
Creator:
James Baker Pyne, 1800–1870
Date:
1847
Materials & Techniques:
Oil on board
Dimensions:
15 × 21 inches (38.1 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii

The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
Creator:
Robert Smirke, 1752–1845
Date:
between 1798 and 1801
Materials & Techniques:
Oil on panel
Dimensions:
15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

3. The Seven Ages of Man: The Justice, 'As You Like It,' II, vii

The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
Creator:
Robert Smirke, 1752–1845
Date:
between 1798 and 1801
Materials & Techniques:
Oil on panel
Dimensions:
15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

4. The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii

The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
Creator:
Robert Smirke, 1752–1845
Date:
between 1798 and 1801
Materials & Techniques:
Oil on panel
Dimensions:
15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

5. Mrs. Cibber as Cordelia

Mrs. Cibber as Cordelia
Creator:
Pieter van Bleeck, 1700–1764
Date:
ca. 1755
Materials & Techniques:
Oil on canvas
Dimensions:
15 1/16 x 20 9/16 inches (38.3 x 52.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. The Quorn Hunt in Full Cry: Second Horses

The Quorn Hunt in Full Cry: Second Horses
Creator:
John Dalby, active 1826–1853
Date:
ca. 1835
Materials & Techniques:
Oil on canvas
Dimensions:
15 x 20 inches (38.1 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. The Meet

The Meet
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Found!

Found!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Flying Pack

The Flying Pack
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Who-o-p!

Who-o-p!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Europe. A Prophecy, Plate 1, Frontispiece

Europe. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Europe. A Prophecy, Plate 13 (Bentley 10)

Europe. A Prophecy, Plate 13 (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Europe. A Prophecy, Plate 3, "Preludium"

Europe. A Prophecy, Plate 3, "Preludium"
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Connoisseur

The Connoisseur
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Black chalk and graphite on thick, rough, cream laid paper
Dimensions:
Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Seven Bishops Going To Trial

The Seven Bishops Going To Trial
Creator:
Richard Westall, 1765–1836
Date:
1790
Materials & Techniques:
Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

25. The Spoiled Child, Scene VI

The Spoiled Child, Scene VI
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Devil's Bridge, Kirkby Lonsdale

The Devil's Bridge, Kirkby Lonsdale
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 inches (40 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Fishing Cove near Columbo

Fishing Cove near Columbo
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 × 19 5/16 inches (37.7 × 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Buckingham Palace from St. James's Park

Buckingham Palace from St. James's Park
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph on thick, smooth, cream card
Dimensions:
Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

29. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

30. The Belfry of Bruges [Belgian Set: No. 6]

The Belfry of Bruges [Belgian Set: No. 6]
Creator:
Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 3/4 × 7 7/8 inches (42.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. Thaxted Church, Essex

Thaxted Church, Essex
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Romantic Landscape - Peasants at the Foot of a Castle on a Crag

Romantic Landscape - Peasants at the Foot of a Castle on a Crag
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, black chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 11 1/8 inches (38.1 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Victorious Hero Takes Occasion to Conclude Peace

Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Landscape with a Ruined Norman Church

Landscape with a Ruined Norman Church
Creator:
attributed to Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor with gouache over graphite on medium, smooth, beige laid paper
Dimensions:
Sheet: 13 1/8 x 19 1/8 inches (33.3 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Poplar Avenue, after Hobbema

The Poplar Avenue, after Hobbema
Creator:
David Cox, 1783–1859
Date:
ca. 1835
Materials & Techniques:
Watercolor, gouache, and black chalk on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 14 3/4 × 20 3/16 inches (37.5 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/8 inches (37.5 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Insult to Injury

Insult to Injury
Creator:
George Denholm Armour, 1864–1949
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, and pen, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 13/16 inches (38.1 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Mars in Three Positions

The Mars in Three Positions
Creator:
Nicholas Pocock, 1740–1821
Date:
1779
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly texture, cream laid paper
Dimensions:
Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

41. The Barn (From "The Neolith", 1908)

The Barn (From "The Neolith", 1908)
Creator:
Print made by Sir George Clausen, 1852–1944
Date:
1908
Materials & Techniques:
Lithograph on moderately thick, smooth, beige card
Dimensions:
Sheet: 15 1/16 x 10 11/16 inches (38.3 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

42. The Ivory Coast, West Africa

The Ivory Coast, West Africa
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 9/16 inches (37.5 x 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Vauxhall Gardens

Vauxhall Gardens
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1784
Materials & Techniques:
Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

45. Study of Furnace Workers

Study of Furnace Workers
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Graphite and chalk on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 15 × 9 1/2 inches (38.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. Susanna and the Elders

Susanna and the Elders
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1769
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 1/16 x 14 3/16 inches (45.9 x 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. Portrait of Two Men, One Playing Recorder

Portrait of Two Men, One Playing Recorder
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 1/2 x 14 5/16 inches (52 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. Death's Door

Death's Door
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Descent of Man into the Vale of Death

The Descent of Man into the Vale of Death
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Day of Judgment

The Day of Judgment
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. A View in the Villa Madama, near Rome, called II Teatro

A View in the Villa Madama, near Rome, called II Teatro
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

52. The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843

The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
Creator:
Print made by Thomas Goldsworth Dutton, 1819/20–1891
Date:
1843
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card
Dimensions:
Sheet: 15 1/16 x 17 11/16 inches (38.2 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Morning

Morning
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 7/8 inches (38.1 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Night and a Ship on Fire

Night and a Ship on Fire
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 7/16 inches (37.9 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Noon

Noon
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 21 1/4 inches (38.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Sun Under a Cloud

Sun Under a Cloud
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 21 9/16 inches (38.3 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Evening

Evening
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Bathers

The Bathers
Creator:
Print made by William Strang, 1859–1921
Date:
1895
Materials & Techniques:
Mezzotint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 20 1/2 inches (44.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Georgia O'Keeffe, Stieglitz Archives, transfer from the Beinecke Rare Book and Manuscript Library and the Yale University Art Gallery

60. Reaper and Sower

Reaper and Sower
Creator:
Print made by Charles Shannon, 1863–1937
Date:
1904
Materials & Techniques:
Lithograph on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 16 inches (38.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

61. Pomare, Queen of Tahiti

Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854
Date:
after 1835
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Composition: Sandy Road through Woodland

No cover image available
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on medium, smooth, beige wove paper
Dimensions:
Sheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Tour de l'horloge, Tours

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 20 5/16 x 14 1/2 inches (51.6 x 36.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

65. Breaking Cover

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
Undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 21 7/8 inches (37.5 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Treeing a Fox

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
Undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 21 13/16in. (37.5 x 55.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection