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Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins at Sabachtsche
Creator:
Frederick Catherwood, 1799–1854
Date:
undated
Materials & Techniques:
Watercolor and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 15 1/4 x 12 1/8 inches (38.7 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Collection, Gift of Henry Schnakenberg to Yale University Art Gallery
Monument to Shakespeare
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1763
Materials & Techniques:
Graphite, watercolor, and pen and black ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 9/16 inches (39.1 x 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Roderick Cameron, Lady Kenmare's son
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 17 1/4 × 16 inches (43.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 9/16 x 16 3/4 inches (49.7 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Worth Matravers, Dorset
Creator:
Paul Nash, 1889–1946
Date:
1936
Materials & Techniques:
Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:
Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund