Height [cm]: 39 / Width [cm]: 45 - YCBA Collections Search Search Results

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Height [cm] 39

Width [cm] 45

1. Osmington Village

Osmington Village

Creator:: John Constable, 1776–1837
Date:: 1816 to 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 x 12 inches (25.7 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Weathercote Cave when Half Filled with Water

Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Design for Monument to Captain Hardinge

Design for Monument to Captain Hardinge

Creator:: Charles Manning, 1776–1812
Date:: 1810
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black ink on smooth, medium, cream wove paper
Dimensions:: Sheet: 15 1/4 × 17 3/4 inches (38.7 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A View of Worcester College &c.

A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. View of Oxford from the South Side of Heddington Hill

View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1808
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. South View of Christ Church, etc. from the Meadows

South View of Christ Church, etc. from the Meadows

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Line engraving, engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Study for The Wedding Feast of Sir Degrevaunt

Study for The Wedding Feast of Sir Degrevaunt

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Florida Suite: Chair

Florida Suite: Chair

Creator:: Allen Jones, born 1937
Date:: 1971
Materials & Techniques:: Photolithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 25 1/8 × 17 13/16 inches (63.8 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

9. The Sportsman

Creator:: Print made by John Browne, 1741–1801
Date:: 1775
Materials & Techniques:: Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 21 3/4 × 17 1/2 inches (55.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Siccre Gully

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/2 × 21 5/16 inches (39.4 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

Creator:: Print made by William Clerk, ? 19th c.
Date:: after 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:: Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. St. Peter's College, Cambridge

No cover image available

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, black chalk, brown chalk, gouache, scratching out, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Chalk House, Guildford

No cover image available

Creator:: Briant Alfred Poulter, 1881–1972
Date:: 1921
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper mounted to board
Dimensions:: Sheet: 12 5/8 × 17 5/8 inches (32.1 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

15. British Louis XV style frame

British Louis XV style frame

Creator:: unknown framemaker
Date:: 2nd half of 20th century
Materials & Techniques:: Carved wood, water gilt and patinated
Dimensions:: Frame: 15 1/2 × 17 1/2 × 2 3/4 inches (39.4 × 44.5 × 7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art