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William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth John Wilkes, Esq.
William Hogarth, 1697–1764
John Wilkes, Esq
1763
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Illustrations of The Book of Job, Title Page
William Blake, 1757–1827
Illustrations of The Book of Job, Title Page
1825
William Blake Book of Job, Plate 1, Job and His Family
William Blake, 1757–1827
Book of Job, Plate 1, Job and His Family
1825
William Blake Book of Job, Plate 6, Satan Smiting Job with Boils
William Blake, 1757–1827
Book of Job, Plate 6, Satan Smiting Job with Boils
1825
William Blake Book of Job, Plate 21, Job and His Family Restored to Prosperity
William Blake, 1757–1827
Book of Job, Plate 21, Job and His Family Restored to Prosperity
1825
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
John Copley Sheep in Twilight
Print made by John Copley, 1875–1950
Sheep in Twilight
1922
Paulus Pontius Paulus Pontius
Print made by Paulus Pontius, 1603–1658
Paulus Pontius
ca. 1635
John Boydell Noon
Print made by John Boydell, 1720–1804
Noon
1753
John Boydell A Calm
Print made by John Boydell, 1720–1804
A Calm
1754
David Lucas Hadleigh Castle, Large Plate
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
James McArdell Charles Saunders Esq.
James McArdell, ca. 1729–1765
Charles Saunders Esq
1748
Charles William Cain The Nautch Dancers
Print made by Charles William Cain, 1893–1962
The Nautch Dancers
ca. 1925
unknown artist Returning from a Review...Paris
unknown artist
Returning from a Review...Paris
1802
unknown artist Breakfast at Breteuil
unknown artist
Breakfast at Breteuil
1801
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
William Bernard Cooke The Vale of Ashburnham
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
William Bernard Cooke Hurstmonceux Castle
Print made by William Bernard Cooke, 1778–1855
Hurstmonceux Castle
1820
Henry Le Keux Simmer Lake near Askrig
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1818-1823
Charles Heath Ingleborough, from Hornby Castle Terrace
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
Charles Heath Kirkby Lonsdale Churchyard
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
Robert Wallis Edinburgh from Leith Harbour, Vignette Title to Vol. II
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour, Vignette Title to Vol. II
1826
Edward Francis Finden Genoa
Print made by Edward Francis Finden, 1791–1857
Genoa
1832-1834
unknown artist South Front of St. Pauls
unknown artist
South Front of St. Pauls
1801
Sir David Young Cameron The Five Sisters, York Minister
Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
unknown artist St. George's, Bloomsbury
unknown artist
St. George's, Bloomsbury
1799
Francesco Bartolozzi Tom Jones Assisting Molly Seagrim
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
Arthur John Reginald Trevor Briscoe The Main Tack
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
The Main Tack
1928
Charles William Cain A Persian Bazaar
Print made by Charles William Cain, 1893–1962
A Persian Bazaar
undated
Sir David Young Cameron The Five Sisters, York Minister
Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
James Basire the younger A View of Worcester College &c.
Print made by James Basire the younger, 1769–1822
A View of Worcester College &c
1804
James Basire the younger View of Oxford from the South Side of Heddington Hill
Print made by James Basire the younger, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
George Cooke Edinburgh Castle, Vignette Title to Vol. I
Print made by George Cooke, 1781–1834
Edinburgh Castle, Vignette Title to Vol. I
1826
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
James Basire the younger South View of Christ Church, etc. from the Meadows
Print made by James Basire the younger, 1769–1822
South View of Christ Church, etc. from the Meadows
1799
James C. Allen Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
Benjamin Green Oxford Physic Garden
Print made by Benjamin Green, ca. 1736–ca. 1800
Oxford Physic Garden
1766
John Raphael Smith Painting
Print made by John Raphael Smith, 1752–1812
Painting
1783
Michael Landy Creeping Buttercup
Michael Landy, Born 1963
Creeping Buttercup
2002
Willem Janszoon Blaeu Magnae Britanniae et Hiberniae Tabula
Print made by Willem Janszoon Blaeu, 1571–1638
Magnae Britanniae et Hiberniae Tabula
1634
Edward Goodall Valombre
Print made by Edward Goodall, 1795–1870
Valombre
1834
Samuel William Reynolds Animals [a pair]: 2. Tigress
Samuel William Reynolds, 1773–1835
Animals [a pair]: 2. Tigress
1799
William Holl Mrs. Siddons
William Holl, 1807–1871
Mrs. Siddons
Francesco Bartolozzi Gainsborough
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
Valentine Green Elizabeth, Countess of Ancrum (1745-1780)
Valentine Green, 1739–1813
Elizabeth, Countess of Ancrum (1745-1780)
1771
Samuel William Reynolds Animals [a pair]: 1. Lioness
Samuel William Reynolds, 1773–1835
Animals [a pair]: 1. Lioness
1799
George Hunt Coaching: The Cambridge Telegraph, Starting from the White Horse
George Hunt, active 1820–1840
Coaching: The Cambridge Telegraph, Starting from the White Horse
1831
Thomas Rowlandson Fox-hunting [one of a set of six]: The Dinner
Thomas Rowlandson, 1756–1827
Fox-hunting [one of a set of six]: The Dinner
1787
William Elliot [Horse-racing] Set of six: 1.The Cullen Arabian &c.
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 1.The Cullen Arabian &c
1758
Charles Hunt 'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841...
Charles Hunt, 1803–1877
'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841..
1841
Matthew Dubourg Pheasant Shooting
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
William Richardson Crossing the Brook
Print made by William Richardson, active 1842–1877
Crossing the Brook
between 1859 and 1861
John Samuel Agar Sir George Beaumont, Bart.
Print made by John Samuel Agar, ca. 1773–1858
Sir George Beaumont, Bart
1812
unknown artist Scenographia Americana: Untitled view (perhaps of Boston?)
unknown artist
Scenographia Americana: Untitled view (perhaps of Boston?)
1758-1760
James Basire Plate VIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
Daniel J. Pound John E. Millais
Print made by Daniel J. Pound, active ca. 1860
John E. Millais
1859